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DTSTART;TZID=America/Detroit:20210210T180000
DTEND;TZID=America/Detroit:20210210T190000
DTSTAMP:20260628T111746
CREATED:20210113T194155Z
LAST-MODIFIED:20210113T194155Z
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SUMMARY:Lecture: Jonathan González (Webinar)
DESCRIPTION:Jonathan González \nThe Smallest Unit is Each Other…\nSharing the developing research towards two works: The Smallest Unit is Each Other… and (r-2)2 + z2-LIFE = 1STILL \, González shares ephemera\, drafted works\, and citations of in-process material to elaborate upon their continued study in black revolutionary coordinates\, the built environment\, and the politics of materiality. Staying with the prescient dialogues of coalition aesthetics and abolition\, they offer a perspective towards mobilizing transdisciplinary practice and uses of liveness as social intervention. This lecture includes a presentation of video\, image\, and sound as well as a dialogue open to all attendees. \nJonathan González (they/them) is an artist working at the intersections of performance\, text\, sculpture\, and other time-based media from Queens\, New York. González’s work speculates on the political utility of the “stage” as a method to interface with publics upon systems of liveness\, objects\, and economies of being that construct the built environment. Their recent projects/collaborations include: 02020 (Performance Space New York)\, ZERO (Danspace Project)\, N**GGA F*GG*TS\, & WHAT I REALLY MEAN WHEN I SAY “I’M ABOUT TO BURN THIS F**KING BITCH DOWN. (region(es) mag)\, Not Total (homeschool PDX\, Yale Union x Paragon Arts Gallery)\, Working on Water in collaboration with Mario Gooden (Columbia School of Architecture)\, h/S: Jonathan González (CICCIO)\, Maroonage: Elaborations on the Stage and Staying Alive (Contact Quarterly)\, Lucifer Landing I & II (MoMA PS1 x Abrons Arts Center)\, black MoMA (Museum of Modern Art). Their curations include Sunday Service @ Knockdown Center and Movement Research Fall Festival: invisible material. Previously an LMCC Workspace Resident\, NARS Foundation AIR\, Jerome Foundation Fellow\, Mertz Gilmore Grantee\, Art Matters Fellow\, and Performance Art/Theater Foundation for Contemporary Arts Grantee. \nSponsored by the Sculpture Department at Cranbrook Academy of Art. \n  \nClick this link to join us on Zoom at the time of the lecture.
URL:https://cranbrookart.edu/event/lecture-jonathan-gonzalez-webinar/
CATEGORIES:Lectures,Virtual
ATTACH;FMTTYPE=image/jpeg:https://cranbrookart.edu/wp-content/uploads/2021/01/Headshot.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20210202T170000
DTEND;TZID=America/Detroit:20210202T180000
DTSTAMP:20260628T111746
CREATED:20210105T171509Z
LAST-MODIFIED:20210105T172801Z
UID:17494-1612285200-1612288800@cranbrookart.edu
SUMMARY:Lecture: Nicole Fleetwood (Webinar)
DESCRIPTION:Marking Time: Art in the Age of Mass Incarceration investigates the impact of the carceral state on American life through the lens of art and visual culture. The multi-platform project grows out of a decade of research by Dr. Nicole R. Fleetwood\, curator and professor of American Studies and Art History at Rutgers University. Marking Time  encompasses a highly praised book featuring close to 70 artists\, a major survey exhibition at MoMA PS1\, and ongoing public programs and collaborations highlighting artists working to end mass incarceration and issues impacting imprisoned people\, their loved ones and communities. \nMarking Time grows out of groundbreaking research on contemporary culture\, art\, and the carceral state including interviews with currently and formerly incarcerated artists. Each initiative of this ongoing project foregrounds the creativity\, activism\, coalition building\, and visions of freedom of directly impacted people. Working with meager supplies and in the harshest conditions\, imprisoned artists find ways to resist the brutality and isolation that prisons engender. Their bold works reveal new possibilities in American art and help to foster a society beyond imprisonment. \nNicole R. Fleetwood is a writer\, curator\, and professor of American Studies and Art History at Rutgers University\, New Brunswick. Her books are Marking Time: Art in the Age of Mass Incarceration (2020)\, On Racial Icons: Blackness and the Public Imagination (2015)\, and Troubling Vision: Performance\, Visuality\, and Blackness (2011).  