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New Acquisitions: March 2002 BOOKS: Archer, Michael. Richard Wilson. London: Merrell; New York: Rizzoli International, 2001. At the Curve of the World: Mariana Botey, E.V. Day, Anne Fishbein and Laurie Dahlberg, Diana López, Gertrudeis Rivalta, Elena del Rivero, Sandra Vivias. Santa Monica, Calif.: Smart Art Press, 1999. Ball, Phillip. Bright Earth: Art and the Invention of Color. New York: Farrar, Straus and Giroux, 2002. Barron, Stephanie. Jasper Johns to Jeff Koons: Four Decades of Art from the Broad Collections. Los Angeles: Los Angeles County Museum of Art / Abrams, 2001. Batchen, Geoffrey. Each Wild Idea: Writing, Photography, History. Cambridge, Mass.: MIT Press, 2001. Benington, Jonathan. Sophie Ryder. Adershot: Lund Humpherys in association with Berkeley Square Gallery, 2001. Bernd and Hilla Becher: Basic Forms. New York: Te Neues, 1999. Birnbaum, Daniel. Doug Aitken. New York: Phaidon, 2001. Bradburne, James M. Blood: Art, Power, Politics and Pathology. Munich: Prestel, 2002. Bronze: Contemporary British Sculpture, Holland Park. London: Royal Borough of Kensington and Chelsea Libraries and Arts Service, 2000. Buchloh, B.H.D. Experiments in the Everyday: Allan Kaprow and Robert Watts: Events, Objects, Documents. New York: Columbia University, Miriam and Ira D. Wallach Art Gallery, 1999. Byars, Mel. 50 Beds: Innovations in Design and Materials. Crans-Près-Céligny, Switzerland: RotoVision SA / Watson Guptill, 1997. Byars, Mel. 50 Products: Innovations in Design and Materials. Crans-Près-Céligny, Switzerland: RotoVision SA / Watson-Guptill, 1998. Buck-Morss, Susan. Ground Control: Technology and Utopia. London: Black Dog Publishing, 1997. Burgoyne, Patrick. The New Internet Design Project III, User. New York: Universe Publishing / St. Martin's Press, 2001. Carson, Fiona. Feminist Visual Culture. New York: Routledge, 2001. Contemporary Art Quilts: The John M. Walsh III Collection. Lexington, Ky.: University of Kentucky Art Museum, 2001. Dancing in the Landscape: The Sculpture of Athena Tacha. Washington, D.C.: Ariel / London: Hi Marketing, 2000. Demetrios, Eames. An Eames Primer. New York: Universe Publishing, 2001. Desiring Practices: Architecture, Gender, and the Interdisciplinary. London: Black Dog Publishers, 1996. Donovan, Molly. Christo and Jeanne-Claude in the Vogel Collection. New York: Harry N. Abrams, 2002. Ebert, Roger. The Great Movies. New York: Broadway Books, 2002. Esche, Charles. John Wood and Paul Harrison. London: ...ellipsis, 2000. Estelle Thompson. London: Merrell, 2001. Extra Art: A Survey of Artists' Ephemera, 1960-1999. Santa Monica, Calif.: Smart Art Press, 2001. Fabio Novembre. Amsterdam: Frame Magazine / Basel: Birkhäuser, 2001. Fisher, Thomas. In the Scheme of Things: Alternate Thinking on the Practice of Architecture. Minneapolis: University of Minnesota Press, 2000. Flight Patterns. Los Angeles: Museum of Contemporary Art, 2000. Fred Barzyk: The Search for a Personal Vision in Broadcast Television. Milwaukee, Wis.: Marquette University, 2001. Gallaccio, Anya. Chasing Rainbows. Glasgow, Scotland: Tramway; Newcastle-upon-Tyne: Locus+, 1999. Gann, Kyle. American Music in the Twentieth Century. New York: Schirmer Books / London: