The exhibition Sugar, Sugar at Public Pool featuring three photography Academy graduates: Clair Gatto (Photography ’17), Jova Lynne (Photography ’17), and Megan Kelley (Photography ’17) (Photography ’17), Jova Lynne (Photography ’17), and Megan Kelley (Photography ’17) is opening May 12 from 7-11pm.
Author Archives: Jennifer Knoll
Ross Hansen’s (3D Design ’11) current exhibition Super Natural is being shown at VOLUME GALLERY in Chicago. Super Natural examines the perception of nature as a perfect, composed image. This series explores colors, forms, and industrial processes through functional objects made from epoxy resin in a range of scales. Eschewing the monotony of identical objects, these works resemble the structure of nature: similar at first glance yet varied upon inspection. The synthetic material and construction of these […]
The artistic team of Hillerbrand+Magsamen is the collaboration of Stephan Hillerbrand (Sculpture ’04) and Mary Magsamen (Sculpture ’94) will present 147 Devices for Integrated Principles, a new, multimedia, performative artwork that animates everyday objects as unifying mechanisms for survival during times of social disconnect and intensified need. As an immersive interdisciplinary theatrical experience, 147 Devices for Integrated Principles literally and conceptually unpacks our relationship to everyday objects and how we use them to ease the suffering and pain in our lives. The 60-minute production is […]
Shiraz Gallab (2D Design ’15) is profiled in this month’s Eye on Design, where she discusses the role of personal narrative in graphic design. The article provides an overview of Gallab’s background as a Sudanese-born and U.S.-raised designer who formed the beginnings of a robust personal practice at Cranbrook Academy of Art. “I try in my work to study different interactions or different conversations that can take place between human beings, and to study how we can communicate more […]
This Friday on May 4 from 5-8pm, Cranbrook and SAIC Ceramics departments are having a pop up show at MOCAD in Detroit. Established in 2015, the SAIC X Cranbrook Exchange is an exhibition produced by current second-year graduate students form the Ceramics Departments of the Art Institute of Chicago and Cranbrook Academy of Art. The Exchange embodies the notion of contemporary ceramics contextualized form the viewpoint of artists from two of the top graduate schools in the U.S.
In Eastern Market, Dubois Basement is hosting an opening reception for Everywhere -Michelle Branch, a two-person show featuring new work from Academy alumnea Clare Gatto (Photography ’17) and Anjuli Wright (Ceramics ’17). The semi collaborative installation is a rendezvous of body and mass through photography and ceramics. The works are perpetually focusing and blurring, causing objects to flatten while images exude movement. This constant tension between zooming in and zooming out becomes […]
Ross Hansen’s (3D Design ’11) solo exhibition Super Natural is open at VOLUME Gallery. Super Natural examines the perception of nature as a perfect, composed image. This series explores colors, forms, and industrial processes through functional objects made from epoxy resin in a range of scales. The exhibition is open through May 26.
According to the Detroit Free Press, a new 170-foot-by-60-foot mural by accomplished artist and Painting Artist-in-Residence Beverly Fishman will rank among the largest pieces of public art in Detroit once it’s finished by early May. Entitled “Rise,” the colorful, abstract mural will bring a vivid transformation to the north-facing wall of the brutalist-style architecture of the Detroit City Club Apartments at 1431 Washington Blvd. “Rise” will be […]
DRAWINGS DRAWINGS is a new artist book by Joshua Abelow (Painting ’08). The book is composed of pencil drawings created over a period of thirteen years. To produce each drawing, Abelow always uses a 6B pencil on cream-colored 30 x 22 inch paper. This simple format provides a consistent material framework for the artist to push his idea-based agenda. Each drawing appears in chronological order and, as the title of the book suggests, each drawing is repeated. Abelow often uses reproductions of artworks by other artists as a starting point. A book release […]