She is co-editor of Aperture magazine’s “Prison Nation\,” a special issue focusing on photography’s role in documenting mass incarceration\, and co-curator of Aperture’s touring exhibition of the same title.  Fleetwood has co/curated exhibitions and programs on art and mass incarceration at the Andrew Freedman Home\, Aperture Foundation\, Cleveland Public Library\, Eastern State Penitentiary\, MoMA PS1\, Mural Arts Philadelphia\, the Zimmerli Art Museum\, and the Urban Justice Center.  Her work has been supported by the Rockefeller Foundation’s Bellagio Center\, NYPL’s Cullman Center for Scholars and Writers\, ACLS\, Whiting Foundation\, Denniston Hill Residency\, Schomburg Center for Scholars-in-Residence\, Andrew W. Mellon Foundation\, and the NEH. \nTameca Cole\, Locked in a Dark Calm\, 2016. Collection of Ellen Driscoll
URL:https://cranbrookart.edu/event/lecture-nicole-fleetwood-webinar/
CATEGORIES:Lectures,Virtual
ATTACH;FMTTYPE=image/jpeg:https://cranbrookart.edu/wp-content/uploads/2021/01/Fleetwood_withglasses_CROPPED-1.jpeg
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BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20210127T180000
DTEND;TZID=America/Detroit:20210127T190000
DTSTAMP:20260628T111746
CREATED:20210113T192105Z
LAST-MODIFIED:20210113T192131Z
UID:17560-1611770400-1611774000@cranbrookart.edu
SUMMARY:Lecture: Amanda Ross-Ho (Webinar)
DESCRIPTION:Photo Credit: Max Li \nVisiting Artist Amanda Ross-Ho will discuss past and recent works. \nAmanda Ross-Ho holds a BFA from the School of the Art Institute of Chicago and an MFA from the University of Southern California. She has exhibited her work in galleries\, museums\, and public spaces worldwide\, including The Museum of Contemporary Art Los Angeles\, the Bonner Kunstverein\, Germany\, Kunsthall Stavanger\, Norway\, The Walker Art Center\, The Museum of Contemporary Art Chicago\, The New Museum\, and The Museum of Modern Art. She was included in the 2008 Whitney Biennial\, and the 33rd Ljubljana Biennial. She is Professor of Sculpture at the University of California\, Irvine and lives and works in Los Angeles. \nSponsored by the Sculpture Department at Cranbrook Academy of Art. \nClick this link to join us on Zoom at the time of the lecture.
URL:https://cranbrookart.edu/event/lecture-amanda-ross-ho-webinar/
CATEGORIES:Lectures,Virtual
ATTACH;FMTTYPE=image/jpeg:https://cranbrookart.edu/wp-content/uploads/2021/01/ARH_LI-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20210119T170000
DTEND;TZID=America/Detroit:20210119T180000
DTSTAMP:20260628T111746
CREATED:20210118T160737Z
LAST-MODIFIED:20210118T160813Z
UID:17571-1611075600-1611079200@cranbrookart.edu
SUMMARY:Lecture: Dr. Dora Apel (Webinar)
DESCRIPTION:Why We Need a National Lynching Memorial\nThis talk examines the controversy over a national lynching memorial and argues that how we remember the past is crucial to changing the present and future. The Memorial to Peace and Justice\, dedicated to the nation’s thousands of lynching victims\, and an accompanying museum on Black history from slavery to mass incarceration opened in Montgomery\, Alabama\, in the midst of resurgent white nationalism\, continuing attacks on Blacks and people of color\, debates over immigrants and refugees\, and controversies over Confederate monuments. What is the political basis of white supremacist ideology? What is the role of women in white supremacist ideology? How does the ongoing construction of memory inherently structure a collective way of knowing that changes our understanding of racial and ethnic oppression and the ongoing struggles for equality and social justice? \nDora Apel is a cultural critic and art historian who writes about politics\, culture\, and visual imagery. Her focus is on traumatic imagery and memory\, race and ethnicity\, gender and sexuality\, cities and ruins\, war and the failures of capitalism. She is the author of six books\, including Calling Memory into Place; Beautiful Terrible Ruins: Detroit and the Anxiety of Decline; War Culture and the Contest of Images; Imagery of Lynching: Black Men\, White Women\, and the Mob; Lynching Photographs (co-authored with Shawn Michelle Smith); and Memory Effects: The Holocaust and the Art of Secondary Witnessing. She is the W. Hawkins Ferry Endowed Chair Professor Emerita of Modern and Contemporary Art History at Wayne State  University. \nClick here to join the meeting at 5pm on January 19th.
