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DTSTART;TZID=America/Detroit:20210325T170000
DTEND;TZID=America/Detroit:20210325T180000
DTSTAMP:20260418T103429
CREATED:20210224T183034Z
LAST-MODIFIED:20210315T190123Z
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SUMMARY:Lecture: Geoff Manaugh (Webinar)
DESCRIPTION:On Burglars\, Earthquakes\, and Invisible Cities: Architectural Research Outside the Academy\nArchitectural and spatial research assumes different expectations and goals when pursued outside academia. We will discuss this with a focus on three recent interdisciplinary projects: mapping a potential new plate-tectonic boundary in the California desert\, tracking the role of burglars in revealing the limits of the built environment\, and redefining architectural ruins in today’s electromagnetic archaeology. \n\n\nGeoff Manaugh is a Los Angeles-based freelance writer and the author of A Burglar’s Guide to the City (2016). In 2004\, Manaugh launched the website BLDGBLOG\, dedicated to “architectural conjecture\, urban speculation\, and landscape futures.” In 2021\, his book Until Proven Safe: The History and Future of Quarantine\, written with Nicola Twilley—exploring 600 years of architecture\, suspicion\, isolation\, and uncertainty—will be published by Farrar\, Straus and Giroux/MCD. He lives in Los Angeles. \nThis research is partially funded by the Graham Foundation for Advanced Studies in the Fine Arts.
URL:https://cranbrookart.edu/event/lecture-geoff-manaugh-webinar/
CATEGORIES:Lectures,Virtual
ATTACH;FMTTYPE=image/jpeg:https://cranbrookart.edu/wp-content/uploads/2021/02/Manaugh_Headshot_UntilProvenSafe_BW.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20210323T190000
DTEND;TZID=America/Detroit:20210323T200000
DTSTAMP:20260418T103429
CREATED:20210319T223733Z
LAST-MODIFIED:20210319T223733Z
UID:17872-1616526000-1616529600@cranbrookart.edu
SUMMARY:Lecture: Nyeema Morgan (Webinar)
DESCRIPTION:Nyeema Morgan will provide a look into her interdisciplinary practice that has included large-scale drawings\, sculptural installation\, and print-based media. Referencing familiar artifacts like recipes\, book pages\, fables\, and canonical artworks\, Morgan reflects on personal and cultural economies of knowledge. Her works raise questions about how we articulate and construct meaning within a complex system of socio-political relations. \nNyeema Morgan is a Chicago-based multidisciplinary artist. Her work has been exhibited at The Drawing Center; the Boulder Museum of Contemporary Art; Marlborough Contemporary; Grant Wahlquist Gallery; Galerie Jeanroch Dard\, Paris\, France; and the CSS Bard Galleries/ Bard College\, NY. Some of Morgan’s awards and residencies include an Art Matters Grant\, NY; Joan Mitchell Painters & Sculptors Grant\, NY; Lower Manhattan Cultural Council Workspace residency\, NY and the Skowhegan School of Painting & Sculpture\, ME. Her works have been included in The Wall Street Journal\, Time Out NY\, and ArtForum. Morgan earned an MFA from California College of the Arts and a BFA from Cooper Union School of Art.
