Jen Catron + Paul Outlaw
March 11, 2017
The reality is the problems of the real world are 100 times more problematic in the art world. This lecture is an exploration of the development of our artistic practice while navigating the ever-evolving and always-confusing New York City art scene.
Jen Catron and Paul Outlaw are a collaborative group based out of New York. They are graduates of Cranbrook Academy of Art in 2009. Their practice includes performance, sculpture, and mixed media. The duo has exhibited in various venues including a recent solo exhibition titled Behold! I teach you the Overman! at Postmasters Gallery, New York City, 2016. Their recent exhibition was reviewed in publications as such The New York Times, Hyperallergic, ArtFCity, Nylon Magazine and various other publications.They have created site-specific work for Miami Art Week at Satellite Art Show titled F+++ It, 2016. Other Notable works include Breathless at Rush Arts Gallery in 2014, Succulent National #Selfie Portrait Gallery, Moving Image Art Fair, London England, 2013, No Object is an Island, Cranbrook Art Museum, Bloomfield Hills, MI 2011.
Sponsored by the Sculpture Department
March 9, 2017
An Evening of Art + Science
Scott Hocking, Artist
Charles Burant, M.D., Ph.D., Taubman Institute of Science
This lecture was canceled due to a wind storm and power outage.
March 7, 2017
Join us on March 7 at 7pm for a public conversation and awards presentation with McArthur Binion (Painting ’73). Binion is the recipient of the 2017 Distinguished Alumni Award from Cranbrook Academy of Art. The evening will begin with an awards presentation, followed by a conversation with Binion and Laura Mott, Curator of Contemporary Art and Design at Cranbrook Art Museum, and Michael Stone-Richards, local writer and educator.
Though McArthur Binion’s over 40-year investigation of abstract painting has been continual, his work has gained prominence in recent years. Binion’s work shares many tenets with the canons of Modernism — and particularly Minimalism — but he subverts the dominant rigid notions of the avant-garde by extracting images and rhythms from varied sources including personal narrative, jazz music, and memory. “The part I took from Minimalism,” Binion said, “is that you want to do your own stuff in your own image.” Equally important to Binion is the integration of personal “DNA,” which is evident in the artist’s recent 2015 solo exhibition, Re: Mine at the Galerie Lelong in New York.
Re: Mine continues his DNA series, begun in 2013, in which he physically lays down copies of his birth certificate and pages from his New York address book as the self-described “under conscious” of his paintings, and applies multiple layers of paint stick in vertical and horizontal strokes, combining biography with geometry.
Binion’s works have been featured in solo exhibitions across the country. And just this month it was announced that his work will be included in this year’s Venice Biennale, Viva Arte Viva, curated by Christine Macel.
Currently, his work Circuit Landscape No. 1, is on display at Cranbrook Art Museum in the From the Vault: Recent Gifts to the Collection exhibition.
February 21, 6pm
AIR Sabbatical Talks (Mark Newport, Iris Eichenberg, Anders Ruhwald)
Join us for an evening of presentations by three of our Artist-in-Residence about new work and research while on sabbatical from the 2015-2016 academic years.
Sponsored by the Dean’s Office
February 24, 2017
Vito + Maria Acconci, Acconci Studio
February 16, 2017
Autonomy and Ambiguity
Igor Siddiqui is an Associate Professor in Architecture at UT Austin and a licensed architect in New York State. He is the principal and co-founder of ISSSStudio, an emerging practice with a mission to expand architecture’s boundaries by operating across a broad range of scales, typologies, and media. ISSSStudio explores new applications of digital technologies, material innovations, and research methods while also interrogating conventions that ordinarily constrain design production.
Sponsored by the 3D Design Department
February 15, 2017
Performance: “Into The Darkness” by Ingrid Lafleur
Admission to this event is free.