URL:https://cranbrookart.edu/event/lecture-dr-dora-apel-webinar/
CATEGORIES:Lectures,Virtual
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DTSTART;TZID=America/Detroit:20210113T180000
DTEND;TZID=America/Detroit:20210113T190000
DTSTAMP:20260628T111746
CREATED:20210106T193550Z
LAST-MODIFIED:20210106T193550Z
UID:17510-1610560800-1610564400@cranbrookart.edu
SUMMARY:Lecture: Jennifer Ling Datchuk (Webinar)
DESCRIPTION:Jennifer Ling Datchuk will discuss how her studio practice is informed by the power in materials like porcelain\, hair\, and domestic objects. We will explore how research\, personal narratives\, lived experiences\, and oral histories are foundations for making work about identity. \nTrained in ceramics\, Jennifer Ling Datchuk works with porcelain and other materials often associated with traditional women’s work\, such as textiles and hair\, to discuss fragility\, beauty\, femininity\, intersectionality\, identity and personal history. She holds an MFA in Artisanry from the University of Massachusetts Dartmouth and a BFA in Crafts from Kent State University. In 2017\, she received the Emerging Voices award from the American Craft Council and was named a United States Artist 2020 Fellow in Craft. She is an Assistant Professor of Ceramics at Texas State University and lives and maintains a studio practice in San Antonio\, Texas. \nClick here to enter the Zoom meeting directly at the scheduled time. \nJENNIFER LING DATCHUK\, “LIVE TO DIE” CUSTOM PRINTED RED WELCOME MATS\, SLIP CAST PORCELAIN\, OVERGLAZE\, PALLET VARIED DIMENSIONS\, INDIVIDUAL MATS ARE 30.5″ X 22″\, 2019
URL:https://cranbrookart.edu/event/lecture-jennifer-ling-datchuk-webinar/
CATEGORIES:Lectures,Virtual
ATTACH;FMTTYPE=image/jpeg:https://cranbrookart.edu/wp-content/uploads/2021/01/jldatchuk_headshot-1.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20201203T120000
DTEND;TZID=America/Detroit:20201203T130000
DTSTAMP:20260628T111746
CREATED:20201130T192102Z
LAST-MODIFIED:20201130T192102Z
UID:17413-1606996800-1607000400@cranbrookart.edu
SUMMARY:Lecture: Winy Maas (Webinar)
DESCRIPTION:Winy Maas is the Co-founder and Principal Architect of MVRDV\, an interdisciplinary studio that works at the intersection of architecture and urbanism. In this lecture\, Maas will talk about recent works of MVRDV\, including projects from the world’s first publicly accessible art museum archive – a new iconic building for Rotterdam – to ‘pop art’ building Glass Mural\, for which the Detroit artist Sheefy McFly developed an original mural to be printed on the glass façade. Maas will also talk about the future of our cities and MVRDV’s cooperation with The Why Factory\, a think tank that Maas runs in collaboration with Delft University of Technology\, which visualizes scenarios and models for cities of the future. \nPlease use the RSVP button to register for this webinar.