URL:https://cranbrookart.edu/event/lecture-nyeema-morgan-webinar/
CATEGORIES:Lectures,Virtual
ATTACH;FMTTYPE=image/jpeg:https://cranbrookart.edu/wp-content/uploads/2021/03/NyeemaMorgan_Headshot_RT-1.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20210303T190000
DTEND;TZID=America/Detroit:20210303T200000
DTSTAMP:20260418T103429
CREATED:20210224T180419Z
LAST-MODIFIED:20210227T151214Z
UID:17702-1614798000-1614801600@cranbrookart.edu
SUMMARY:Lecture: J.R. Uretsky (Webinar)
DESCRIPTION:J.R. Uretsky (she/they) is an artist\, performer\, musician and art curator living in Providence\, Rhode Island. Uretsky weaves performance\, music\, video\, puppetry\, and sculpture into emotionally charged\, affective artworks that shift seamlessly between autobiography and fiction. Uretsky’s work confronts viewers with expressive confessions that test the bounds of comfort\, personal space\, and acceptable presence. The characters that emerge through her performances are relatable yet also alien and non-specific\, forging an ambiguous space where emotion is the remaining constant. \nUretsky’s work was included in the 2013 DeCordova Biennial at The DeCordova Sculpture Park and Museum. She has also performed and exhibited at the Institute of Contemporary Art\, Boston\, Art Basel in Miami\, Florida\, the Carpenter Center for the Visual Arts at Harvard University\, the Rhode Island School of Design Museum as well as the Museum of Art and Design in New York. Uretsky’s work has been published by print\, online and video journals such as Headmaster Magazine\, Gaga Stigmata\, Big Red & Shiny and ASPECT: The Chronicle of New Media Art. \nIn addition to being the curator at the New Bedford Art Museum\, Uretsky has curated exhibits at Artspace in New Haven\, Connecticut\, AS220 and the Wedding Cake House (Dirt Palace) in Providence\, Rhode Island\, and the Distillery Gallery in Boston\, Massachusetts. An active member of the Providence creative community\, Uretsky sits on the Dirt Palace Public Projects Board of Trustees.
URL:https://cranbrookart.edu/event/lecture-jr-uretsky-webinar/
CATEGORIES:Lectures,Virtual
ATTACH;FMTTYPE=image/jpeg:https://cranbrookart.edu/wp-content/uploads/2021/02/JRUretsky.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20210303T180000
DTEND;TZID=America/Detroit:20210303T190000
DTSTAMP:20260418T103429
CREATED:20210224T171543Z
LAST-MODIFIED:20210224T180759Z
UID:17699-1614794400-1614798000@cranbrookart.edu
SUMMARY:Lecture: Saya Wollfalk (Webinar)
DESCRIPTION:Saya Woolfalk (Japan\, 1979) is a New York-based artist who uses science fiction and fantasy to re-imagine the world in multiple dimensions. She has exhibited at PS1/MoMA; Deitch Projects; Contemporary Art Museum\, Houston; Contemporary Arts Center\, Cincinnati; the Brooklyn Museum; Asian Art Museum\, CA; Museum of Contemporary Art\, Chicago; the Studio Museum in Harlem; the Frist Center for the Visual Arts; The Yerba Buena Center; The Newark Museum; Third Streaming; MCA San Diego; MoCA Taipei; and Performa 09; and has been written about in the New Yorker\, Sculpture Magazine\, Artforum\, Artforum.com\, ARTNews\, The New York Times\, Huffington Post and on Art21’s blog. Her first solo museum show\, The Empathics\, was on view at the Montclair Art Museum in 2012\, and second\, ChimaTEK Life Products\, at the Chrysler Museum of Art in 2014. Works by the artist are in the collections of major institutions including the Whitney Museum of American Art\, Mead Art Museum\, Weatherspoon Art Museum\, Newark Museum\, Chrysler Museum of Art\, and the Seattle Art Museum. She is represented by Leslie Tonkonow Artworks + Projects\, NYC\, and teaches in the BFA and MFA programs at Parsons: The New School for Design. \nClick here to join the lecture at 6pm EST on March 3\, 2021.
