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New Acquisitions: November 2002 BOOKS: Arnulf Rainer: Museum Würth. Künzelsau: Swiridoff, 2001. Berger, Warren. Advertising Today. London: Phaidon, 2001. Bill Viola: Buried Secrets. Tempe: University Art Museum, Arizona State University / Hannover, Germany: Kestner-Gesellschaft, 1995. Blackwell, Lewis. Soon: Brands of Tomorrow. London: Laurence King, 2001. Body and Building: Essays on the Changing Relation of Body and Architecture. Cambridge, Mass.: MIT Press, 2002. Bonito Oliva, Achille. Art Tribes. Milan: Skira, 2002. Botanica: Contemporary Art and the World of Plants. Duluth, Minn.: Tweed Museum of Art, 1999. Boyd, Brian. Vladimir Nabokov: The American Years. Princeton, N.J.: Princeton University Press, 1991. Boyd, Virginia T. Contemporary Studio Case Furniture: The Inside Story. Madison, Wis.: Elvehjem Museum of Art, University of Wisconsin, 2001. Carol Kreeger Davidson: Days of Danger. New York: Humphrey, 1997. Carver, Antonia. Blink: 100 Photographers, 010 Curators, 010 Writers. London: Phaidon Press, 2002.
Charles Ginnever: Rashomon. Stanford, Calif.: Iris & B. Gerald Cantor Center for Visual Arts, Stanford University, 2000. Colors: Tibor Kalman: Issues 1-13. New York: Harry N. Abrams, Inc., 2002. Cooper, Paul. The New Tech Garden. London: Mitchell Beazley, 2001. Cozzolino, Robert. Dudley Huppler: Drawings. Madison, Wis.: Elevehjem Museum of Art, University of Wisconsin-Madison, 2002. Crawford, Alistair. Mario Giacomelli. London: Phaidon, 2001. Crewdson, Gregory. Twilight. New York: Harry N. Abrams, 2002. Dawson, Barry. Street Graphics India. New York: Thames and Hudson, 1999. Dunning, William V. Advice to Young Artists in a Postmodern Era. Syracuse, N.Y.: Syracuse University Press, 2000. Engels, Hans. Bauhaus-Architektur: 1919-1933. Munich: Prestel, 2001. Feldman, Melissa E. Beverly Semmes. Philadelphia: Institute of Contemporary Art, 1993. Ferrin, Leslie. Teapots Transformed: Exploration of an Object. Madison, Wis.: Guild Pub., 2000. Florence Paradeis. Santiago de Compostela: Centro Galego de Arte Contemporánea, 2000. Foster, Hal. Design and Crime: and Other Diatribes. London: Verso, 2002. Freyer, John D. All My Life for Sale. New York: Bloomsbury, 2002. Gair, Angela. Artist's Manual: A Complete Guide to Painting and Drawing Materials and Techniques. San Francisco: Chronicle Books, 1996. Gibson, Ralph. Ex Libris: Photographs and Constructs. New York: PowerHouse Books, 2001. Graze, Sue. Linda Ridgway: A Survey: The Poetics of Form. Houston: Glassell
School of Art of the Museum of Fine Arts / Dallas Museum of Art, 1997. Grynsztejn, Madeleine. Ellsworth Kelly in San Francisco. San Francisco: San Francisco Museum of Modern Art / University of California Press, 2002. Hacker, Diana. A Writer's Reference. Boston: Bedford/St. Martin's, 2001. Heller, Steven. Education of a Design Entrepreneur. New York: Allworth Press, 2002. Heskett, John. Toothpicks and Logos: Design in Everyday Life. New York: Oxford University Press, 2002. Jean-Pierre Larocque: Palimpsest. Ferndale, Mich.: Revolution, 1996. Johnson, Jean. Exploring Contemporary Craft: History, Theory, and Critical Writing. Toronto: Coach House Books, 2002. Kamin, Blair. Why Architecture Matters: Lessons from Chicago. Chicago: University of Chicago Press, 2001. Kamps, Toby. Lateral Thinking: Art of the 1990s. San Diego: Museum of Contemporary Art, 2002. Kay Lawrence. Winchester: Telos Art Publishing, 2002. Kennedy, Marla Hamburg. Car Culture. Salt Lake City: Gibbs Smith, 1998. Le Clair, Charles. Color in Contemporary Painting. New York: Watson-Guptill Publications,