URL:https://cranbrookart.edu/event/lecture-winy-maas-webinar/
CATEGORIES:Lectures,Virtual
ATTACH;FMTTYPE=image/jpeg:https://cranbrookart.edu/wp-content/uploads/2020/11/Daria-Scagliola-portrait-Winy-02-sm-1-e1606764015977.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20201123T180000
DTEND;TZID=America/Detroit:20201123T190000
DTSTAMP:20260628T111746
CREATED:20201121T000511Z
LAST-MODIFIED:20201123T205007Z
UID:17364-1606154400-1606158000@cranbrookart.edu
SUMMARY:Lecture: Cathy Lu (Webinar)
DESCRIPTION:Foreign Bodies\nThe lecture is an overview of my ceramic artwork over the last many years. My work is an exploration of my Asian American identity\, being both Chinese and American while not being able to be fully accepted as either. Unpacking how experiences of immigration\, cultural hybridity\, and cultural assimilation become part of the larger American identity is central to my work. \n  \nShe received her MFA from the San Francisco Art Institute\, and her BA & BFA from Tufts University. She has participated in artist in residence programs at Root Division\, Vermont Studio Center\, Anderson Ranch Arts Center\, and Recology SF. Her work has been exhibited at Johansson Projects\, Somarts\, Aggregate Space\, and Berkeley Arts Center. She was a 2019 Asian Cultural Council/ Beijing Contemporary Art Foundation Fellow. She currently teaches ceramics at California College of the Arts and Mills College. \nEnter the Zoom session directly here.
URL:https://cranbrookart.edu/event/lecture-cathy-lu-webinar/
CATEGORIES:Lectures
ATTACH;FMTTYPE=image/jpeg:https://cranbrookart.edu/wp-content/uploads/2020/11/IMG_3409-1.jpg
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BEGIN:VEVENT
DTSTART;TZID=UTC:20201119T180000
DTEND;TZID=UTC:20201119T190000
DTSTAMP:20260628T111746
CREATED:20201104T200243Z
LAST-MODIFIED:20201109T055206Z
UID:17311-1605808800-1605812400@cranbrookart.edu
SUMMARY:Lecture: Edgar Arceneaux (Webinar)
DESCRIPTION:The Process of Building \nJoin us virtually on November 19 when Edgar Arceneaux will present the lecture\, “Minding the Gaps: Methods and Approaches to Presenting Difficult to Represent Things.”  \nArceneaux is a Los Angeles-based artist who received a BFA from the Art Center College of Design and an MFA from the California Institute of the Arts. Arceneaux constructs drawings\, installations\, video\, and film works as complex arrangements of association that examine adjacencies and points of contact between implausible relations. Constantly working in new modes\, Arceneaux directed his first play Until\, Until\, Until… at the Performa Biannual in NYC in November 2015 and was awarded the Malcolm McLaren\, Best of Show Award. His new play\, film and installation is entitled Boney Manilli\, and is loosely inspired by the infamous pop duo Milli Vanilli. The work will premiere in 2022 at the Center for the Art of Performance at UCLA and Susanne Vielmetter Los Angeles Projects.  \nHe has participated in the Rauschenberg Residency in Captiva Island\, Florida\, Art Pace in San Antonio; Skowhegan: Banff Center in Canada and at the Fachhochschule Aachen\, in Germany. Solo exhibitions have been presented at the Vera List Center at MIT in Cambridge\, Mass\, Hammer Museum\, Los Angeles; The Studio Museum in Harlem and Museum für Gegenwartskunst in Basel\, Switzerland and a collaborative drawing show with Wangechi Mutu at Site Santa Fe\, New Mexico. \nRegister for the webinar HERE. 