URL:https://cranbrookart.edu/event/lecture-saya-wollfalk-webinar/
CATEGORIES:Lectures,Virtual
ATTACH;FMTTYPE=image/jpeg:https://cranbrookart.edu/wp-content/uploads/2021/02/2016-06-08-1465353838-6598436-498882403_1280x720-thumb-medium.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20210302T170000
DTEND;TZID=America/Detroit:20210302T180000
DTSTAMP:20260418T103429
CREATED:20210108T185634Z
LAST-MODIFIED:20210108T185634Z
UID:17515-1614704400-1614708000@cranbrookart.edu
SUMMARY:Lecture: Nora Khan (Webinar)
DESCRIPTION:Photo: Rea Tajiri \nNora Khan: On the Challenge AI Poses for Art Criticism \nNora N. Khan is a writer of criticism. She is on the faculty of Rhode Island School of Design\, Digital + Media\, teaching critical theory\, artistic research\, writing for artists and designers\, and technological criticism. She has two short books: Seeing\, Naming\, Knowing (The Brooklyn Rail\, 2019)\, on machine vision\, and with Steven Warwick\, Fear Indexing the X-Files (Primary Information\, 2017)\, on fan forums and conspiracy theories online. Forthcoming this year is The Artificial and the Real\, through Art Metropole. She is currently an editor of The Force of Art along with Carin Kuoni and Serubiri Moses\, and is a longtime editor at Rhizome. She publishes in Art in America\, Flash Art\, Mousse\, 4Columns\, Brooklyn Rail\, Rhizome\, California Sunday\, Spike Art\, The Village Voice\, and Glass Bead. She has written commissioned essays for exhibitions at Serpentine Galleries\, Chisenhale\, the Venice Biennale\, Centre Pompidou\, Swiss Institute\, and Kunstverein in Hamburg. This year\, as The Shed’s first guest curator\, she organized the exhibition Manual Override\, featuring Sondra Perry\, Simon Fujiwara\, Morehshin Allahyari\, Lynn Hershman Leeson\, Martine Syms. Her writing has been supported by a Critical Writing Grant given through the Visual Arts Foundation and the Crossed Purposes Foundation (2018)\, an Eyebeam Research Residency (2017)\, and a Thoma Foundation 2016 Arts Writing Award in Digital Art. Her research and writing practice extends to a large range of artistic collaborations\, which include librettos\, performances\, and exhibition essays\, scripts\, and a tiny house.
URL:https://cranbrookart.edu/event/lecture-nora-khan-webinar/
CATEGORIES:Lectures,Virtual
ATTACH;FMTTYPE=image/jpeg:https://cranbrookart.edu/wp-content/uploads/2021/01/Nora-Kahn-Headshot-for-Web-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20210225T170000
DTEND;TZID=America/Detroit:20210225T180000
DTSTAMP:20260418T103429
CREATED:20210222T153155Z
LAST-MODIFIED:20210222T162921Z
UID:17685-1614272400-1614276000@cranbrookart.edu
SUMMARY:Lecture: Tyree Guyton (Webinar)
DESCRIPTION:2 + 2 = 8: Create your own reality\nTyree Guyton will share aspects of his journey as an exhibiting artist and as the founder of the Heidelberg Project\, including visuals/video from a private show that he curated for Black History Month. The president of the Heidelberg Project Jenenne Whitfield will assist in presenting parts the Heidelberg Project and visuals\, and she will field and participate in the Q & A portion of the presentation. \n“My art reflects how nothing (seemingly) becomes something.  My experiences have granted me knowledge of how to create art by seeing beauty in everything that exists.  I can see the evolution of life in everything\, in every minute second.  It’s the energy source that gives humans and all earthly creatures life and I believe my job is to create life on the canvas (whatever that may be).  My work is always changing to reflect the evolution of mankind.  This change or metamorphosis is both good and bad energy\, negative and positive energy\, all of which helps me to find balance in my work and my life.  My work is radical and very extreme.  It’s not about right or wrong\, or aesthetics.  Instead\, it asks questions:  Can it work in the space at that time? Is it true for me?  In this way\, I am creating my own reality.” \n– Tyree Guyton\, 2021
URL:https://cranbrookart.edu/event/lecture-tyree-guyton/
CATEGORIES:Lectures,Virtual
ATTACH;FMTTYPE=image/jpeg:https://cranbrookart.edu/wp-content/uploads/2021/02/Greg-Campbell-3bw.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20210211T120000
DTEND;TZID=America/Detroit:20210211T130000
DTSTAMP:20260418T103429
CREATED:20210205T231822Z
LAST-MODIFIED:20251118T053932Z
UID:17636-1613044800-1613048400@cranbrookart.edu
SUMMARY:Lecture: Adam Nathaniel Furman (Webinar)
DESCRIPTION:Adam Nathaniel Furman. Photo by: Pietro Cattaneo \nAdam Nathaniel Furman will speak about his work as a professional journey\, and how he found ways to explore the ideas he is interested in\, in the “real” world\, navigating commercial work and research without getting trapped in either. \nAdam Nathaniel Furman is an artist & designer of Argentine & Japanese heritage based in London. Adam trained in Architecture and Fine Art and works in these fields as well as product design and interiors. Adam is co-director of Saturated Space at the Architectural Association\, a research group on colour in architecture and urbanism\, was a studio master of Productive Exuberance at CSM for three years\, published the book Revisiting Postmodernism for the RIBA in 2017\, has written for many publications and won several awards including the UK Rome Prize for Architecture\, Blueprint’s Award for Design Innovation\, and FX Product Designer of the Year.