Karyn Olivier (Ceramics ’01) submitted design concepts for art to be featured in two vaulted spaces in Memorial Hall’s vestibule at University of Kentucky. As part of their visits, Olivier and another artist presented initial proposals selected for consideration by UK’s Memorial Hall Art Committee. The concepts chosen for review by the committee were acquired during a national search looking for site-specific installations to establish a rich aesthetic and conceptual dialogue with Memorial Hall itself and the mural by Ann […]
Hyperallergic reviewed Artist-in-Residence Beverly Fishman’s exhibition and said, “Beverly Fishman: Chemical Sublime, at Kavi Gupta Gallery, is visual ecstasy, in more ways than one.” Hyperallergic continues, “Fishman subversively explores perception and the ways contemporary humans fill the voids in our lives. For this show, she deploys forms utilized by the pharmaceutical industry. Integral to the success of Chemical Sublime is the fact that so many of the works possess distinctive voids. Nicknamed “Missing Doses,” these pieces […]
Nick Cave (Fiber ’89) is receiving a great deal of attention for his upcoming performance in Nashville. The sold-out public performances of Nick Cave: Feat. Nashville at the Schermerhorn Symphony Center on April 6, 2018, will be livestreamed in the Frist Center’s auditorium and viewable at fristcenter.org as well as he free large-scale performances will include three customized compositions (“Blanket Statement,” “Heard,” and “Up Right”) that combine a variety of genres, from music and dance to spoken word, with Cave’s signature soundsuits […]
Colorado-based artist James Surls (Sculpture ’69) is returning to his native state of Texas to lecture at the Amon Carter Museum of American Art in Fort Worth on March 29 from 6-7pm. In conjunction with the special exhibitions A New American Sculpture, 1914—1945: Lachaise, Laurent, Nadelman, and Zorach and Commanding Space: Women Sculptors of Texas, […]
Horger Artist-in-Residence Karyn Olivier (Ceramics ’01) will present her work, discuss current projects, as well as the work she is doing with Lehigh University students on April 16 at 6pm at Black Box Theatre, Zoellner Arts Center. This artist talk is in conjunction with the exhibition Karyn Olivier, continuing through May 25 at the LUAG Main Gallery, Zoellner Arts Center.
Cranbrook in this round-up from HOW Design magazine, including a poster designed by Artist-in-Residence Katherine McCoy, a profile of Nancy Skolos (Design 77) and Thomas Wedell (Photography ’76).
The prestigious Patinoire Royale/Galerie Valérie Bach in Brussels will feature the work of the Olga de Amaral, who studied weaving at the Academy in the 1950s. A selection of some forty works, which covers the last 15 years of a creative life that spans six decades, will be presented in a first-ever retrospective in Belgium.
Photography Artist-in-Residence, Danielle Dean, talks with Cultured Magazine about her practice and current exhibition at Museum of Contemporary Art Detroit – MOCAD. Her 2017 film True Red Ruin (Elmina Castle) is on view as a solo presentation at MOCAD through April 15.
Jonathan Mueke (3D Design ’10) is featured by Metropolis Magazine as one of Minnesota’s emerging creatives. According to the article, “Jonathan Muecke has perfected an aesthetic that is simultaneously reticent and blunt. His work can suggest furniture, architecture, sculpture, or all three at once: a diminutive copper step stool masquerading as sculpture, light fixtures that define rather than illuminate space, a chair made from carbon fiber.”
After coming to the Virginia Commonwealth University School of the Arts, where Jeanne Medina’s (Fiber ’13) took a position as an adjunct craft professor in 2016, she bought a 40-inch Harrisville loom. Shortly there after, Medina landed a dedicated workspace as part of the Fountainhead Fellowship. The VCU School of the Arts program provides three recent MFA graduates in the areas of sculpture, painting + printmaking, and craft an opportunity to teach and work. The […]
Architectural Digest offers a terrific look at one of our most prominent graduates, Gere Kavanaugh (Design ’52), and her extraordinary life and career. She then was one of the first women to be hired by General Motors’s design department.