URL:https://cranbrookart.edu/event/lecture-edgar-arceneaux-webinar/
CATEGORIES:Lectures
ATTACH;FMTTYPE=image/jpeg:https://cranbrookart.edu/wp-content/uploads/2020/11/Edgar-Headshot-2020.-Credit-Everard-Williams-Low-Rez-scaled.jpg
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BEGIN:VEVENT
DTSTART;TZID=UTC:20201117T170000
DTEND;TZID=UTC:20201117T180000
DTSTAMP:20260628T111746
CREATED:20201112T005440Z
LAST-MODIFIED:20251118T064000Z
UID:17342-1605632400-1605636000@cranbrookart.edu
SUMMARY:Critical Studies Lecture: Alpesh Kantilal Patel (Webinar)
DESCRIPTION:Alpesh Kantilal Patel. Photo: Sarah C. Blanchette \nMultiple and One: Global Queer Art Histories\nIn a 1974 essay\, poet and theorist Édouard Glissant presciently wrote that “diversity needs the presence of peoples\, no longer as objects to be swallowed up\, but with the intention of creating a new relation.” My forthcoming book project “Multiple and One: Global Queer Art Histories” allows for such new relations and affiliations to emerge among artworks. Drawing on concepts from Glissant’s rich lexicon such as “archipelago\,” “opacity\,” and “errantry\,” Patel will stage collisions and encounters between artworks exploring queer issues that may appear unrelated at first glance. He does so to enact\, perform\, and instantiate cross-cultural contexts for sexual artistic geographies\, and thereby brings into being a new world of intimacy and relationality across multiple times and spaces. \nAlpesh Kantilal Patel is associate professor of contemporary art and theory at Florida International University. His art historical scholarship\, curating and criticism reflect his queer\, anti-racist\, and transnational approach to contemporary art. He is the author of Productive failure: writing queer transnational South Asian art histories (2017) and co-editor of the forthcoming Storytellers of Art’s Histories and a special journal issue commemorating Okwui Enwezor for Nka: Journal of Contemporary African Art (both 2021).  His next major book project is titled Multiple and One: Global Queer Art Histories. In 2016\, he was a critical studies fellow at Cranbrook Academy of Art. \nRegistration is required\, please use the RSVP button to register.
URL:https://cranbrookart.edu/event/critical-studies-lecture-alpesh-kantilal-patel-webinar/
CATEGORIES:Lectures,Virtual
ATTACH;FMTTYPE=image/jpeg:https://cranbrookart.edu/wp-content/uploads/2020/11/Patel-Pic-1.jpg
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BEGIN:VEVENT
DTSTART;TZID=UTC:20201105T100000
DTEND;TZID=UTC:20201105T110000
DTSTAMP:20260628T111746
CREATED:20201022T213227Z
LAST-MODIFIED:20201022T213227Z
UID:17253-1604570400-1604574000@cranbrookart.edu
SUMMARY:Lecture: Mitchell Squire (Webinar)
DESCRIPTION:Mitchell Squire will speak about the liberatory consciousness that underwrites his work\, and the importance of developing a methodology of intentionality and awareness when living and working within oppressive systems and institutions without giving in to despair and hopelessness. \nMitchell Squire is Professor of Architecture at Iowa State University\, his Alma Mater for B.Arch and M.Arch degrees. He is currently Visiting Professor at The Bernard and Anne Spitzer School of Architecture (CCNY)\, and has been visiting professor at University of Tennessee\, University of California Berkeley\, University of Michigan\, and University of Minnesota. He received the New Faculty Teaching Award and the Creative Achievement Award from the Association of Collegiate Schools of Architecture\, and has exhibited his work in museums and galleries across the U.S. and Europe. He co-curated the current exhibition “Black Stories” at the Des Moines Art Center.