“I’m playing dark history. It’s beyond black. I’m dealing with the dark things of the cosmos.” —Sun Ra
Afrotopia founder, Ingrid LaFleur, will guide us through a meditation to transcend into the cosmos. It is within the cosmic ocean we will be able to strengthen the mind, expand consciousness and let the spirit exhale in order to be able to effectively and with purpose work within the human plane.
Ingrid LaFleur is a cultural producer, arts advocate, and founder of AFROTOPIA. Based in Detroit, AFROTOPIA is an evolving creative research project that investigates the possibilities of using the arts movement Afrofuturism as psychosocial healing. LaFleur explores ideas around historical traumas, myth-making, transcendence, and the role of spirit science and technology within Black American socio-political movements. AFROTOPIA includes a film series, classes for youth, monthly book club, a Dj-in-residence program, a performance art festival and an Afrofuturism Archive.
Known for her expertise on Afrofuturism, LaFleur has presented at Centre Pompidou (Paris), Bucknell University (Lewisburg, PA), TEDxBrooklyn, TEDxDetroit, Creative Mornings (Detroit), Iwalewahaus at the University of Bayreuth (Bayreuth, Germany), College for Creative Studies (Detroit). LaFleur is based in Detroit, Michigan.
Sponsored by Post MOVE, a student collaborative supporting the interests of students of color and international students at Cranbrook Academy of Art.
February 10, 2017
Sampada Aranke (PhD, Performance Studies) is an Assistant Professor in the History and Theory of Contemporary Art at the San Francisco Art Institute. Prior to coming to SFAI, she was a Visiting Assistant Professor in Art History at the University of Illinois, Chicago. Her research interests include performance theories of embodiment, visual culture, and black cultural and aesthetic theory.
Sponsored by the Dean’s Office and the Association for Independent Colleges of Art and Design
February 9, 2017
Manon van Kouswijk
The word ‘findings’ has multiple meanings. It is commonly used to describe the outcome of research, investigation or a discovery however it also refers to the small tools and various materials used by an artisan: a jeweller’s findings.
Manon van Kouswijk is a Dutch artist and contemporary jeweller who lives and works in Melbourne, Australia. She studied at the Gerrit Rietveld Academy in Amsterdam, The Netherlands, where she held the position of Head of the Jewellery Department before relocating to Australia in 2010. Her working methodology is based on exploring and translating the archetypal forms and motifs of jewellery, and other objects that are closely related to the body, through a range of materials and processes that shift their reading. An integral aspect of her multidisciplinary practice is the framing and contextualizing of her work through the making of exhibitions and artist publications often in collaboration with other practitioners. Her most recent artist book is “Findings’, published in Melbourne in 2015. In this lecture she will present an overview of her practice, exhibitions and publications and talk about the ideas that underpin her work.
Sponsored by the Metalsmithing Department
February 7, 2017
Opening with a line borrowed from the anarchist anthropologist David Graeber, this lecture “leans in” to an expansive consideration of the structural violence of bureaucracy, performing the problem of work under capitalism’s rhetorical sleights of hand. The usual suspects: the poor image, Citizens United, the anthropological imaginary, Max Weber, Kathi Weeks, feeling your feelings, and the displacement of metaphor.
Sponsored by the Critical Studies and Humanities Program
January 31, 2017
ART21 Screening + Conversation
Tina Kukielski, Executive Director of ART21
Laura Mott, Curator of Contemporary Art + Design at Cranbrook Art Museum
The museum will host a screening of the episode Chicago from the acclaimed PBS series Art21: Art in the Twenty-First Century. The four-part episode features documentary shorts on the artists Theaster Gates, Barbara Kasten, Chris Ware, and CAA Alum Nick Cave. The museum’s 2015 exhibition Nick Cave: Here Hear and performance Heard: Detroit are prominently featured in the episode. Following the 60-minute screening, Curator Laura Mott will lead a conversation with ART21 Executive Director about the Peabody Award-winning PBS series and documenting artistic process.
