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DTSTART;TZID=UTC:20191106T180000
DTEND;TZID=UTC:20191106T190000
DTSTAMP:20260418T173743
CREATED:20191030T235625Z
LAST-MODIFIED:20191104T192717Z
UID:15719-1573063200-1573066800@cranbrookart.edu
SUMMARY:Lecture: David Crabb
DESCRIPTION:David Crabb: Storyteller & Performing Memoirist \nDavid Crabb is a 1999 graduate of the Academy’s Photography department and is currently a Los Angeles-based author\, performer\, storyteller and host of The Moth and Risk! In 2013\, his solo show Bad Kid was named a New York Times critic’s pick. Bad Kid\, the memoir\, was released in 2015 by Harper Perennial. David has taught storytelling at Upright Citizens Brigade Theatre\, Occidental College\, Indiana University and NYU. Since 2012\, he has performed the solo pieces Bad Kid\, $1800\, Story Roulette\, and Man in a Hole. David is the host of the live storytelling show Traumaville in Los Angeles. His next memoir\, Whoever You Are I Hope You’re Okay\, comes out in 2018. \nLectures are free and open to the public. Sponsored by Alumni Relations
URL:https://cranbrookart.edu/event/lecture-david-crabb/
LOCATION:Cranbrook Art Museum\, 39221 Woodward Ave.\, Bloomfield Hills\, MI\, 48304\, United States
CATEGORIES:Lectures
ATTACH;FMTTYPE=image/jpeg:https://cranbrookart.edu/wp-content/uploads/2019/10/David_Crabb-1024x683.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20191030T180000
DTEND;TZID=UTC:20191030T200000
DTSTAMP:20260418T173743
CREATED:20191028T175601Z
LAST-MODIFIED:20251120T094546Z
UID:15709-1572458400-1572465600@cranbrookart.edu
SUMMARY:Lecture: Resourcing Your Practice: Applying for Artist Grants
DESCRIPTION:This professional practices presentation focuses on grants for artists – how to research and select them\, write proposals\, budget\, and build financial and other material/in-kind resources to support creative work. With Lauren Rossi and featured speaker Cézanne Charles. \n  \nCézanne Charles is a designer\, curator\, and researcher with 20 years of experience working at the executive and senior management level within the creative industries in both the United States and the United Kingdom. Her work focuses on the intersection of design\, technology\, culture\, social justice\, and public policy for future making. In 1998 she co-founded with John Marshall the hybrid design studio rootoftwo. Cézanne serves on Design Core Detroit’s Stewardship Board for the UNESCO City of Design initiative. From 2008-2019 Cézanne also served as Director of Creative Industries at Creative Many\, where she designed and led programs that provided the knowledge\, funding\, networks\, and advocacy needed to help empower the practices of artists\, designers\, and makers within the state\, with a core focus on Detroit.  \n  \nAll lectures are free and held in deSalle Auditorium at Cranbrook Art Museum.
URL:https://cranbrookart.edu/event/lecture-resourcing-your-practice-applying-for-artist-grants/
LOCATION:Cranbrook Art Museum\, 39221 Woodward Ave.\, Bloomfield Hills\, MI\, 48304\, United States
CATEGORIES:Lectures
ATTACH;FMTTYPE=image/jpeg:https://cranbrookart.edu/wp-content/uploads/2019/10/cezannecharles_headshot_square-460x460.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20191022T180000
DTEND;TZID=UTC:20191022T190000
DTSTAMP:20260418T173743
CREATED:20191003T175103Z
LAST-MODIFIED:20191003T175103Z
UID:15545-1571767200-1571770800@cranbrookart.edu
SUMMARY:Lecture: Elizabeth Essner
DESCRIPTION:Elizabeth Essner will join us to deliver the lecture\, “Dear Sirs: Rose Slivka and Craft Horizons Magazine.” \nRose Slivka was Editor-in-Chief of Craft Horizons magazine for two decades\, from 1959 to 1979. The publication was the leading voice of craft\, and under her direction the magazine took a deeply inclusive view of the field\, documenting and shaping its cultural connections and critical reception. Slivka sought a salon-like approach: poets\, artists\, critics and curators from both inside and outside the world of craft contributed to Craft Horizons. She heralded new generations of artists and craftspeople\, yet for much of Slivka’s longtime editorship\, readers’ letters were addressed to “Sirs\,” the assumed leadership of the magazine. Offering new consideration of her influence\, this lecture will contextualize the complexities of gender for Slivka and discuss her impact on the field then and now. \nElizabeth Essner is an independent curator and writer based in Brooklyn\, New York. She was a 2017 Curatorial Fellow with the Center for Craft where she co-curated “The Good Making of Good Things: Craft Horizons Magazine\, 1941-1979” which traveled to Arizona State University Art Museum and the Minnesota Museum of American Art. Elizabeth has also curated exhibitions for institutions including the Aldrich Contemporary Art Museum and UrbanGlass. A researcher for two forthcoming publications on contemporary jewelry and ceramics\, Elizabeth has also written for magazines including Modern and Metalsmith. She received her MA from the Bard Graduate Center in New York. \nSponsored by the Metalsmithing Department \nAll lectures are free and held in deSalle Auditorium at Cranbrook Art Museum.