URL:https://cranbrookart.edu/event/lecture-adam-nathaniel-furman-webinar/
CATEGORIES:Lectures,Virtual
ATTACH;FMTTYPE=image/.jpg:https://cranbrookart.edu/wp-content/uploads/2021/02/Photo-by-Pietro-Cattaneo-e1612566885353.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20210210T180000
DTEND;TZID=America/Detroit:20210210T190000
DTSTAMP:20260418T103430
CREATED:20210113T194155Z
LAST-MODIFIED:20210113T194155Z
UID:17564-1612980000-1612983600@cranbrookart.edu
SUMMARY:Lecture: Jonathan González (Webinar)
DESCRIPTION:Jonathan González \nThe Smallest Unit is Each Other…\nSharing the developing research towards two works: The Smallest Unit is Each Other… and (r-2)2 + z2-LIFE = 1STILL \, González shares ephemera\, drafted works\, and citations of in-process material to elaborate upon their continued study in black revolutionary coordinates\, the built environment\, and the politics of materiality. Staying with the prescient dialogues of coalition aesthetics and abolition\, they offer a perspective towards mobilizing transdisciplinary practice and uses of liveness as social intervention. This lecture includes a presentation of video\, image\, and sound as well as a dialogue open to all attendees. \nJonathan González (they/them) is an artist working at the intersections of performance\, text\, sculpture\, and other time-based media from Queens\, New York. González’s work speculates on the political utility of the “stage” as a method to interface with publics upon systems of liveness\, objects\, and economies of being that construct the built environment. Their recent projects/collaborations include: 02020 (Performance Space New York)\, ZERO (Danspace Project)\, N**GGA F*GG*TS\, & WHAT I REALLY MEAN WHEN I SAY “I’M ABOUT TO BURN THIS F**KING BITCH DOWN. (region(es) mag)\, Not Total (homeschool PDX\, Yale Union x Paragon Arts Gallery)\, Working on Water in collaboration with Mario Gooden (Columbia School of Architecture)\, h/S: Jonathan González (CICCIO)\, Maroonage: Elaborations on the Stage and Staying Alive (Contact Quarterly)\, Lucifer Landing I & II (MoMA PS1 x Abrons Arts Center)\, black MoMA (Museum of Modern Art). Their curations include Sunday Service @ Knockdown Center and Movement Research Fall Festival: invisible material. Previously an LMCC Workspace Resident\, NARS Foundation AIR\, Jerome Foundation Fellow\, Mertz Gilmore Grantee\, Art Matters Fellow\, and Performance Art/Theater Foundation for Contemporary Arts Grantee. \nSponsored by the Sculpture Department at Cranbrook Academy of Art. \n  \nClick this link to join us on Zoom at the time of the lecture.
