New Acquisitions: May-September 2003 BOOKS: The Activist Drawing: Retracing Situationist Architectures from Constant's New Babylon to Beyond. New York: Drawing Center/ Cambridge, Mass.: MIT Press,
2001. Adams, Angela A. Piper Shepard. Winchester: Telos, 2003. Alberro, Alexander. Conceptual Art and the Politics of Publicity. Cambridge, Mass.: MIT
Press, 2003. American Art Directory 2003/04. New Providence, N.J.: National Register Publishing,
2003. Ana Maria Pacheco: Land of No Return. New York: Salander-O'Reilly Galleries, 2003. Anderson, Brooke Davis. Darger: The Henry Darger Collection at the American Folk Art
Museum. New York: American Folk Art Museum/Harry N. Abrams, 2001. Anne Wilson: Unfoldings. Boston: Massachusetts College of Art, 2002. Anselm Kiefer: The Seven Heavenly Palaces, 1973-2001. Ostfildern-Ruit: Hatje Cantz/
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Amercia, Inc., 2003. Auping, Michael. Philip Guston Retrospective. Fort Worth: Modern Art Museum of Fort
Worth/ New York: Thames & Hudson, 2003. Bailey, David A. Veil: Veiling, Representation, and Contemporary Art. Cambridge,
Mass.: MIT Press/ London: Institute of International Visual Arts, 2003. Bill Viola: The Passions. Los Angeles: J. Paul Getty Museum, in association with the
National Gallery, London, 2003. Blauvelt, Andrew. Strangely Familiar: Design and Everyday Life. Minneapolis, Minn.:
Walker Art Center, 2003. Brooks, Rosetta. Richard Prince. London: Phaidon, 2003. Burkhardt, Francois. Why Write a Book on Enzo Mari = Perché un Libro su Enzo Mari.
Milano: F. Motta, 1997. Byars, Mel. Design in Steel. London: Laurence King, 2003. Cathcart, James; Fantauzzi, Frank; and Terence Van Elslander. Gravity. New York:
Princeton Architectural Press, 2003. Charles LeDray: Sculpture 1989-2002. Philadelphia: Institute of Contemporary Art,
University of Pennsylvania, 2002. Ciscato, Giuseppe. Il Letto e Dintorni: Opere dei Maestri Italiani del Ferro Battuto.
Firenze: Alinea, 2000. Ciscato, Giuseppe. Il Maestri Italiani del Ferro Battuto = Italian Masters of Wrought
Iron. Firenze: Alinea, 1998. Concept Design: Works from Seven Los Angeles Entertainment Designers. Culver
City, Calif.: Design Studio Press, 2003. Cooke, Lynne, and Michael Govan. Dia: Beacon. New York: Dia Art Foundation, 2003. Cream 3: Contemporary Art in Culture. London: Phaidon, 2003. Critical Space: Selected Graduate Works from Cranbrook Academy of Art. Bloomfield
Hills, Mich.: Cranbrook Academy of Art, 2003. Cy Twombly: Catalogue Raisonné of Sculpture. München: Planco/Schirmer/Mosel,
1997. Damase, Jacques. Sonia Delaunay: Fashion and Fabrics. New York: Thames and
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Decency. New York: Princeton Architectural Press, 2002. De Coppet, Laura, and Alan Jones. The Art Dealers: The Powers Behind the Scene Tell
How the Art World Really Works. New York: Cooper Square Press, 2002. Digital Media Revisited: Theoretical and Conceptual Innovation in Digital Domains.
Cambridge, Mass.: MIT Press, 2003. The Discursive Museum. Ostfildern: Hatje Cantz, 2001. Duane Hanson: More Than Reality. Ostfildern-Ruit: Hatje Cantz/ New York: Distributed
Art Publishers, 2001. Ellsworth Kelly: Red, Green, Blue. San Diego: Museum of Contemporary Art, 2002. Estonian Art Since 1990. Grinnell, Iowa: Grinnell College, Faulconer Gallery, 2001. Ettore Sottsass: Metaphors. Milan: Skira/ London: Thames and Hudson, 2002. Finish Fetish: LA's Cool School. Los Angeles, Calif.: Fisher Gallery, University of Southern
California, 1991. Frampton, Kenneth. Labour, Work and Architecture: Collected Essays on Architecture
and Design. London; New York: Phaidon Press, 2002. Funnell, Peter. Millais: Portraits. Princeton, N.J.: Princeton University Press/ London:
National Portrait Gallery, 1999. George Segal: Bronze. New York: Mitchell-Innes and Nash, 2003. Gergen, Kenneth J. The Saturated Self: Dilemmas of Identity in Contemporary Life.