URL:https://cranbrookart.edu/event/lecture-elizabeth-essner/
LOCATION:MI
CATEGORIES:Lectures
ATTACH;FMTTYPE=image/jpeg:https://cranbrookart.edu/wp-content/uploads/2019/10/Elizabeth-Essner_headshot.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20191021T180000
DTEND;TZID=UTC:20191021T190000
DTSTAMP:20260418T173743
CREATED:20191014T214419Z
LAST-MODIFIED:20191014T214419Z
UID:15586-1571680800-1571684400@cranbrookart.edu
SUMMARY:Lecture: Perry Kulper & Nat Chard
DESCRIPTION:Perry Kulper is an architect and an associate professor of architecture at the University of Michigan’s Taubman College of Architecture and Urban Planning. Nat Chard is the Professor of Experimental Architecture at the Bartlett\, University College London. In 2013\, they co-published Pamphlet Architecture 34\, Fathoming the Unfathomable: Archival Ghosts and Paradoxical Shadows. Their collaborative\, trans-continental practice explores the indeterminacy of architectural research through drawings that exceed the traditional drawing space.
URL:https://cranbrookart.edu/event/lecture-perry-kulper-nat-chard/
LOCATION:MI
CATEGORIES:Lectures
ATTACH;FMTTYPE=image/jpeg:https://cranbrookart.edu/wp-content/uploads/2019/10/perry-kulper-nat-chard.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20191018T180000
DTEND;TZID=UTC:20191018T190000
DTSTAMP:20260418T173743
CREATED:20191009T014845Z
LAST-MODIFIED:20191009T014845Z
UID:15558-1571421600-1571425200@cranbrookart.edu
SUMMARY:Lecture: Tomorrow Lab
DESCRIPTION:Tomorrow Lab partners Ted Ullrich and Pepin Gelardi will deliver the lecture\, “Bridging Tomorrow and Today with 4D Design.”  While traditional product design methods for developing physical artifacts have been around for several decades\, contemporary design projects in which the physical and digital blend together present a new set of challenges that are unlike any in the past. In this talk\, Ullrich and Gelardi will share case studies from this realm\, highlighting the opportunities for new experiences that emerge from a truly hybrid process of developing hardware and software in tandem with one another. They will discuss their design philosophies\, illustrated with examples from the entrepreneurial clients with which they have worked to invent new approaches to products that have impacted the worlds of toys\, health care\, entertainment\, agriculture\, personal care\, transportation and many more. For more information about Tomorrow Lab\, visit their website. \nSponsored by the 4D Design Department
URL:https://cranbrookart.edu/event/lecture-tomorrow-lab/
LOCATION:Cranbrook Art Museum\, 39221 Woodward Ave.\, Bloomfield Hills\, MI\, 48304\, United States
CATEGORIES:Lectures
ATTACH;FMTTYPE=image/png:https://cranbrookart.edu/wp-content/uploads/2019/10/Tomorrow-Lab-1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20191017T180000
DTEND;TZID=UTC:20191017T190000
DTSTAMP:20260418T173743
CREATED:20191010T192822Z
LAST-MODIFIED:20191010T192822Z
UID:15574-1571335200-1571338800@cranbrookart.edu
SUMMARY:Lecture: Dr. Michael Stone-Richards
DESCRIPTION:“The Art of Critical Theory (I): Post-Symbolisme and the Interruptions of Modernism.” \nDr. Michael Stone-Richards is this year’s Visiting Scholar in the Critical Studies Program at Cranbrook Academy of Art. He is a Professor of Critical Theory and Visual Studies at the College for Creative Studies\, Detroit. Michael is most recently the recipient of a Warhol Foundation Grant for his book in progress\, Care of the City: Ruination\, Abandonment\, and Hospitality in Contemporary Practice (forthcoming Sternberg Press). He has lectured widely in critical theory\, art writing\, and cultural history\, with essays forthcoming on McArthur Binion\, black labor and the avant-garde\, biopolitics\, and the problem of attention in cultural conflict. He is also at work on a translation of the hermetic poems of André Breton. With artist Addie Langford\, Michael curates the open conversation series the Alexandrine Street Seminars. With Addie Langford\, he is also the co-founder of Detroit Research (which won a Knight Foundation Grant) of which he is also the founding editor.  \nLectures are free and open to the public. Sponsored by the Critical Studies and Humanities Department at Cranbrook Academy of Art.