URL:https://cranbrookart.edu/event/lecture-jonathan-gonzalez-webinar/
CATEGORIES:Lectures,Virtual
ATTACH;FMTTYPE=image/jpeg:https://cranbrookart.edu/wp-content/uploads/2021/01/Headshot.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20210202T170000
DTEND;TZID=America/Detroit:20210202T180000
DTSTAMP:20260418T103430
CREATED:20210105T171509Z
LAST-MODIFIED:20210105T172801Z
UID:17494-1612285200-1612288800@cranbrookart.edu
SUMMARY:Lecture: Nicole Fleetwood (Webinar)
DESCRIPTION:Marking Time: Art in the Age of Mass Incarceration investigates the impact of the carceral state on American life through the lens of art and visual culture. The multi-platform project grows out of a decade of research by Dr. Nicole R. Fleetwood\, curator and professor of American Studies and Art History at Rutgers University. Marking Time  encompasses a highly praised book featuring close to 70 artists\, a major survey exhibition at MoMA PS1\, and ongoing public programs and collaborations highlighting artists working to end mass incarceration and issues impacting imprisoned people\, their loved ones and communities. \nMarking Time grows out of groundbreaking research on contemporary culture\, art\, and the carceral state including interviews with currently and formerly incarcerated artists. Each initiative of this ongoing project foregrounds the creativity\, activism\, coalition building\, and visions of freedom of directly impacted people. Working with meager supplies and in the harshest conditions\, imprisoned artists find ways to resist the brutality and isolation that prisons engender. Their bold works reveal new possibilities in American art and help to foster a society beyond imprisonment. \nNicole R. Fleetwood is a writer\, curator\, and professor of American Studies and Art History at Rutgers University\, New Brunswick. Her books are Marking Time: Art in the Age of Mass Incarceration (2020)\, On Racial Icons: Blackness and the Public Imagination (2015)\, and Troubling Vision: Performance\, Visuality\, and Blackness (2011).  She is co-editor of Aperture magazine’s “Prison Nation\,” a special issue focusing on photography’s role in documenting mass incarceration\, and co-curator of Aperture’s touring exhibition of the same title.  Fleetwood has co/curated exhibitions and programs on art and mass incarceration at the Andrew Freedman Home\, Aperture Foundation\, Cleveland Public Library\, Eastern State Penitentiary\, MoMA PS1\, Mural Arts Philadelphia\, the Zimmerli Art Museum\, and the Urban Justice Center.  Her work has been supported by the Rockefeller Foundation’s Bellagio Center\, NYPL’s Cullman Center for Scholars and Writers\, ACLS\, Whiting Foundation\, Denniston Hill Residency\, Schomburg Center for Scholars-in-Residence\, Andrew W. Mellon Foundation\, and the NEH. \nTameca Cole\, Locked in a Dark Calm\, 2016. Collection of Ellen Driscoll
URL:https://cranbrookart.edu/event/lecture-nicole-fleetwood-webinar/
CATEGORIES:Lectures,Virtual
ATTACH;FMTTYPE=image/jpeg:https://cranbrookart.edu/wp-content/uploads/2021/01/Fleetwood_withglasses_CROPPED-1.jpeg
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BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20210127T180000
DTEND;TZID=America/Detroit:20210127T190000
DTSTAMP:20260418T103430
CREATED:20210113T192105Z
LAST-MODIFIED:20210113T192131Z
UID:17560-1611770400-1611774000@cranbrookart.edu
SUMMARY:Lecture: Amanda Ross-Ho (Webinar)
DESCRIPTION:Photo Credit: Max Li \nVisiting Artist Amanda Ross-Ho will discuss past and recent works. \nAmanda Ross-Ho holds a BFA from the School of the Art Institute of Chicago and an MFA from the University of Southern California. She has exhibited her work in galleries\, museums\, and public spaces worldwide\, including The Museum of Contemporary Art Los Angeles\, the Bonner Kunstverein\, Germany\, Kunsthall Stavanger\, Norway\, The Walker Art Center\, The Museum of Contemporary Art Chicago\, The New Museum\, and The Museum of Modern Art. She was included in the 2008 Whitney Biennial\, and the 33rd Ljubljana Biennial. She is Professor of Sculpture at the University of California\, Irvine and lives and works in Los Angeles. \nSponsored by the Sculpture Department at Cranbrook Academy of Art. \nClick this link to join us on Zoom at the time of the lecture.
