New Acquisitions: December 2003/January 2004
BOOKS: Adamson, Glenn. Industrial Strength Design: How Brooks Stevens Shaped Your World.
Milwaukee, Wis.: Milwaukee Art Museum / Cambridge, Mass: MIT Press, 2003. Aernout Mik: Reversal Room.
Toronto: Power Plant, 2002. Arts Council of England. Words from the Arts Council Collection.
London: Hayward Gallery,
2002. ArtSouthAsia: The First International Programme of Visual Culture from Bangladesh, India,
Pakistan, and Sri Lanka 2002.
Manchester: Shisha, The International Agency for
Contemporary South Asian Crafts and Visual Arts, 2002. Beardsley, John. The Quilts of Gee's Bend.
Atlanta: Tinwood Books / Houston: Museum of Fine
Arts, 2002. Bolter, J. David. Windows and Mirrors: Interaction Design, Digital Art, and the Myth of
Transparency.
Cambridge, Mass.: MIT Press, 2003. Bridget Riley: New Work.
Ostfildern: Hatje Cantz / New York: Distributed Art Publishers, 2002. Buskirk, Martha. The Contingent Object of Contemporary Art.
Cambridge, Mass.: MIT Press,
2003. Cadwell, Mike. Small Buildings.
Pamphlet Architecture 17. New York: Princeton Architectural
Press, 1996. Carroll Dunham: Paintings.
New York: New Museum of Contemporary Art, 2002. Carroll Dunham: Zeichnungen: 1982-1983=Drawings.
München: F. Jahn, 1988. Caws, Mary Ann. Robert Motherwell: With Pen and Brush.
London: Reaktion, 2003. Christov-Bakargiev, Carolyn. Willie Doherty: False Memory.
London: Merrell, 2002. Clark, Vicky A. Comic Release: Negotiating Identity for a New Generation.
New York:
Distributed Art Publishers, 2002. Closed Contact: Jenny Saville, Glen Luchford.
Los Angeles: Gagosian Gallery, 2002. ConVerge: Where Art + Science Meet: 2002 Adelaide Biennial of Australian Art, Art Gallery
of South Australia.
Adelaide: Art Gallery of South Australia, 2002. Cort, Louise Allison. Isamu Noguchi and Modern Japanese Ceramics: A Close Embrace of the
Earth.
Washington, D.C.: Arthur M. Sackler Gallery, Smithsonian Institution / Berkeley:
University of California Press, 2003. Craddock, Jim. VideoHound's Golden Movie Retriever 2004.
Detroit: Gale, 2003. Crafting a Legacy: Contemporary American Crafts in the Philadelphia Museum of Art.
Philadelphia: Philadelphia Museum of Art / New Brunswick, N.J.: Rutgers University Press,
2002. Créolité and Creolization: Documenta 11 Platform 3.
Ostfildern-Ruit: Hatje Cantz, 2003. Curtis, Penelope. The Object Sculpture.
Leeds, England: Henry Moore Institute, 2002. Darren Waterston.
New York: Charles Cowles Gallery, 1997. De Oliveira, Nicolas. Installation Art in the New Millennium: The Empire of the Senses.
New York: Thames & Hudson, 2003. De Waal, Edmund. 20th Century Ceramics.
New York: Thames & Hudson, 2003. The Development Dictionary: A Guide to Knowledge as Power.
Atlantic Highlands, N.J.:
Zed Books, 1992. Dickson, Johanna Saleh. MOVE: Sites of Trauma.
Pamphlet Architecture 23. New York: Princeton
Architectural Press, 2002. Doig, Peter. Charley's Space.
Ostfildern: Hatje Cantz, 2003. Donald Judd: 50 x 100 x 50, 100 x 100 x 50: Anodized Aluminum, Brass, Copper, Stainless
Steel, Plexiglass, Plywood, Cor-ten Steel.
New York: PaceWildenstein, 2002. Edelman, Gerald M. A Universe of Consciousness: How Matter Becomes Imagination.