Jacob Feige’s (Painting ’05) exhibition Jacob Feige, I Had a _____ Day opens at David Richard Gallery NY on March 7 with an artist reception on March 10 from 4-8pm. Selections from two new related series, Cutaway and Screen paintings by Feige, will be presented. Both combine objects and situations from daily life juxtaposed with the imaginative distractions from inner thoughts, but with different approaches to the composition and presentation format. The exhibition closes on April 14, 2018
Ralph Rapson (Architecture ’40) was not a native Minnesotan—he was born in Michigan in 1914—yet it is hard to find another individual who has had as far-reaching an influence on the state’s design culture. A nationally respected architect with international projects under his belt by midcentury, he turned down the directorship of the Institute of Design in Chicago and moved to Minneapolis to head the University of Minnesota’s School of Architecture from 1954 to 1984. When he passed away in 2008, […]
Artist Brian Giniewski (Ceramics ’09) is profiled in Uncommon Goods . He talks about how he began in ceramics, studying at Cranbrook, and his practice. When asked about how he sets goals for himself Giniewski says, “I only make short-term goals these days. In the year and a half that I’ve been running the business as my full-time job, everything is constantly changing. I’m really lucky that people are paying so much attention to ceramics right now. Like, ceramics is having such […]
Ato Ribeiro (Print Media ’17) in featured in an in-depth interview about his practice in The Saturday Paper. Ribeiro is now in residence at the Santa Fe Art Institute, sculpting hundreds of scrap wood pieces into “quilts” inspired by kente designs.
Reyes Projects to exhibit a solo presentation of new work by artist James Benjamin Franklin (Painting ’17) at NADA New York, March 8 – 11, 2018. Loosely constructed shapes and unwieldy textures combine in Franklin’s work to form a style that is uniquely untethered by traditional narrative.
McArthur Binion (Painting ’73) has joined Lehmann Maupin, which will show his work at its Hong Kong space this fall and another location in January 2019.
Unhomely, Cranbook Alumnus Chris Schanck’s (3D Design ’11) solo gallery exhibition at Friedman Benda Gallery, opens on March 1 through April 14, 2018. This exhibition marks a culmination of his acclaimed sculptural approach and the first time a comprehensive body of work by Schanck will be on public view and features 15 works with independent, stand-alone narratives woven into an otherworldly landscape. Synthesizing premeditation and spontaneity, Schanck’s highly individualized, low-tech, idiosyncratic technique, “Alufoil,” was conceived in 2011 while studying at the Cranbrook Academy of Art.
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Two Cranbrook painting alums McArthur Binion (Painting ’73) and Jessica Dickinson (Painting ’99) are featured in the February edition of Art in America in an article about “Slow Painting.” According to the article, “Slow Painting imbeds a premonition of something potentially enormous held in reserve that can only be revealed slowly.”
Warren Newton Seelig (Fiber ’74) was named a 2018 United States Artist Fellow. Spread across the disciplines of Architecture & Design, Craft, Dance, Media, Music, Theater & Performance, Traditional Arts, Visual Art, and Writing, each USA Fellow receives an unrestricted $50,000 cash award. This year, 45 Fellows were selected from a diverse peer-nominated pool of more than 500 applicants. Seelig becomes the 12th Academy graduate to receive a United States Artist Fellowship since the program was launched in 2006.
An exhibition of new work by Detroit-based designer Jack Craig (3D Design ’12) is open at Wasserman Projects. Curated by Butter Projects, and presented in collaboration with Salon 94 Design, the exhibition will position Craig’s functional and sculptural objects within a landscape of living plants, creating an indoor environment akin to a Japanese garden. On view through May 5, the exhibition highlights Craig’s creative process and material experimentations.
The Mt. San Jacinto College Art Gallery hosted a solo exhibition by David Hendren (Painting ’08) entitled Land of Lens. This new exhibition features larger than life mixed-media figurative abstract sculptures. Hendren has had solo shows at Five Car Garage, Meliksetian/Briggs, Anat Ebgi Gallery, Public Fiction and Kim Light/Light Box.
Graphic Design USA magazine recently published its annual guide of “Top Students to Watch,” which features current 2D students Shiya Wu (2D Design ’18) and Sam Panter (2D Design ’19).
Each year the publication selects emerging artists from schools of art and design across the country that have “found personal and professional growth through their programs.”
TESSELLATE is the gallery operated by Elise DeChard (Architecture ’17) in Pontiac. The Ice Palace exhibition features work (all created in ice!) by more than a dozen Academy alumni and current students including: Torey Akers (Painting ’16), Molly Aubry (Print Media ’18), Eric Broz (Sculpture ’17), Jim Bullard (Print Media ’17), Rachel Deboard (Painting ’17), Mark Dineen (3D Design ’13), Sabastian Duncan-Portuondo (Fiber ’18), Lorena Cruz Santiago (Photography ’19), Rachel Ferber (Fiber ’18), Margaret Hull (Fiber ’16), Rachel Pontious (Painting ’17), and Anjuli Wright (Ceramics ’17).