URL:https://cranbrookart.edu/event/lecture-mitchell-squire-webinar/
CATEGORIES:Lectures
ATTACH;FMTTYPE=image/jpeg:https://cranbrookart.edu/wp-content/uploads/2020/10/Mitchell-Squire-1.jpg
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BEGIN:VEVENT
DTSTART;TZID=UTC:20201029T170000
DTEND;TZID=UTC:20201029T180000
DTSTAMP:20260628T111746
CREATED:20201017T005143Z
LAST-MODIFIED:20201017T005301Z
UID:17208-1603990800-1603994400@cranbrookart.edu
SUMMARY:Lecture: Beatriz Colomina (Webinar)
DESCRIPTION:Architecture in the Age of Pandemics: From Tuberculosis to COVID 19\nArchitecture and medicine have always been tightly interlinked. Architectural discourse weaves itself through theories of body and brain\, constructing the architect as a kind of doctor and the client as patient. Every age has its signature afflictions and each affliction has its architecture. The age of bacterial diseases\, particularly tuberculosis\, gave birth to modern architecture\, to white buildings detached from the “humid ground where disease breeds\,” as Le Corbusier put it. The discovery of streptomycin put an end to that age. \nIn the postwar years\, attention shifted to psychological problems. The architect was not seen just as a doctor but as a shrink\, the house not just a medical device for the prevention of disease\, but for providing psychological comfort\, “nervous health.” The twenty-first century is the age of neurological disorders: depression\, ADHD\, borderline personality disorders\, burnout syndrome and allergies—the “environmentally hypersensitive” unable to live in the modern world. But pandemics have returned. \nWith COVID-19\, a virus is completely reshaping architecture and urbanism and once again disease exposes the structural inequities of race\, class and gender. Will architectural discourse and practice likewise reshape itself? \nBeatriz Colomina is the Howard Crosby Butler Professor of the History of Architecture and the Founding Director of the Media and Modernity Program at Princeton University. She writes and curates on questions of design\, art\, sexuality and media. Her books include Sexuality and Space (Princeton Architectural Press\, 1992)\, Privacy and Publicity: Modern Architecture as Mass Media (MIT\, 1994)\, Domesticity at War (ACTAR and MIT\, 2006)\, Clip/Stamp/Fold: The Radical Architecture of Little Magazines with Craig Buckley (ACTAR\, 2010)\, Are We Human? Notes on an Archeology of Design with Mark Wigley ((Lars Müller\, 2016) and X-Ray Architecture (Lars Müller 2019) \nThis lecture is generously supported by the J. Robert F. Swanson Lecture Fund. \nAbout the J. Robert F. Swanson Lecture Fund\nThe J. Robert F. Swanson Lecture Fund at Cranbrook Academy of Art was established in 1983 by the family of J. Robert F. Swanson\, a noted architect who was also the son-in-law of Eliel Saarinen. Each year\, the Swanson Lecture brings to the Cranbrook campus architects\, designers\, artists or scholars who have received critical acclaim for their work and enjoy a sustained record of excellence and achievement in their respective fields. J. Robert F. Swanson and his wife and lifelong design partner\, Pipsan Saarinen Swanson\, founded their firm Swanson Associates in 1947 and worked on many exteriors and interiors\, including residences\, schools\, universities\, churches\, airports\, banks\, and government\, industrial and commercial projects
URL:https://cranbrookart.edu/event/swanson-lecture-beatriz-colomina-webinar/
LOCATION:Webinar
CATEGORIES:Lectures
ATTACH;FMTTYPE=image/jpeg:https://cranbrookart.edu/wp-content/uploads/2020/10/Beatriz-Colomina-headshot.jpg
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DTSTART;TZID=UTC:20201026T190000
DTEND;TZID=UTC:20201026T200000
DTSTAMP:20260628T111746
CREATED:20201014T001700Z
LAST-MODIFIED:20201019T173516Z
UID:17199-1603738800-1603742400@cranbrookart.edu
SUMMARY:Lecture: Amir H. Fallah (Webinar)
DESCRIPTION:Amir H. Fallah will give a talk about his painting practice and review several bodies of work spanning 2015 through today. \nAmir H. Fallah creates paintings\, sculptures\, and installations that utilize personal history as an entry point to discuss race\, representation\, the body\, and the memories of cultures and countries left behind. \nFallah received his BFA in Fine Art & Painting at the Maryland Institute College of Art and his MFA in painting at the University of California\, Los Angeles. He has exhibited extensively in the United States and abroad. Selected solo exhibitions include the Museum of Contemporary Art in Tucson; South Dakota Art Museum\, Brookings SD; Schneider Museum of Art\, Ashland OR; and the Nerman Museum of Contemporary Art\, Overland KS. \nRegistration is required\, please click the RSVP button to complete your registration for this public lecture.
