Print Media Department

Ato Ribeiro
2017

2017-18 Print Media Department Newsletter

We are pleased to welcome Emmy Bright (Print Media ’16) and Cooper Holoweski as Artists-in-Residence for the Academy’s Print Media Department. Read more about their recent appointment here. 

Print Media Departmental Philosophy

Print Media is characterized by a perpetually expanding view of printmaking through interdisciplinary practice. This dynamic approach to print encourages experimentation and innovation within traditional and emerging print media. Practices from woodcuts to zines, commercial printing to the digital tools of mass media are all encouraged in our department. It is the space where artists engage with the materials and technologies of reproduction, with a value placed on experimentation and process. Rooted in the concept of democratic media – from Gutenberg to internet memes, Print Media prizes collaboration and diverse forms of dissemination in contemporary art and culture.

Challenge begins in the studio. Each student that enters the department should have a high level of self-motivation to create work, a restless curiosity about self and world, the maturity to handle the interface of life and creative practice, and be willing to work with others for mutual artistic growth within a constructive but demanding learning environment.​

Print Media trip to The Dequindre Cut and Eastern Market, Detroit, 2016

Print Media trip to the Dequindre Cut and Eastern Market, Detroit, 2016

Program

The Print Media Department is a community of individuals from diverse backgrounds that enthusiastically consent to work together and contribute their efforts toward a shared purpose, which is to research, discuss and produce work that will define a leading position within the vanguard of contemporary art practice. Ongoing critical dialogue is fostered through peer review during weekly critiques, one-on-one meetings with the artist-in-residence, weekly reading group, meetings with visiting artists and critics and through the campus wide critical studies program.

The Department’s operation schedule reflects our program’s dedication to the development of each member’s individual studio practice, as well as the growth of a shared set of critical thinking, writing, and social practice skills that will contribute to and advance the discipline of Print Media.

In addition to visits by notable artists, critics, and curators from around the world the department schedules numerous field trips in the City of Detroit. Students have the opportunity to engage with artists, collectives, museums, and galleries in the city. There are also yearly field trips to other cities in the states and abroad.

Natalie Hou
Napoleon Crossing the Alps
Phototex print, MDF, paint
2017

Molly Aubry
Alchemical Ray, 2017
graphite on HP matte film

Christopher Corey Allen
untitled (palaestra) , 2017
single channel digital projection (frame still)
11:52 Loop

Christopher Corey Allen
untitled (palaestra tessellations) , 2017
single channel digital projection (frame still)
20:33 Loop

Facilities

The Print Media Department is located within two adjacent buildings. The department occupies two floors in the Academy Administration building. A cluster of semi-private studios for students, a small computer lab, a critique room, and a kitchen occupy the first floor. The lower level houses recently renovated print shop facilities for water-based screenprinting, intaglio, lithography, and letterpress processes. Additional studios and a large, communal workspace are located across the street in the Lone Pine building. The Academy’s professionally staffed and well-equipped Central Media Lab, Wood Shop and Library further enhance the department’s resources. The metro Detroit business and manufacturing community offers many possibilities for outsourcing of work if required.

Visiting artist Goedele Peeters from Antwerp, Belgium doing a demonstration reduction woodblock printing, 2017

Field trip to Ocelot Printshop in the Cass Corridor, Detroit MI

 

Kilee Price
I don’t wanna be alone but I don’t wanna talk to anyone either, 2017
Polystyrene foam, Bondo (polyester resin), spackle, gesso, spray paint, archival pigment print, sand; 48″ x 96″ x 24″

Matt Boyd
Time Gon Bye, 2017
Wood, 1oz. wax paper cups, yellow canvas, sunflower seeds, large tray, blue liquid