New
York: Basic Books, 2000. Edward Ruscha: Stains, 1971 to 1975.
New York: Robert Miller Gallery, 1992. Edwards, Caroline. Fashion at the Edge: Spectacle, Modernity, and Deathliness.
New Haven:
Yale University Press, 2003. Elger, Dietmar. Gerhard Richter: Landscapes.
2nd ed. Ostfildern-Ruit: Hatje Cantz / London: Art
Books International, 2002. Eliasch, Amanda. British Artists at Work.
New York: Assouline, 2003. Elizabeth Murray: Paintings 1999-2003.
New York: PaceWildenstein, 2003. Eye Infection.
Amsterdam: Stedelijk Museum / Düsseldorf: Richter Verlag, 2001. Fisher, Marcy Heller, and Marjorie Hecht Simon. Fired Magic: Detroit's Pewabic Pottery
Treasures.
Detroit: Wayne State University Press, 2003. Fleck, Robert. Franz West.
London: Phaidon, 1999. Florida, Richard L. The Rise of the Creative Class: And How It's Transforming Work, Leisure,
Community, and Everyday Life.
New York: Basic Books, 2002. Franz West: Gnadenlos=Merciless.
Ostfildern-Ruit: Hatje Cantz Verlag, 2001. Gallagher, Ellen. Blubber.
New York: Gagosian Gallery, 2001. Gersht, Ori. Afterglow.
London: August / Tel Aviv: Tel Aviv Museum of Art, 2002. Gibaldi, Joseph. MLA Handbook for Writers of Research Papers.
6th ed. New York: Modern
Language Association of America, 2003. Haycock, David Boyd. Paul Nash.
London: Tate Publishing, 2002. Hernandez, Jo Farb. Irvin Tepper: When Cups Speak: Life with the Cup: A 25-year Survey.
San José, Calif.: Natalie and James Thompson Gallery, San José State University, 2002. Herzog, Hans-Michael. The Art of the Flower: The Floral Still Life from the 17th to the 20th
Century.
Kilchberg/Zurich, Switzerland: Edition Stemmle, 1996. Holl, Steven. Edge of a City.
Pamphlet Architecture 13. New York: Princeton Architectural Press,
1991. Hughes, Robert. Goya.
New York: Alfred A. Knopf, 2003. In Memory: The Art of Afterward.
New York: The Project / Sidney Mishkin Gallery, 2002. International 2002: Liverpool Biennial, 14 September-24 November.
Liverpool: Liverpool
Biennial of Contemporary Art, 2002. International Directory of Arts 2004.
3 volumes. München: K.G. Saur, 2003. International Paper: Drawings by Emerging Artists.
Los Angeles: UCLA Hammer Museum,
2003. The Japanese Experience-Inevitable.
Ostfildern: Hatje Cantz / New York: Distributed Art
Publishers, 2002. John O'Reilly: Assemblies of Magic.
Santa Fe, N.M.: Twin Palms Publishers, 2002. Jones, Owen. The Grammar of Ornament: Illustrated by Examples from Various Styles of
Ornament.
New York: Dorling Kindersley Publishing, 2001. Kaplan, Ken, and Ted Krueger. Mosquitoes: A Handbook for Survival.
Pamphlet Architecture 14.
New York: Princeton Architectural Press, 1993. Kim, Eun-Young. Traditional Korean Knots.
Seoul, Korea: Gana Art Publisher, 2003. Krecic, Peter. Plecnik, The Complete Works.
New York: Whitney Library of Design, 1993. Krüger, Michael. Candida Höfer: A Monograph.
London: Thames & Hudson, 2003. Kwinter, Sanford. Architectures of Time: Toward a Theory of the Event in Modernist Culture.
Cambridge, Mass.: MIT Press, 2002. Lane, Peter. Contemporary Porcelain: Materials, Techniques and Expressions.
London: A &C
Black, 1995. Leonard Maltin's 2004 Movie and Video Guide.
New York: New American Library, 2003. Linda Besemer.