Prentice Hall International, 1997. Ghada Amer: Intimate Confessions. Tel-Aviv: Tel Aviv Museum of Art, 2000. Gilbert & George: New Democratic Pictures. Åarhus: Arhus Kunstmuseum, 1992. Gordon Newton: Selection from the James F. Duffy Jr. Gift. Detroit: Detroit Institute of the Arts, 2001. Gustafson, Donna. Images from the World Between: The Circus in the 20th Century American Art. Cambridge, Mass.: MIT Press / New York: American Federation of Arts, 2001. Gustafson, Kathryn. Revelatory Landscapes. San Francisco: San Francisco Museum of Art, 2001. Halper, Vicki. Findings: The Jewelry of Ramona Solberg. Seattle, Wash.: Bank of America Gallery / University of Washington Press, 2001. Hansen, Julie. The Physician's Art: Representations of Art and Medicine. Durham, N.C.: Duke University Medical Center Library / Duke University Museum of Art, 1999. Heavenly Visions: Shaker Gift Drawings and Gift Songs. New York: The Drawing Center / University of Minnesota Press, 2001. Heinz, Thomas A. Frank Lloyd Wright's Stained Glass & Lightscreens. Salt Lake City, Utah: Gibbs Smith, 2000. Hill, Jonathan. Architecture: The Subject is Matter. New York: Routledge, 2001. Hirst, Damien. On the Way to Work. New York: Universe, 2002. Hoffberg, Judith A. Women of the Book: Jewish Artists, Jewish Themes. Boca Raton,
Fla.: Friends of the Libraries, Florida Atlantic University Library, 2001. Iannacci, Anthony. Gensler Entertainment: The Art of Placemaking. New York: Edizioni Press, 2001. Imaging Her Erotics: Carolee Scheemann: Essays, Interviews, Projects. Cambridge, Mass.: MIT Press, 2002. The Intimate Portrait: Udomsak Krisanamis. Columbus, Ohio: Wexner Center for the Arts, 2000. I Send You This Cadmium Red: A Correspondence Between John Berger and John Christie. Barcelona: ACTAR: MALM, 2000. Jeff Wall: Figures & Places: Selected Works from 1978-2000. Munich: Prestel, 2001. Jim Dine in Italia. Pistoia: Gli ori, 2000. Kemps, Niek. Big Eyes, Small Windows: Selected Writings. London: Black Dog, 1999. Ken Aptekar: Painting Between the Lines, 1990-2000. Kansas City, Mo.: Kemper Museum of Contemporary Art, 2001. Kleeblatt, Norman L. Mirroring Evil: Nazi Imagery/Recent Art. New York: Jewish Museum / New Brunswick: Rutgers University Press, 2001. Koolhaas, Rem. Projects for Prada. Part 1. Milan: Fondazione Prada Edizioni, 2001. Kremlin Gold: 1,000 Years of Russian Gems and Jewels. New York: H.N. Abrams, 2000. Lasky, Julie. Some People Can't Surf: The Graphic Design of Art Chantry. San Francisco: Chronicle Books, 2001. LaVine, Lance. Mechanics and Meaning in Architecture. Minneapolis: University of Minnesota Press, 2001. Lindholm, Andreas. Metalheart: A Brainreactor emBOX Project. Corte Madera, Calif.: Gingko Press Inc., 2001. Lisa Milroy. London: Tate Gallery, 2001. Locus Solus: Site, Identity, Technology in Contemporary Art. London: Black Dog, 2000. Martinez, Daniel J. The Things You See When You Don't Have a Grenade! Santa Monica, Calif.: Smart Art Press, 1996. Memories of Overdevelopment: Philippine Disporia in Contemporary Art. Winnipeg, Manitoba: Plug in Ediciones / University of California, Irvine, Art Gallery, 1997. Millar, Jeremy. The Institute of Cultural Anxiety: Works from the Collection. London: Institute of Contemporary Arts, 