Tiff Massey (Metalsmithing ’11) and Laura Mott (Curator of Contemporary Art and Design at Cranbrook Art Museum) participated in a roundtable discussion about rust with Taylor Aldridge and Matthew Angelo Harrison – featured in Art21 Magazine.
Alumna Keetra Dean Dixon (2D Design ’06) has been named one of the “Educators To Watch” by Graphic Design USA. According to the magazine, “The common thread is that these are people who are making a difference to their students, schools and community.” Dixon is an educator at Rhode Island School of Design (RISD) and her work earned a U.S. Presidential Award, a place in the permanent design collection at SFMOMA and an ADC Young Gun Award (in 2008). Her clients have included […]
Guest Curator Dasha Matsuura selected Jessica Dolence’s (Fiber ’16) work to be included in the latest issue of Create! Magazine. The magazine which focuses on the unique work of artists from around the world. Each issue contains contemporary art, craft, design, and inspiring stories of the makers behind it.
AICAD fellows have recently been selected to participate in a year-long, Post-Graduate Teaching Fellowship at participating AICAD institutions during the 2017/18 academic year. Three Cranbrook Academy of Art graduates were selected as Fellows. Jetshri Bhadviya (Photography ’15) and Preston Thompson ( 2D Design ’17) will participate in the first year Fellowships. Meanwhile, Ebitenyefa Baralaye (Ceramics ’16) will be continuing in his position as a second year Fellow. The Fellowship program seeks to provide professional practice opportunities to high-achieving alumni and values diversity as central to excellence in art and design education.
As part of Tryon Arts & Crafts School’s Crafts and Conversation Series, David Edgar (Sculpture ’80) and his wife Robin will speak on the “Origins and Mythology of the Plastiquarium” on June 8. Edgar shifted from working in steel to making artwork from post-consumer recyclable plastics. One of the results of working in this new media is the series he refers to as “Creatures from the Plastiquarium.” He worked on EPCOT Center as an artist preparator with the Imagineering Division of the Walt Disney World Company before his professional career in art administration.
Ania Jaworska (Architecture ’09) is interviewed in Sight Unseen. See her work in our exhibition Cranbrook: A New Domestic Landscape currently on display Cranbrook Art Museum. Jaworska is also currently a MoMA PS1 Young Architects Program finalist.
New etchings and paintings from alumnus Brad Cushman (Painting ’86), the director of the University of Arkansas at Little Rock Art Gallery, will be on display at Boswell Mourot Gallery from June 10 to July 1. Landscapes, trees and their reflections, weathered surfaces, and textures have inspired this series of paintings and mixed media works. An opening reception for the exhibit, Though False Intended True, will be held from 6-9 p.m. Saturday, June 10, at Boswell Mourot Gallery.
View a re-installation of Portable City by Anne Wilson (Fiber ’72) with the current exhibition Landscapes by Amy Vogel at Paul Kotula Projects in Ferndale, Michigan on June 1-3. Hours for this program are Thursday, June 1, 11-7pm and Friday and Saturday, June 2 and 3, 11 to 5pm. The pairing brings together two Chicago artists who are challenging the notion of landscape conceptually and physically in their respective bodies of work.
Erin Whitman (Painting ’06) will be visiting artist at Lake Tahoe Community College (LTCC) June 8-9. The school’s Art Department two days of events, including a lecture about her work and artistic inspirations on Thursday, June 8 at 6 p.m. and a hands-on demonstration of her work on Friday, June 9 from 2 p.m. to 5 p.m. These events, sponsored by the LTCC Foundation and the LTCC Art Club, are free and open to the public.
Dwell Magazine named Detroit-based artist and Cranbrook Alumnus Ara Levon Thorose (3D Design ’15) one of “The Best of New York Design Week.” According to the magazine, “We think it’s pretty safe to say that young artist Ara Levon Thorose is off to a strong start.”
Jaime Alvarez (Photography ’05) created a family space and art-photography business in a 19th-century former home of a pickle factory. The story in the Philadelphia Inquirer about the 4,000 square-foot building in Fishtown are just where Alvarez and wife Leah Shepperd now thrive along with their infant son, a large St. Bernard named Seamus, and two indistinguishable orange cats named Chester and Lester.
In May, the Wexner Center will debut Gray Matters, the first exhibition curated by Michael Goodson (Sculpture ’97). The show completes a circle of sorts for the museum’s new, 48-year-old senior curator of exhibitions. Long before he chose what pieces to display at Columbus’ top contemporary arts venue, Goodson was on the other side of the artistic equation—an aspiring sculptor and punk-rock kid from Dayton seeking inspiration from his visits to the Wex. After several years of artistic practice and curating, “I found pretty quickly that I had an acumen for thinking about how work is installed and what it means in that context,” said Goodson.
In an ArtDaily, an article featuring Tony Matelli’s (Sculpture ’95) debut of his singular, larger-than-life-size outdoor figurative sculpture at The Aldrich Contemporary Art Museum. Hera is an extension of Matelli’s Garden Sculptures series, initiated in 2015, in which he defaces garden statuary of classical or religious icons and subverts material expectation. Based on an ancient Greek statue of Hera and poised atop a pedestal, the statue, fabricated out of cast stone, is painstakingly aged to mimic a centuries old patina. The exhibition is open through October 21.