URL:https://cranbrookart.edu/event/lecture-dr-michael-stone-richards/
LOCATION:MI
CATEGORIES:Lectures
ATTACH;FMTTYPE=image/jpeg:https://cranbrookart.edu/wp-content/uploads/2019/10/Michael-Stone-Richards.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20191004T180000
DTEND;TZID=America/Detroit:20191004T190000
DTSTAMP:20260418T173743
CREATED:20190923T050424Z
LAST-MODIFIED:20190923T051045Z
UID:15519-1570212000-1570215600@cranbrookart.edu
SUMMARY:Lecture: Claire Bishop
DESCRIPTION:Claire Bishop will discuss the rise of research-based art\, offering a genealogy for its emergence in the 1990s. It argues that changes within this genre are partially tied to the reception of post-structuralist theory in art schools in the 1980s\, and partly to technological developments in information management since the late 1990s. \nIn tandem with the rise of the attention economy\, the viewer’s reception of research-based art has correspondingly shifted over these three decades. The paper offers a critique of this artistic tendency: its post-hermeneutic approach to display\, its reconfiguration of spectatorship as labour\, and its exacerbation of (rather than resistance to) information overload. \nClaire Bishop is a British art historian\, critic\, and Professor of Art History at The Graduate Center\, CUNY\, New York since September 2008. Bishop is a contributor to art journals including Artforum and October. She is known as one of the central theorists of participation in visual art and performance.
URL:https://cranbrookart.edu/event/lecture-claire-bishop/
LOCATION:Cranbrook Art Museum\, 39221 Woodward Ave.\, Bloomfield Hills\, MI\, 48304\, United States
CATEGORIES:Lectures
ATTACH;FMTTYPE=image/jpeg:https://cranbrookart.edu/wp-content/uploads/2019/09/Claire-Bishop_Headshot_Mary-Horlock.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20190923T160000
DTEND;TZID=UTC:20190923T173000
DTSTAMP:20260418T173743
CREATED:20190917T011317Z
LAST-MODIFIED:20251209T052211Z
UID:15508-1569254400-1569259800@cranbrookart.edu
SUMMARY:Artist-in-Residence Lectures: Mark Newport and Gretchen Wilkins
DESCRIPTION:Each year\, the Artists-in-Residence of Cranbrook Academy of Art kick-off the academic year with a lecture about their work and practice. Join us for a discussion by Mark Newport (Fiber Artist-in-Residence) and Gretchen Wilkins (Architect-in-Residence). All lectures are free and held in deSalle Auditorium at Cranbrook Art Museum.
URL:https://cranbrookart.edu/event/artist-in-residence-lectures-mark-newport-and-gretchen-wilkins/
LOCATION:Cranbrook Art Museum\, 39221 Woodward Ave.\, Bloomfield Hills\, MI\, 48304\, United States
CATEGORIES:Lectures
ATTACH;FMTTYPE=image/png:https://cranbrookart.edu/wp-content/uploads/2019/09/Gretchen-Mark-Square.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20190918T160000
DTEND;TZID=America/Detroit:20190918T173000
DTSTAMP:20260418T173743
CREATED:20190916T211933Z
LAST-MODIFIED:20251209T052904Z
UID:15501-1568822400-1568827800@cranbrookart.edu
SUMMARY:Artist-in-Residence Lectures: Martha Mysko\, Willie Wayne Smith\, Scott Klinker
DESCRIPTION:Each year\, the Artists-in-Residence of Cranbrook Academy of Art kick-off the academic year with a lecture about their work and practice. Join us for a discussion by Martha Mysko and Willie Wayne Smith (Painting Co-Artists-in-Residence) and Scott Klinker (3D Designer-in-Residence). All lectures are free and held in deSalle Auditorium at Cranbrook Art Museum.