1994. Mollerup, Per. Collapsible: The Genius of Space-Saving Design. San Francisco, Calif.: Chronicle Books, 2001. Mortensen, Viggo. Recent Forgeries. Santa Monica, Calif.: Smart Art Press, 1998. Mutations: Rem Koolhaas, Harvard Project on the City; Stefano Boeri, Multiplicity; Sanford Kwinter; Nadia Tazi, Hans Ulrich Obrist. Barcelona: ACTR / Bordeau, France: Arc en Rêve Centre d' Architecture, 2000. Niles, Bo. Paperie: The Art of Writing and Wrapping with Paper. New York: Simon & Schuster Editions, 1999. Nothing. London: August / Sunderland: Northern Gallery for Contemporary Art, 2001. On the Job: Design and the American Office. New York: Princeton Architectural Press, 2000. Paladino: Una Monografia / A Monograph. Milano: Charta, 2001. Recording Conceptual Art: Early Interviews with Barry, Huebler, Kaltenbach, LeWitt, Morris, Oppenheim, Siegelaub, Smithsonian, Weiner. Berkeley: University of California Press, 2001. Rem Koolhaas: Conversations with Students. 2nd Edition. Houston, Tex.: Rice University, School of Architecture / New York: Princeton Architectural Press, 1996. Rothenberg, Jerome. A Book of the Book: Some Works & Projections About the Book & Writing. New York: Granary Books, 2000. Sarah Jones. Dijon: Le Consorium, 2001. Schles, Ken. The Geometry of Innocence. Ostfildern-Ruit: Hatje Cantz / London: Art Books International, 2001. Self and History: A Tribute to Linda Nochlin. New York: Thames & Hudson, 2000. 72-dpi Anime. Berlin: Die Gestalten Verlag, 2001. Sigmar Polke et la Révolution Française / Sigmar Polke and the French Revolution.
Vizille: Musée de la Révolution Française / Paris: Réunion des Musée Nationaux, 2001. Silberman, Robert Bruce. World Views: Maps & Art. Minneapolis: Frederick R. Weisman Art Museum / University of Minnesota Press, 1999. Sobel, Dean. Warhol/Koons/Hirst= Cult and Culture: Selections from the Vicki and Kent Logan Collection. Aspen, Colo.: Aspen Art Museum, 2001. Sternfeld, Joel. Stranger Passing. New York: Melcher Media / San Francisco: San Francisco Museum of Modern Art, 2001. Sudjic, Deyan. Ron Arad. London: Laurence King, 1999. Tacita Dean. London: Tate Gallery Publishing, 2001. Truelove, James G. Bones of the Earth, Spirit of the Land: The Sculpture of John Van Alstine. Washington, D.C.: Editions Ariel, 2000. Ward, Phillip. Contemporary Designer Bookbinders. Vol. 1: An Illustrated Directory. Cambridge / New York: Oleander Press, 1995. Wolfe, Townsend. Magic Vision. Little Rock, Ark.: Arkansas Arts Center, 2001.
VIDEOS: Gorris, Marleen. The Luzhin Defense. Culver City, Calif.: Columbia TriStar Home Entertainment, 2001. Nichols, Mike. Wit. New York: HBO Home Video, 2001. Solondz, Todd. Happiness. [S.l.]: Trimark Home Video, 1999. Zemeckis, Robert. Cast Away. Beverly Hills, Calif.: Twentieth Century Fox Home Entertainment, 2001.
DVDs: Bergman, Ingmar. Wild Strawberries. Irvington, N.Y.: Criterion Collection, 2002. Forman, Milos. The Firemen's Ball. Irvington, N.Y.: Criterion Collection, 2002. Spielberg, Steven. A.I. Artificial Intelligence. [S.l.]: Dreamworks Home
Entertainment, 2002. Wong, Kar-Wai. In the Mood for Love. Irvington, N.Y.: The Criterion Collection, 2002.
İCranbrook Academy of Art Library, 2002. All Rights Reserved
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