Edgar Mosa (Metalsmithing ’11) has two pieces in a group exhibition titled, Domestic Appeal Collection #3 at Chamber in NYC. The exhibition is open through April 22, 2017.
Katherine Terrell (2D Design ’03) launches a sustainable bikini brand Jeux De Vagues. As a designer, surfer, mom, and activist, Terrell creates solid fabrics made with Econyl® , a 100% regenerated polyester fiber made from pre- and post-consumer materials. Printed fabrics are made from recycled water bottles. All bikinis are made in a fair labor factory in Los Angeles with dissolvable, fully biodegradable hangtags. For more information about the products go to the website.
The Masters Student Collective of Kendall College of Art and Design, and the Urban Institute of Contemporary Arts present the 7th Annual Michigan Emerging Graduate Artists Juried Exhibition (MEGA). MEGA 2017 features works from 5 Cranbrook Academy of Art Students from artists representing 6 different Michigan Universities. The exhibition features a variety of mediums such as sculpture, textile works, photography, painting, drawing, printmaking, video, performance, and installation. The exhibition opens on April 8th with an opening reception 6-8pm at the Avenue of for the Arts.
Cranbrook Academy of Art students selected to participate are: William Marcellus Armstrong (Fiber ’17), Prashani Chandrasena (Fiber ’18), Min-Jen Chang (Print Media ’17), Anita Enriquez (Fiber ’17), and Jing Ouyang (3D Design)
Camille Silverman (Painting ’06) is named Executive Director of Riverside Arts Center (RAC) in Riverside, Illinois. Silverman’s immediate goals include the launch of a membership drive leading up to RAC’s 25-year anniversary and an expansion of the educational programs offered by RAC throughout the community.
“This Land is Your Land”, Barry Underwood’s (Photography ’95) second exhibition with SOUS LES ETOILES GALLERY opened and featured on artdaily.org.
Inspired by the famous folk tune, “This Land is Your Land” written by Woody Guthrie, Underwood’s series affirms his standing as an environmentalist photographer and ecological advocate.
Written in 1940, the song’s original lyrics introduced a critical perspective to the idealistic view of America as Underwood’s images challenge the common bucolic perception of the landscape.
The interactive, immersive projection, called Beacon, will run from mid-April to mid-July at the empty 930 K Street building, says producer and placemaker Tre Borden, who is running the project with local filmmaker, artist and Beacon curator, Jessa Ciel (Photography ’16).
The Contemporary Sculpture Society at the University of Arkansas-Fayetteville, hosts visiting artist and curator Haynes Riley (2D Design ’11) as a guest lecturer at 5:30 p.m. Wednesday, March 15, in Hillside Auditorium 206. Riley is an artist, curator, designer, and founder and director at Good Weather in North Little Rock, Arkansas. While at Good Weather, Riley has organized nearly thirty solo exhibitions and participated in NADA New York, Material Art Fair, and ARTBandini Los Angeles.
Stranger, Vineta Chugh’s (3D Design ’17) two-person show with Scott Campbell exploring themes of masculine and feminine identity opens on Friday at Galerie Camille in Midtown Detroit. The exhibition runs March 10-April 1 with an artist talk on Saturday, March 25 at 2pm.
Willie Wayne Smith (Painting ’10) was named one of the top ten artists to watch at New Art Dealers Alliance (NADA) according to Artspace magazine. The large, multilayered paintings of Smith offer several access points: black line drawings that describe ordinary scenes from the point of view of an anonymous observer, text scribbled with airbrush paint that document the artist’s stream-of-consciousness, and a fragmented picture plane calling to mind a blurry photograph.
Susan Hagen’s (Sculpture ’83) solo exhibition People Power The Recent Work of Susan Hagen
features works from her “Teenager Project” and “Citizens (People of Philly)” series. Included will be drawings and sculptures which explore the lives of teenagers and the ordinary people (and subcultures) who make up the fabric of urban life in Philadelphia. The exhibition on display at The Marlin Art Gallery at Camden Community College until April 7, 2017
Artsy names Sonya Clark (Fiber ’95) as one of the top 16 women pushing design forward in the United States. According to recent studies published by the AIA (the national professional association of architects) and AIGA (the professional association for design) reveal that, while design and architecture programs attract female and minority students, “the professions don’t retain them,” explains design critic Alexandra Lange, “and the numbers are particularly small at the leadership level.”
Motivated by these imbalances, Artsy spotlights 16 women, including Clark, who are transcending these statistics and leading progressive change in their fields.
Painting Alum Shiva Ahmadi (Painting ’05), whose ethereal, evocative use of the aesthetic modality of traditional Persian painting ensnares the viewer in complicit landscapes of violence, producing a potent and poetic critique of contemporary politics both foreign and domestic. Shiva Ahmadi: Ascend opens on March 9 at the Leila Heller Gallery in NYC.
Chanel Von Habsburg-Lothringen (Photography ’14) launched her first publication, Deadstock. Deadstock is published by Maga Books. To celebrate the launch, Habsburg-Lorthringen and Martha Wilson offered inter-generational perspectives on feminism, performance, and the archive as they relate to their respective practices at a talk titled, “Framing Femininity” at […]
Joseph Kraska’s trippy queer video series Peppré Ann and Froends returns with a new episode. This time, the girls are going shopping. But instead of typical consumer schlock and Orange Julius, they’re going to be exposed to the harsh, bizarre reality of the suburban mall (“moll”) as a privatized public space, where the logic of capitalism rules over free speech or the right to congregate. This all-too-real dystopian nightmare will be brought to life through an installation in collaboration with Johannah Herr (Sculpture ’16).
Lauren Satlowski (Painting ’13) has a solo exhibition at Embassy Gallery called, Night in the Diamond Cut. Satlowski’s new works on paper employ characters that unabashedly celebrate their innate femininity while simultaneously calling the body into crisis. These archetypes —both girlish and aged– materialize and retreat through the staining and crystallization of watercolor and ink.
William Connally (Photography ’12) will present at the Society of Photography Education 2017 National Converence in March 2017 on Thursday, March 9 from 4-5:40pm. His presentation is part of the new imagemaker “Dialogic” presentation. This new session format is a carefully curated series of five concise 18-minute presentations by five imagemakers on issues of photography, family, and remembrance.
On March 6, Shanna Merola (Photography ’11) will speak at a lecture called, “Off the Record.” She will discuss the various roles that art and activism play in her work with grassroots movements across the country – from the historic fight to reclaim Richmond, Virginia’s African Burial Ground to the deeply embattled struggle over water privatization in Detroit and Flint, Michigan.
P·P·O·W in New York presents Tie Me to the Mast, a solo exhibition by Annabeth Rosen (Ceramics ’81). Rosen’s work explores the fundamental properties of ceramics by directly confronting the aesthetic and chemical relationships between sculptural form and painterly surface.