Santa Monica, Calif.: Angles Gallery / New York: Cohan Leslie and Browne, 2002. Ljubljanske Tržnice Architekta Jožeta Plecnika = The Market in Ljubljana Designed by the
Architect Jože Plecnik = Die Laibacher Markthallen des Architekten Jože Plecnik.
Ljubljana: Založba Rokus, 1996. Luke, Timothy W. Museum Politics: Power Plays at the Exhibition.
Minneapolis: University of Minnesota Press, 2002. Lukin, Josh, and Samuel R. Delany. Fifties Fictions.
Vashon Island, Wash.: Para-doxa, 2003. Malloy, Judy. Women, Art, and Technology.
Cambridge, Mass.: MIT Press, 2003. Manolo Valdés: Painting and Sculpture.
New York: Art of this Century / Bilbao: Guggenheim
Bilbao, 2002. Marshall M. Fredericks, Sculptor.
University Center, Mich.: Marshall M. Fredericks Sculpture
Museum, Saginaw Valley State University / Detroit: Wayne State University Press, 2003. Martin, Elizabeth. Architecture as a Translation of Music.
Pamphlet Architecture 16. New York:
Princeton Architectural Press, 1994. McCarter, Robert. Building Machines.
Pamphlet Architecture 12. New York: Princeton
Architectural Press, 1987. McCarthy, Paul. Yaa-Hoo.
Köln: W. König, 1998. McKibben, Bill. Hope, Human and Wild: True Stories of Living Lightly on the Earth.
St. Paul,
Minn.: Ruminator Books, 2002. McQuaid, Matilda. Shigeru Ban.
London: Phaidon, 2003. Michel Gérard, the American Decade: 1989-1999.
Purchase, N.Y.:. Neuberger Museum of Art,
Purchase College, State University of New York, 2002. Mitchell, Jack. Icons & Idols.
New York: Amphoto Art, 1998. Molesworth, Helen Anne. Work Ethic.
Baltimore: Baltimore Museum of Art / University Park:
Pennsylvania State University Press, 2003. Monk, Philip. Tim Hawkinson.
Toronto: Power Plant Contemporary Art Gallery at Harbourfront
Centre, 2000. Neo Rauch.
Maastricht: Hatje Cantz: Bonnefantenmuseum / New York: Distributed Art Publishers,
2002. Ngo, Dung. Bent Ply: The Art of Plywood Furniture.
New York: Princeton Architectural Press,
2003. The Nonverbal Communication Reader: Classic and Contemporary Readings.
Prospect
Heights, Ill.: Waveland Press, 1999. The Official Museum Directory 2004.
Washington, D.C.: American Association of Museums, 2003. The Official Museum Products and Services Directory 2004.
Washington, D.C.: American
Association of Museums, 2003. Other Plans: Michael Sorkin Studio: University of Chicago Studies, 1998-2000.
Pamphlet
Architecture 22. New York: Princeton Architectural Press, 2001. Pamphlet Architecture 1-10.
New York: Princeton Architectural Press, 1998. Peterson, Susan. Contemporary Ceramics.
New York: Watson-Guptill Publications, 2000. Peterson, Susan. The Craft and Art of Clay.
4th ed. Woodstock, N.Y.: Overlook Press, 2003. Picasso: Painter and Sculptor in Clay.
New York: Abrams, 1998. Please Pay Attention Please: Bruce Nauman's Words: Writings and Interviews.
Cambridge,
Mass.: MIT Press, 2003. Polly Apfelbaum.
Philadelphia: Institute of Contemporary Art, University of Pennsylvania, 2003. Postman, Richard A. Anvils in America.
Berrian Springs, Mich.: Postma Pub., 1998. Postrel, Virginia. The Substance of Style: How the Rise of Aesthitic Value is Remaking
Commerce, Culture, and Consciousness.
New York: HarperCollins, 2003. Richard Tuttle, Crickets.
Barcelona: Fundació Caixa de Pensions, 1991. Rochester Institute of Technology, School of Photographic Arts and Sciences. Images from Science:
An Exhibition of Scientific Photography.