In Detroitisit artists Mitch Cope and Gina Reichert (Architecture ’03) spoke about making art in an the article, “The Art of Hoarding.” A married art duo known jointly as Design99—are among the most contemporary generation in a longstanding interventionist tradition of Detroit “house art,” which stretches back into the 1960s. In the “Banglatown” neighborhood, Reichert and Cope have been converting houses in their neighborhood into interactive works, collectively know as Power House Productions. In addition to the works that have evolved out of […]
A 14-day long art exhibition of Canadian contemporary artist Charles Pachter (Printmaking ’66) was inaugurated at the Nalini Kanta Bhattasali Gallery of Bangladesh National Museum. The Bangladesh National Museum, in association with the Canadian High Commission in Dhaka and the Canadian Community Arts initiatives (CCAI) organized a retrospective exhibition titled “Quintessential Canadian” of the artist at its Nalini Kanta Bhattasali Gallery in the capital. The exhibition is open from 10:30am to 7:30pm from Saturday to Wednesday and from 2:30pm to 8:30pm on […]
Willie Wayne Smith (Painting ’10) opened Open Book, Thin Air is his first solo exhibition with Library Street Collective. Smith’s paintings begin with improvisational charcoal drawings, where he creates each composition and story from memory and mind’s eye, without using any visual aids or references: “They are immediate and usually complete fictions, but often draw from my own experiences or remind me of those experiences. I often see the figures as surrogates for people I have known… They are both alien […]
Willie Wayne Smith: Open Book, Thin Air is open at Library Street Collective until March 24, 2018. Smith (Painting ’10) lives and works in Pontiac, Mich. It is his first solo exhibition with Library Street Collective.
An opening reception for Land of Epic Battles, an exhibition by Philadelphia-based photographer Justyna Badach (Photography ’98) , and 2018 Transmedia Photography Annual on Thursday, is being held at Light Work February 1 from 5-7 p.m. Reception guests are invited to join the artist at 6 p.m. for an in-gallery talk about her current solo-exhibition on view in the Kathleen O. Ellis Gallery. Land of Epic Battles features Badach’s new series of large, hand-made dichromate prints, made using film stills from ISIS training […]
Fiber Artist-in-Residence Mark Newport’s current solo exhibition Stitches is at Simone DeSousa Gallery and has been reviewed by Detroit Art Review. According to the publication, “Every work in ‘Mark Newport: Stitches’ has provocative personal, social and cultural history that bears scrutiny. One of the persistent thoughts when exploring the heavily embroidered areas of Newport’s work is the interconnected nature of stitches and images. Newport will have a Gallery Conversation at 4pm on February 3 at […]
Artist-in-Residence Beverly Fishman is profiled in the American Medical Association’s The JAMA Network. In it, she discusses the role and representations of pharmacy and the pharmaceutical industry in contemporary culture. Fishman creates sculptural paintings—large, constructed installations with hypersaturated colors and industrial-like slick surfaces—that evoke the design of pills, their combinations in drug “cocktails,” and the colors and surfaces of drug advertising.
ArtZealous featured a quick Q&A with alumna Anne Vieux (Painting ’12) called “Five Minutes with New York-Based Artist Anne Vieux.” Vieux makes paintings, books, sculptures, and videos, all of which inform each other artistically. She works with the idea of mediation and gesture through the lens of the screen, in painting, video, and sculpture.
A solo exhibition, Door Into the Dark by Lauren Semivan (Photography ’06) is opening at David Klein Gallery in Detroit. The exhibition features new photographs from her ongoing Pitch series. A reception for the artist will take place on Saturday, February 3, 6 – 8 pm and the exhibition is open through March 10.
Christopher Schanck (3D Design ’11) is highlighted in a recent feature story in Departures Magazine. Read about his practice and how his time at Cranbrook influenced his transition to design.
Susan York (Ceramics ’95) is profiled in a Hyperallergic article. York, who makes one graphite drawing per day, some of which can be seen on her website, used graphite to make sculptural objects that mirror the foundation stones: there is a one-to-one correspondence between each visible part of the foundation stone and her response, down to the worn, uneven surface. Except in one case, York places her sculptures above their corresponding foundation stones, but shifted to […]