Sponsored by the Cranbrook Art Museum
January 29, 2017
Over the past 20 years, Belott’s practice has spanned the gamut of media, from bookmaking to performance. His work is in constant flow, led by a relentless curiosity; one that is aware of art history yet operates without the anxiety of influence. The studio is like a creative chemistry lab, where he studies the aesthetic effects of combining material absurdity and the premise of tradition. With these experiments, Belott resurrects the mannerisms of Modernism and he frees his imagination, as he purposefully relinquishes control, foregoing the trappings of orthodoxy.
Sponsored by the Painting Department
January 28, 2017
Ann Arbor Film Festival Digital Program
Nine new experimental, animated, documentary and narrative videos including Mateusz Sadowski’s Resonance, Winner of the Chris Frayne Best Animated Film Award, and Ralitsa Doncheva’s Baba Dana Talks to the Wolves, Winner of the Eileen Maitland Award for Women’s Voice. The program also features Bisonhead (Elizabeth Lo), The Mess (Peter Burr), The Perpetual Motion of My Love for You (Karen Yasinsky), Love Under Will of the Hags Long Tooth (Mica O’Herlihy), Fundir (Allison Cekala), and not even nothing can be free of ghosts (Ranier Kohlberger).
Sponsored by the Dean’s Office
January 27, 2017
The ever-deepening wedge between ideological classes has created a moment of increasing decampment by artist to metropolises with built-in art world ecologies. Networks of artists, curators, writers, and audiences in company with physical resources and structures of dissemination—galleries, institutions, universities, libraries—are plentiful in these cities. But what if one were to slip to the other end of the lever, using these hubs as a fulcrum and the space between to build an ecology based in the geographical center?
Sponsored by the 2D Design Department
January 26, 2017
Knoll Lecture in Design sponsored by Knoll International
Design partners Dunne & Raby use design as a medium to stimulate discussion and debate amongst designers, industry and the public about the social, cultural and ethical implications of existing and emerging technologies. Anthony Dunne is Professor of Design and Emerging Technology and a Fellow of the Graduate Institute for Design Ethnography and Social Thought at The New School in New York. Between 2005-2015 he was professor and head of the Design Interactions department/programme at the Royal College of Art in London. He is co-author of the book Speculative Everything – an overview of Dunne & Raby’s research.
Sponsored by Knoll International
January 25, 2017
Sarah Kirk Hanley
In today’s digital culture, more and more artists are working predominantly with print media. This is due not only to the ubiquity of printed imagery, but more importantly, to its direct relationship (as a mechanical, serial medium) to contemporary mass media. Like Warhol and Rauschenberg, many contemporary artists who do not self-identify as printmakers rely heavily on this medium to express their ideas to create unique works rather than editions. Early examples by established artists such as Nancy Spero, Xu Bing, Félix González-Torres, Kara Walker, and Kiki Smith will be discussed alongside the work of a new generation, including Wade Guyton, Kelley Walker, Charline von Heyl, Ryan McGinness, Matthew Day Jackson, Swoon, Nicola López, and Rob Swainston.
Sponsored by the Print Media Department
January 25, 2017
Is there an ethic to the object or “objectness”? Thomas McEvilley and Mike Kelley, among others, have written on the social, historical and ethical play between images and objects. Through his own work, contemporary Affect Theory and precedents in the history of Art, Ben Buswell will speak to the object as a space of social potential and subjective connectivity.
Sponsored by the Sculpture Department
January 9, 2017
Trained as a curator and art historian, Claire Tancons practices curating as an expanded creative field and experiments with the political aesthetics of walking, marching, second lining, masquerading and parading. Her practice of processional performance has unfolded at Tate Modern’s Turbine Hall, inaugurated the Faena District Miami Beach and is developing as civic ritual for Printemps de Septembre in Toulouse for next Fall 2017.
Sponsored by the Fiber Department