New York: Basic Books, 2000. Gillian Wearing: Mass Observation. London: Merrill/ Chicago: Musuem of Contemporary
Art, Chicago, 2003. Global Culture: Media, Arts, Policy, and Globalization. New York: Routledge, 2002. Goldberg, Ken. The Robot in the Garden: Telerobotics and Telepistemology in the Age
of the Internet. Cambridge, Mass.: MIT Press, 2001. The Golden Age of Costume and Set Design for the Ballet Russe de Monte Carlo, 1938
to 1944. Cincinnati, Ohio: Cincinnati Art Museum/ New York: Distributed by Hudson
Mills Press, 2002. Goodwin, Ariane. Writing the Artist Statement: Revealing the True Spirit of Your
Work. Haverford, Pa.: Infinity Pub., 2002. Gordon, Matta-Clark. London: Phaidon, 2003. Goux, Melanie, and James A. Houff. >On Screen>In Time: Transitions in Motion
Graphic Design in Film, Television, and New Media. Mies: Hove: RotoVision,
2003. Grau, Oliver. Virtual Art: From Illusion to Immersion. Cambridge, Mass.: MIT Press,
2003. Grayson Perry: Guerilla Tactics. Rotterdam: NAi Uitgevers/ New York: Distributed Art
Publishers, 2002. Greeves, Susanna. Ron Mueck: At the National Gallery. London: National Gallery, 2002. Hart, Russell. Photographing Your Artwork. Buffalo, N.Y.: Amherst Media, 2000. Hebey, Jean Bernard. Domestic Aesthetic: Household Art 1920-1970. Woodbridge:
ACC Distribution, 2003. Hill, Eric. AIA Detroit: The American Institute of Architects Guide to Detroit
Architecture. Detroit: Wayne State University Press, 2003. Hocks, Mary E., and Michelle R. Kendrick. Eloquent Images: Word and Images in the
Age of New Media. Cambridge, Mass.: MIT Press, 2003. H.W. Janson and the Legacy of Modern Art at Washington University in St. Louis. St.
Louis, Mo.: Washington University Gallery of Art/ New York: Salander-O'Reilly Galleries, 2002. Illich, Ivan. Toward a History of Needs. New York: Pantheon Books, 1978. The Image Society: Essays on Visual Culture. Rotterdam: Nai Publishers, 2002. Jack Goldstein: 03.02-28.04.2002. Grenoble: Magasin, 2002. Jeff Koons. Köln: Walther König, 2001. José Antonio Hernández-Diez. New York: New Musuem of Contemporary Art, 2002. Josef Müller-Brockmann: Pioneer of Swiss Graphic Design. Baden, Switzerland: Lars
Müller Publishers, 2001. Kara Walker: Narratives of a Negress. Cambridge, Mass.: MIT Press, 2003. Kelley, Mike. Foul Perfection: Essays and Criticism. Cambridge, Mass.: MIT Press, 2003. Knoll Celebrates 75 Years of Bauhaus Design, 1919-1994. New York: The Knoll
Group, 1994. Laura Owens. Los Angeles: Museum of Contemporary Art/ New York: Distributed Art
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Harry N. Abrams, 2003. Lefteri, Chris. Ceramics: Materials for Inspirational Design. Crans-Près-Céligny: Hove,
2003. Lefteri, Chris. Glass: Materials for Inspirational Design. Mies: Hove: RotoVision, 2002. Lefteri, Chris. Plastic: Materials for Inspirational Design. Hove, East Sussex, UK:
RotoVision, 2001. Lefteri, Chris. Wood: Materials for Inspirational Design. Crans-Près-Céligny: Hove,
2003. Lindsay, David. House of Invention: The Secret Life of Everyday Products. New York:
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Gosudarstvennyi Ermitazh/ Bermuda: Hermitage Projects, 2001. Lovegrove, Ross. The International Design Yearbook 17. New York: Abbeville Press,
2002. Lupton, Ellen. Inside Design Now: National Design Triennial. New York: Princeton
Architectural Press, 2003. MacGregor, John M. Henry Darger: In the Realms of the Unreal. New York: Delano
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Space. Cambridge, Mass.: MIT Press, 2003. Mayer-Thurman, Christa C. Cynthia Schira. Winchester: Telos Art Pub., 2003. Meadows, Mark Stephen. Pause and Effect: The Art of Interactive Narrative.