1997. Lippmann, Walter. Public Opinion. New York: Free Press Paperbacks, 1997. Livingston, Jane. The Paintings of Joan Mitchell. New York: Whitney Museum / University of California Press, 2002. Marian Smit. Winchester: Telos Art Publishing, 2002. McDonough, William. Cradle to Cradle: Remaking the Way We Make Things. New York: North Point Press, 2002. Michael Odnoralov: Alice from the Lower East Side. New York: SAUPRA, 1997. Millar, Lesley. Chiyoko Tanaka. Winchester, England: Telos Art Publishing, 2002. Misrah, Richard. Golden Gate. Santa Fe, N.M.: Arena Editions, 2001. Modernism and Post-Modernism: Russian Art of the Ending Millennium. New York: SAUPRA, 1998. Morgan, Robert C. Bruce Nauman. Baltimore: Johns Hopkins University Press, 2002. Morsiani, Paola. When 1 is 2: The Art of Alighiero e Boetti. Houston: Contemporary Arts Museum, 2002. Nasby, Judith. Lois Etherington Betteridge: A Tribute Exhibition with Beth Alber,Jackie Anderson, Anne Barros, Beth Biggs, Brigitte Clavette, Kye-Yeon Son
and Ken Vickerson. Guelph, Ontario: MacDonald Stewart Art Centre, 2000. Natasha Zupan: Flesh Fold. New York: Folin/Riva, 2000. Noever, Peter. Granular Synthesis: NoiseGate-M6. Ostfildern: Cantz, 1998. Norm Magnusson, American Painter. Springfield, Mo.: Springfield Art Museum, 2000. Novakov, Anna. Veiled Histories: The Body, Place, and Public Art. New York: Critical Press / San Francisco Art Institute, 1997. Panczenko, Russell. Peter Gourfain: Clay, Wood, Bronze, and Works on Paper. Madison, Wis.: Elevehjem Museum of Art, University of Madison, 2002. Peterson, Susan. Smashing Glazes: 53 Artists Share Insights and Recipes. Madison, Wis.: Guild, 2001. Potter, Norman. What is a Designer: Things, Places, Messages. London: Hyphen, 2002. Rachelle Thiewes: The Dance. El Paso, Texas: Adair Margo Gallery, 1996. Rectanus, Mark W. Culture Incorporated: Museums, Artists, and Corporate
Sponsorship. Minneapolis: University of Minnesota Press, 2002. Rexer, Lyie. Photography's Antiquarian Avant-Garde: The New Wave in Old
Processes. New York: Harry N. Abrams, 2002. Roots, Garrison. Designing the World's Best Public Art. Mulgrave, Vic.:
Images, 2002. Saxton, Colin. Art School: An Instructional Guide Based on the Teaching of Leading Art Colleges. Secaucus, N.J.: Chartwell Books, 1981. Schwabsky, Barry. Vitamin P: New Perspectives in Painting. London: Phaidon, 2002. Scott, Deirdre A. Passages: Contemporary Art in Transition. New York: Studio Museum in Harlem, 2000. SFMOMA Painting and Sculpture Highlights. San Francisco: San Francisco Museum of Modern Art, 2002. Skinner, Carolynne. Helen Lancaster. Winchester: Telos Art Publishing, 2002. Steenbruggen, Han. Swip Stolk: Master Forever. Ghent: Snoeck Ducaju & Zoon / Groninger Museum, 2000. Tatyana Nazarenko: Transition. New York: SAUPRA, 1997. Temkin, Ann. Barnett Newman. Philadelphia: Philadelphia Museum of Art, 2002. Thomas, Dylan. The Collected Stories. New York: New Directions Pub. Corp., 1986. Thomas, Dylan. The Doctor and the Devils and Other Scripts. New
York: New Directions, 1966. Topham, Sean. Blowup: Inflatable Art, Architecture, and Design. Munich:
Prestel, 2002. Walter Samuel Haatoum Hamady: Handmade Books, Collages and
Sculptures. Racine, Wis.: Charles A. Wustum Museum of Fine Arts, 1991. Weschler, Lawrence. Robert Irwin Getty Garden. Los Angeles: J. Paul Getty Museum, 2002. Wu, Chin-Tao. Privatizing Culture: Corporate Art Intervention Since the 1980s. New York: Verso, 2002. VIDEOS (VHS): Bani Etemad, Rakhshan. Nargess. Chicago: Facets Video, 1998. Harding, Noel. Retrospective 1973-1983. Toronto: Art Metropole, 1986. Hill, Gary. Full Circle; Mediations; Around & About. Toronto: Art Metropole, 1988. Lister, Ardele. Hell. Toronto: Art Metropole, 1986. Muntadas. Between the Lines: This is Not an Advertisement; Credits. Toronto: Art Metropole, 1988. Tschinkel, Paul. Jean Michael Basquiat: An Interview. New York: Inner-Tube Video, 1989. DVDs: Powell, Michael. The Life and Death of Colonel Blimp. Irvington, N.Y.: Criterion Collection, 2002. Ramsay, Lynne. Ratcatcher. Irvington, N.Y.: Criterion Collection, 2002.
İCranbrook Academy of Art Library, 2002. All Rights Reserved
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