Rochester, N.Y.: Cary Graphic Arts Press,
2002. Rodney Graham.
London: Whitechapel Art Gallery, 2002. Roger Ebert's Movie Yearbook 2004.
Kansas City, Mo.: Andrews McMeel Pub., 2003. Schinkel, Karl Friedrich. Das Architektonische Lehrbuch.
München: Deutscher Kunstverlag, 2001. Scott, Paul. Ceramics and Print.
2nd ed. London: A&C Black / Philadelphia: University of
Pennsylvania Press, 2002. Shaw, Jeffrey, and Peter Weibel. Future Cinema: The Cinematic Imaginary after Film.
Cambridge, Mass.: MIT Press, 2003. Sigmar Polke: History of Everything: Paintings and Drawings, 1998-2002.
Dallas: Dallas
Museum of Art / New Haven: Yale University Press, 2003. Situation Normal...: Paul Lewis, Marc Tsurumaki, David J. Lewis.
Pamphlet Architecture 21.
New York: Princeton Architectural Press, 1998. Stoller, Ezra. The TWA Terminal: Eero Saarinen.
New York: Princeton Architectural Press, 1999. Surf Culture: The Art History of Surfing.
Laguna Beach, Calif.: Laguna Art Museum, in
association with Gingko Press, 2002. Tom Friedman.
2 volumes. Milano: Fondazione Prada, 2002. Tom Friedman.
Winston-Salem, N.C.: Southeastern Center for Contemporary Art, 2000. Tony Feher.
Annandale-on-Hudon, N.Y.: Center for Curatorial Studies, Bard College / New York:
Distributed Art Publishers, 2001. Townsend, Chris. Rapture: Art's Seduction by Fashion Since 1970.
New York: Thames &
Hudson, 2002. Translated Acts: Performance and Body Art from East Asia, 1991-2001.
Berlin: Haus der
Kulturen der Welt / New York: Queens Museum of Art, 2001. Trocmé, Suzanne. Fabric.
London: Mitchell Beazley, 2002. Troy, Nancy J. Couture Culture: A Study in Modern Art and Fashion.
Cambridge, Mass.: MIT
Press, 2003. Tuttle, Richard. Field of Stars: A Book on the Books.
Santiago de Compostela: Centro Galego de
Arte Contemporánea, 2002. Uncommon Denominator: New Art from Vienna.
North Adams, Mass.: MASS MoCA / Kempen:
teNeues, 2002. Urban Imaginaries from Latin America, Documenta 11.
Ostfildern-Ruit: Hatje Cantz, 2003. Veblen, Thorstein. The Theory of the Leisure Class.
New York: Dover Publications, 1994. Wardell, Sasha. Slipcasting.
London: A&C Black, 1997. Waters, John. Art: A Sex Book.
London: Thames & Hudson, 2003. Waterston, Darren. In the Reeds and Rushes.
Fresno, Calif.: Fresno Art Museum, 1999. Weitz, Shirley. Nonverbal Communication: Readings with Commentary.
2nd ed. New York:
Oxford University Press, 1979. Wigley, Mark. White Walls, Designer Dresses: The Fashioning of Modern Architecture.
Cambridge, Mass.: MIT Press, 2001. Wim Delvoye: Gothic Works.
Manchester: Manchester City Galleries in association with Sperone
Westwater & Rectapublishers, 2002. Wong, Wucius. Principles of Three-Dimensional Design.
New York: Van Nostrand Reinhold Co.,
1977. Woods, Lebbeus. War and Architecture=Rat i Arhitektura.
Pamphlet Architecture 15. New York:
Princeton Architectural Press, 1993. Zero Karat: The Donna Schneier Gift to the American Craft Museum.
New York: American
Craft Museum, 2002. DVDs: Capra, Frank. It Happened One Night.
Culver City, Calif.: Columbia TriStar Home Video, 1999. Capra, Frank. Mr. Smith Goes to Washington.