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Tokyo; New York: Kodansha International, 2003. Moins et Plus: Le Design Dans la Collection du Fonds National d'Art Contemporain,
1980-2002 = Less and More: Design in the Fonds National d'Art
Contemporain Collections. Paris: Centre National Des Arts Plastiques, 2002. Moorehouse, Paul. Bridget Riley. London: Tate, 2003. Morey, Miguel. Robert Wilson. Barcelona: Ediciones Polígrafa/ New York: D.A.P., 2003. Mori, Toshiko. Immaterial/Ultramaterial: Architecture, Design, and Materials.
Cambridge, Mass.: Harvard Design School, in association with George Braziller, 2002. Morrison, Jasper. A World Without Words. Baden: L. Müller, 1998. Natalie Alper. Amherst, Mass.: University Gallery, University of Massachusetts Amherst,
2001. National Sculpture Prize & Exhibition 2001. Canberra: National Gallery of Australia/
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Collection. San Francisco: San Francisco Museum of Modern Art, 1999. One Planet Under a Groove: Hip Hop and Contemporary Art. Bronx, N.Y.: Bronx
Museum of the Arts, 2001. Pendleton-Jullian, Ann M. The Road That is Not a Road and the Open City, Ritoque,
Chile. Chicago: Graham Foundation for Advanced Study in the Fine Arts/ Cambridge,
Mass.: MIT Press, 1996. Prisse d'Avennes. Arabic Art: After Monuments in Cairo. Paris: L'Aventurine, 2001. Quantrill, Malcolm. Latin American Architecture: Six Voices. College Station: Texas
A&M University Press, 2000. Rashid, Karim. The International Design Yearbook 18. New York: Abbeville Press, 2003. Reuter, Laurel. Agano Machiko. Winchester: Telos Art Pub., 2003. Reynolds, Ann Morris. Robert Smithson: Learning from New Jersey and Elsewhere.
Cambridge, Mass.: MIT Press, 2003. Rinder, Lawrence. The American Effect: Global Perspectives on the United States.
New York: Whitney Museum of American Art; distributed by Harry N. Abrams, 2003. Roberts, Mary Nooter. Body Politics: The Female Image in Luba Art and the Sculpture
of Alison Saar. Los Angeles, Calif.: UCLA Fowler Museum of Cultural History, 2000. Rolf Julius: Black (Red). Amherst, Mass.: University Gallery, Fine Arts Center, University
of Massachusetts Amherst, 2001. Roman, Antonio. Eero Saarinen: An Architecture of Multiplicity. New York: Princeton
Architectural Press, 2003. Roy McMakin: A Door Meant as Adornment. Los Angeles, Calif.: Museum of
Contemporary Art/ New York: Distributed Art Publishers, 2003. Rudd, Natalie. P B.: Peter Blake. London: Tate, 2003. Sato-Pijanowski, Hiroko. Le Beau: Carpe Diem. Japan: Masao Nozaki, 2002. Sawin, Martica. Mary Frank: Experiences. Richmond, Va.: University of Richmond
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Other Renegades. New York: Abrams, 2003. Springsteen, Troubadour of the Highway. Minneapolis, Minn.: Weisman Art Museum,
2002. Steven Holl: Written in Water. Baden, Switzerland: L. Müller, 2002. Storr, Robert. Louis Bourgeois. London: Phaidon, 2003. Tilson, Joe. Tilson: Pop to Present. London: Royal Academy of Arts, Ltd., 2002. Tony Oursler: The Influence Machine. London: Artangel, 2002. Topham, Sean. Where's My Space Age?: The Rise and Fall of Futuristic Design.
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2002. York, Hildreth. Susan Lordi Marker. Winchester: Telos Art Pub., 2003. VHS: Blacow, David. Ruskin's Journey: Teaching People to See. Princeton, N.J.: Films for the
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Collection, 2003. Frankenheimer, John. The Iceman Cometh. [American Film Theatre]. New York: Kino on
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