URL:https://cranbrookart.edu/event/lecture-amir-h-fallah/
LOCATION:Webinar
CATEGORIES:Lectures
ATTACH;FMTTYPE=image/jpeg:https://cranbrookart.edu/wp-content/uploads/2020/10/Shayan-Asgharnia.jpg
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BEGIN:VEVENT
DTSTART;TZID=UTC:20201020T190000
DTEND;TZID=UTC:20201020T200000
DTSTAMP:20260628T111746
CREATED:20201017T190354Z
LAST-MODIFIED:20201020T172408Z
UID:17243-1603220400-1603224000@cranbrookart.edu
SUMMARY:Lecture: Autumn Knight (Webinar)
DESCRIPTION:Autumn Knight is an interdisciplinary artist working with performance\, installation\, video\, and text. Her work has been presented at various institutions including The Institute for Contemporary Art (VCU)\, Richmond\, Virginia; Krannert Art Museum\, Illinois; Human Resources\, Los Angeles; and Akademie der Kunste\, Berlin\, Portland Institute for Contemporary Art; Project Row Houses\, Houston. Her performance and video work are held in the permanent collection of the Studio Museum in Harlem. Knight participated in the 2019 Whitney Biennial as a performance and video artist. Knight recently completed a residency at The Kitchen  (NYC). \nRegistration is required\, please click the RSVP button to complete your registration for this public lecture.
URL:https://cranbrookart.edu/event/lecture-autumn-knight/
LOCATION:Webinar
CATEGORIES:Lectures
ATTACH;FMTTYPE=image/.jpg:https://cranbrookart.edu/wp-content/uploads/2020/10/Autumn-Knight.jpg
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DTSTART;TZID=UTC:20200324T180000
DTEND;TZID=UTC:20200324T190000
DTSTAMP:20260628T111746
CREATED:20200303T220424Z
LAST-MODIFIED:20200314T001222Z
UID:16378-1585072800-1585076400@cranbrookart.edu
SUMMARY:Cancelled - Lecture: Jacolby Satterwhite
DESCRIPTION:Cancellation Notice: Cranbrook Art Museum (and deSalle Auditorium) are closed effective March 13\, 2020. All programs including this public lecture have been cancelled during their closure period. \n  \nJacolby Satterwhite was born in 1986 in Columbia\, South Carolina. He received his BFA from the Maryland Institute College of Arts\, Baltimore and his MFA from the University of Pennsylvania\, Philadelphia.  \n Satterwhite’s work has been presented in numerous exhibitions both in the United States and in Europe\, including most recently at Fabric Workshop & Museum\, Philadelphia (2019); Pioneer Works\, New York (2019); Whitechapel Gallery\, London (2019); the Museum of Modern Art\, New York (2019); the Minneapolis Institute of Art (2019); the Museum of Contemporary Art\, Chicago (2018); Fondation Louis Vuitton\, Paris (2018); New Museum\, New York (2017); Public Art Fund\, New York (2017); San Francisco Museum of Art\, San Francisco (2017); and the Institute of Contemporary Art\, Philadelphia (2017).   \n He was awarded the United States Artist Francie Bishop Good & David Horvitz Fellowship in 2016. His work is included in the collections of the Museum of Contemporary Art Kiasma\, Helsinki; Museum of Modern Art\, New York; Studio Museum in Harlem\, New York; and the Whitney Museum of American Art\, New York\, among others.  \nIn 2019\, Satterwhite collaborated with Solange Knowles on her visual album\, “When I Get Home.”  \n  \nSponsored by the Painting Department at Cranbrook Academy of Art.  \nAll lectures are free and held in deSalle Auditorium at Cranbrook Art Museum. 