URL:https://cranbrookart.edu/event/lecture-amanda-ross-ho-webinar/
CATEGORIES:Lectures,Virtual
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BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20210119T170000
DTEND;TZID=America/Detroit:20210119T180000
DTSTAMP:20260418T103430
CREATED:20210118T160737Z
LAST-MODIFIED:20210118T160813Z
UID:17571-1611075600-1611079200@cranbrookart.edu
SUMMARY:Lecture: Dr. Dora Apel (Webinar)
DESCRIPTION:Why We Need a National Lynching Memorial\nThis talk examines the controversy over a national lynching memorial and argues that how we remember the past is crucial to changing the present and future. The Memorial to Peace and Justice\, dedicated to the nation’s thousands of lynching victims\, and an accompanying museum on Black history from slavery to mass incarceration opened in Montgomery\, Alabama\, in the midst of resurgent white nationalism\, continuing attacks on Blacks and people of color\, debates over immigrants and refugees\, and controversies over Confederate monuments. What is the political basis of white supremacist ideology? What is the role of women in white supremacist ideology? How does the ongoing construction of memory inherently structure a collective way of knowing that changes our understanding of racial and ethnic oppression and the ongoing struggles for equality and social justice? \nDora Apel is a cultural critic and art historian who writes about politics\, culture\, and visual imagery. Her focus is on traumatic imagery and memory\, race and ethnicity\, gender and sexuality\, cities and ruins\, war and the failures of capitalism. She is the author of six books\, including Calling Memory into Place; Beautiful Terrible Ruins: Detroit and the Anxiety of Decline; War Culture and the Contest of Images; Imagery of Lynching: Black Men\, White Women\, and the Mob; Lynching Photographs (co-authored with Shawn Michelle Smith); and Memory Effects: The Holocaust and the Art of Secondary Witnessing. She is the W. Hawkins Ferry Endowed Chair Professor Emerita of Modern and Contemporary Art History at Wayne State  University. \nClick here to join the meeting at 5pm on January 19th.
URL:https://cranbrookart.edu/event/lecture-dr-dora-apel-webinar/
CATEGORIES:Lectures,Virtual
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DTSTART;TZID=America/Detroit:20210113T180000
DTEND;TZID=America/Detroit:20210113T190000
DTSTAMP:20260418T103430
CREATED:20210106T193550Z
LAST-MODIFIED:20210106T193550Z
UID:17510-1610560800-1610564400@cranbrookart.edu
SUMMARY:Lecture: Jennifer Ling Datchuk (Webinar)
DESCRIPTION:Jennifer Ling Datchuk will discuss how her studio practice is informed by the power in materials like porcelain\, hair\, and domestic objects. We will explore how research\, personal narratives\, lived experiences\, and oral histories are foundations for making work about identity. \nTrained in ceramics\, Jennifer Ling Datchuk works with porcelain and other materials often associated with traditional women’s work\, such as textiles and hair\, to discuss fragility\, beauty\, femininity\, intersectionality\, identity and personal history. She holds an MFA in Artisanry from the University of Massachusetts Dartmouth and a BFA in Crafts from Kent State University. In 2017\, she received the Emerging Voices award from the American Craft Council and was named a United States Artist 2020 Fellow in Craft. She is an Assistant Professor of Ceramics at Texas State University and lives and maintains a studio practice in San Antonio\, Texas. \nClick here to enter the Zoom meeting directly at the scheduled time. \nJENNIFER LING DATCHUK\, “LIVE TO DIE” CUSTOM PRINTED RED WELCOME MATS\, SLIP CAST PORCELAIN\, OVERGLAZE\, PALLET VARIED DIMENSIONS\, INDIVIDUAL MATS ARE 30.5″ X 22″\, 2019
URL:https://cranbrookart.edu/event/lecture-jennifer-ling-datchuk-webinar/
CATEGORIES:Lectures,Virtual
ATTACH;FMTTYPE=image/jpeg:https://cranbrookart.edu/wp-content/uploads/2021/01/jldatchuk_headshot-1.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20201203T120000
DTEND;TZID=America/Detroit:20201203T130000
DTSTAMP:20260418T103430
CREATED:20201130T192102Z
LAST-MODIFIED:20201130T192102Z
UID:17413-1606996800-1607000400@cranbrookart.edu
SUMMARY:Lecture: Winy Maas (Webinar)
DESCRIPTION:Winy Maas is the Co-founder and Principal Architect of MVRDV\, an interdisciplinary studio that works at the intersection of architecture and urbanism. In this lecture\, Maas will talk about recent works of MVRDV\, including projects from the world’s first publicly accessible art museum archive – a new iconic building for Rotterdam – to ‘pop art’ building Glass Mural\, for which the Detroit artist Sheefy McFly developed an original mural to be printed on the glass façade. Maas will also talk about the future of our cities and MVRDV’s cooperation with The Why Factory\, a think tank that Maas runs in collaboration with Delft University of Technology\, which visualizes scenarios and models for cities of the future. \nPlease use the RSVP button to register for this webinar.