Culver City, Calif.: Columbia TriStar Home Video,
1999. Chen, Kaige. Together = He Ni Zai Yi Qi.
[United States]: MGM Home Entertainment, 2002. Costner, Kevin. Open Range.
[United States]: Touchstone Home Entertainment, 2003. Cronenberg, David. Naked Lunch.
Irvington, N.Y.: Criterion Collection, 2003. Cuesta, Michael. L.I.E.
New York: New Yorker Video, 2002. Cukor, George Dewey. Adam's Rib.
Burbank, Calif.: Warner Home Video, 2000. Cukor, George Dewey. The Philadelphia Story.
Burbank, Calif.: Warner Home Video, 2000. DaCosta, Morton. Auntie Mame.
Burbank, Calif.: Warner Home Video, 2002. De Sica, Vittorio. Indiscretion of an American Wife & Terminal Station.
Irvington, N.Y.:
Criterion Collection, 2003. Dick, Kirby. Sick: The Life and Death of Bob Flanagen, Supermasochist.
[S.l.]: Lions Gate
Home Entertainment, 2003. Dieterle, William. The Devil and Daniel Webster.
Irvington, N.Y.: Criterion Collection, 2003. Fellini, Federico. La Strada.
Irvington, N.Y.: Criterion Collection, 2003. Hawks, Howard. His Girl Friday.
Culver City, Calif.: Columbia TriStar Home Video, 2000. Ivory, James, and Ismail Merchant. Heat and Dust.
Irvington, N.Y.: Criterion Collection, 2003. Kaurismäki, Aki. The Man Without a Past = Mies Vailla Menneisyyttä.
Culver City, Calif.:
Columbia TriStar Home Entertainment, 2002. Kurosawa, Akira. Ikiru = To Live.
Irvington, N.Y.: Criterion Collection, 2003. Leconte, Patrice. Man on the Train = L'Homme du Train.
Hollywood, Calif.: Paramount Classics,
2003. Linklater, Richard. Waking Life.
[United States]: 20th Century Fox Home Entertainment, 2002. Linson, Art. Where the Buffalo Roam.
Troy, Mich.: Anchor Bay Entertainment, 1999. Loach, Ken. Sweet Sixteen.
[United States]: Trimark Home Video, 2002. Melville, Jean-Pierre. Le Cercle Rouge = Red Circle.
Irvington, N.Y.: Criterion Collection, 2003. Oz, Frank. Little Shop of Horrors.
Burbank, Calif.: Warner Home Video, 2000. Ozon, François. Swimming Pool.
Universal City, Calif.: Universal, 2002. Polanski, Roman. Knife in the Water = Nóz w Wodzie.
Irvington, N.Y.: Criterion Collection,
2003. Polish, Mark, and Michael Polish. Northfork.
Hollywood, Calif.: Paramount, 2003. Ross, Gary. Seabiscuit.
Universal City, Calif.: Universal, 2003. Sirk, Douglas. Imitation of Life.
Universal City, Calif.: Universal, 2002. Soderbergh, Steven. Schizopolis.
Irvington, N.Y.: Criterion Collection, 2003. Sollett, Peter. Raising Victor Vargas.
Culver City, Calif.: Columbia TriStar Home Entertainment,
2002. Verbinski, Gore. Pirates of the Caribbean: The Curse of the Black Pearl.
[United States]: Walt
Disney Home Entertainment, 2003. VHS: Arturo Alonzo Sandoval: The Fabric of Art.
Lexington, Ky.: KET, 2003. Bertoia, Val. Harry Bertoia Sound Sculptures.
Bally, Pa.: Bertoia Studio, 2001. Jordan, Glenn. The Picture of Dorian Gray.
[Oak Forest, Ill.]: MPI Home Video, 1992. Morris, Errol. Gates of Heaven.
Burbank, Calif.: RCA/Columbia Pictures Home Video, 1988. Tomlin, Lily, and Jane Wagner. The Search for Signs of Intelligent Life in the Universe.
New
Almoden, Calif.: Wolfe Video, 1992.
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