URL:https://cranbrookart.edu/event/lecture-jacolby-satterwhite/
LOCATION:Cranbrook Art Museum\, 39221 Woodward Ave.\, Bloomfield Hills\, MI\, 48304\, United States
CATEGORIES:Lectures
ATTACH;FMTTYPE=image/jpeg:https://cranbrookart.edu/wp-content/uploads/2020/03/Jacolby-Satterwhite.jpg
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DTSTART;TZID=UTC:20200312T180000
DTEND;TZID=UTC:20200312T190000
DTSTAMP:20260628T111746
CREATED:20200228T003517Z
LAST-MODIFIED:20200312T211037Z
UID:16289-1584036000-1584039600@cranbrookart.edu
SUMMARY:CANCELLED - Lecture: Johanna Grawunder
DESCRIPTION:CANCELLATION NOTICE: As a precautionary measure\, we have made the decision to cancel the Johanna Grawunder lecture scheduled for March 12. We do not feel it is safe to ask Johanna to travel to Michigan at this time due to the many uncertainties presented by the coronavirus (COVID-19). The health and safety of our guests\, students\, and staff always come first\, and we hope to be able to welcome her to campus at a future date. \nEach year\, through the generosity of an endowment from Knoll International\, the Knoll Lecture Series at Cranbrook Academy of Art brings a renowned designer to campus for a free public lecture to promote the importance of design and build discussions with the Academy students. \nThis year\, Johanna Grawunder will deliver the lecture\, “CONCEPT”. Every project has a story. Whether a large-scale lighting installation\, a unique art-design custom commission or a mass-produced product\, the story we choose the tell is the driver of the design. Sometimes the story is a direct programmatic request or user-centered objective but for my work\, the main story is CONCEPT.  \nConcepts can develop from external interests- “pay attention to what you pay attention to”- as well as project-specific inspirations. They are a self-imposed framework around which my work is developed\, decisions are made and explained\, use of resources is justified (sometimes). Conceptual design is an abstract and idiosyncratic process expressed in everything from materials and color to the title of a thing.  \n  \nDesigner/artist Johanna Grawunder works on a broad range of projects\, including large-scale public lighting and color installations\, exhibition design\, architectural interventions and interiors\, and limited-edition furniture and light collections. Recent projects include a new Light Art collection for Carpenters Workshop Gallery\,  the personal exhibition “Alone Together” for Assab One in Milan\, exhibition design of the show “Van Cleef & Arpels: Time\, Nature\, Love” in Palazzo Reale Milano\, and “Coding”\, an immersive light installation recently completed for San Francisco International Airport\, and part of the permanent collection of the City and County of San Francisco.  \nTrained as an architect\, she was drawn to the medium of light early on and has tried to incorporate architectural principles and scale\, non-precious building materials and high technology light research into her designs.  \n Her work is included in many museum permanent collections\, including the High Museum Atlanta\, LACMA\, CNAP\, SFMOMA\, The Museum of Fine Arts\, Houston\, Art Institute Chicago\, Denver Art Museum and Musée des Arts Décoratifs Paris.  \n With a degree in Architecture from California Polytechnic University San Luis Obispo\, she studied and worked with Gianni Pettena and Cristiano Toraldo di Francia of Superstudio in Florence (1984-1985) then moved to Milan to work with Sottsass Associati (1985-2001)\, becoming a partner in 1989. At Sottsass Associati she was involved primarily with architecture and interiors\, co-designing with Ettore Sottsass\, many of the firm’s most prestigious projects.  In 2001 she opened her own design studio in San Francisco and Milan.  \n  \nSponsored by Knoll Lecture in Design. \n All lectures are free and held in deSalle Auditorium at Cranbrook Art Museum. 
URL:https://cranbrookart.edu/event/lecture-johanna-grawunder/
LOCATION:Cranbrook Art Museum\, 39221 Woodward Ave.\, Bloomfield Hills\, MI\, 48304\, United States
CATEGORIES:Lectures
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