URL:https://cranbrookart.edu/event/lecture-winy-maas-webinar/
CATEGORIES:Lectures,Virtual
ATTACH;FMTTYPE=image/jpeg:https://cranbrookart.edu/wp-content/uploads/2020/11/Daria-Scagliola-portrait-Winy-02-sm-1-e1606764015977.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20201123T180000
DTEND;TZID=America/Detroit:20201123T190000
DTSTAMP:20260418T103430
CREATED:20201121T000511Z
LAST-MODIFIED:20201123T205007Z
UID:17364-1606154400-1606158000@cranbrookart.edu
SUMMARY:Lecture: Cathy Lu (Webinar)
DESCRIPTION:Foreign Bodies\nThe lecture is an overview of my ceramic artwork over the last many years. My work is an exploration of my Asian American identity\, being both Chinese and American while not being able to be fully accepted as either. Unpacking how experiences of immigration\, cultural hybridity\, and cultural assimilation become part of the larger American identity is central to my work. \n  \nShe received her MFA from the San Francisco Art Institute\, and her BA & BFA from Tufts University. She has participated in artist in residence programs at Root Division\, Vermont Studio Center\, Anderson Ranch Arts Center\, and Recology SF. Her work has been exhibited at Johansson Projects\, Somarts\, Aggregate Space\, and Berkeley Arts Center. She was a 2019 Asian Cultural Council/ Beijing Contemporary Art Foundation Fellow. She currently teaches ceramics at California College of the Arts and Mills College. \nEnter the Zoom session directly here.
URL:https://cranbrookart.edu/event/lecture-cathy-lu-webinar/
CATEGORIES:Lectures
ATTACH;FMTTYPE=image/jpeg:https://cranbrookart.edu/wp-content/uploads/2020/11/IMG_3409-1.jpg
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BEGIN:VEVENT
DTSTART;TZID=UTC:20201119T180000
DTEND;TZID=UTC:20201119T190000
DTSTAMP:20260418T103430
CREATED:20201104T200243Z
LAST-MODIFIED:20201109T055206Z
UID:17311-1605808800-1605812400@cranbrookart.edu
SUMMARY:Lecture: Edgar Arceneaux (Webinar)
DESCRIPTION:The Process of Building \nJoin us virtually on November 19 when Edgar Arceneaux will present the lecture\, “Minding the Gaps: Methods and Approaches to Presenting Difficult to Represent Things.”  \nArceneaux is a Los Angeles-based artist who received a BFA from the Art Center College of Design and an MFA from the California Institute of the Arts. Arceneaux constructs drawings\, installations\, video\, and film works as complex arrangements of association that examine adjacencies and points of contact between implausible relations. Constantly working in new modes\, Arceneaux directed his first play Until\, Until\, Until… at the Performa Biannual in NYC in November 2015 and was awarded the Malcolm McLaren\, Best of Show Award. His new play\, film and installation is entitled Boney Manilli\, and is loosely inspired by the infamous pop duo Milli Vanilli. The work will premiere in 2022 at the Center for the Art of Performance at UCLA and Susanne Vielmetter Los Angeles Projects.  \nHe has participated in the Rauschenberg Residency in Captiva Island\, Florida\, Art Pace in San Antonio; Skowhegan: Banff Center in Canada and at the Fachhochschule Aachen\, in Germany. Solo exhibitions have been presented at the Vera List Center at MIT in Cambridge\, Mass\, Hammer Museum\, Los Angeles; The Studio Museum in Harlem and Museum für Gegenwartskunst in Basel\, Switzerland and a collaborative drawing show with Wangechi Mutu at Site Santa Fe\, New Mexico. \nRegister for the webinar HERE. 
URL:https://cranbrookart.edu/event/lecture-edgar-arceneaux-webinar/
CATEGORIES:Lectures
ATTACH;FMTTYPE=image/jpeg:https://cranbrookart.edu/wp-content/uploads/2020/11/Edgar-Headshot-2020.-Credit-Everard-Williams-Low-Rez-scaled.jpg
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