URL:https://cranbrookart.edu/event/artist-in-residence-lectures/
LOCATION:Cranbrook Art Museum\, 39221 Woodward Ave.\, Bloomfield Hills\, MI\, 48304\, United States
CATEGORIES:Lectures
ATTACH;FMTTYPE=image/png:https://cranbrookart.edu/wp-content/uploads/2019/09/Willie-Martha-Scott-Square.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20190917T160000
DTEND;TZID=America/Detroit:20190917T173000
DTSTAMP:20260418T173743
CREATED:20190916T055245Z
LAST-MODIFIED:20251209T052550Z
UID:15497-1568736000-1568741400@cranbrookart.edu
SUMMARY:Artist-in-Residence Lectures: Rebecca Ripple\, Elliott Earls\, Shanna Merola
DESCRIPTION:Each year\, the Artists-in-Residence of Cranbrook Academy of Art kick-off the academic year with a lecture about their work and practice. Join us for a discussion by Rebecca Ripple (Sculpture)\, Elliott Earls (2D Design)\, and Shanna Merola (Photography).
URL:https://cranbrookart.edu/event/artist-in-residence-lectures-rebecca-ripple-elliott-earls-shanna-merola/
LOCATION:Cranbrook Art Museum\, 39221 Woodward Ave.\, Bloomfield Hills\, MI\, 48304\, United States
CATEGORIES:Lectures
ATTACH;FMTTYPE=image/png:https://cranbrookart.edu/wp-content/uploads/2019/09/Rebecca-Elliott-Shanna-Square.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20190916T160000
DTEND;TZID=America/Detroit:20190916T173000
DTSTAMP:20260418T173743
CREATED:20190916T054845Z
LAST-MODIFIED:20251204T100652Z
UID:15493-1568649600-1568655000@cranbrookart.edu
SUMMARY:Artist-in-Residence Lectures: Emmy Bright\, Cooper Holoweski\, Carla Diana
DESCRIPTION:Each year\, the Artists-in-Residence of Cranbrook Academy of Art kick-off the academic year with a lecture about their work and practice. Join us for a discussion by Emmy Bright and Cooper Holoweski (Print Media Co-Artists-in-Residence) and Carla Diana (4D Design). All lectures are free and held in deSalle Auditorium at Cranbrook Art Museum.
URL:https://cranbrookart.edu/event/artist-in-residence-lectures-emmy-bright-cooper-holoweski-carla-diana/
LOCATION:Cranbrook Art Museum\, 39221 Woodward Ave.\, Bloomfield Hills\, MI\, 48304\, United States
CATEGORIES:Lectures
ATTACH;FMTTYPE=image/png:https://cranbrookart.edu/wp-content/uploads/2019/09/Emmy-Cooper-Carla-Square.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20190426T180000
DTEND;TZID=UTC:20190426T193000
DTSTAMP:20260418T173743
CREATED:20190215T192622Z
LAST-MODIFIED:20190215T193923Z
UID:14904-1556301600-1556307000@cranbrookart.edu
SUMMARY:Knoll Lecture: Aldo Bakker
DESCRIPTION:‘TO CREATE’ with designer Aldo Bakker  \nEach year\, through the generosity of an endowment from Knoll International\, the Knoll Lecture Series at Cranbrook Academy of Art brings a renowned designer to campus for a free public lecture to promote the importance of design and build discussions with the Academy students.  \nAldo Bakker will deliver this year’s lecture\, ‘TO CREATE.’ Bakker’s designs become an expression of ontological questions\, where objects become something more like characters with their own sense of being. Bakker claims that by positioning his works as individual characters\, he forces his audience to shift its perception. “We are no longer looking at an inanimate object on which we project our knowledge of style\, shape or material value. Instead\, these creatures invite us to engage in a conversation about their behaviour\, their uncertainties\, their beliefs\, and their native tongue. We do not approach them as buyers or even as art historians. We become their fellow travellers\, questioning ourselves as much as they question us\,” Bakker says.  \nMany of Aldo Bakker’s works are unique pieces. Several are produced in small editions. Next to his independent studio production Bakker has also created commissioned works for companies like Georg Jensen\, Karakter\, Puiforcat\, Sèvres and Swarovski. His work has been acquired by museums like Boijmans Van Beuningen (Rotterdam)\, MoMa (NY)\, Cooper Hewitt (NY)\, mudac (Lausanne)\, Philadelphia Museum of Art\, Centre Pompidou (Paris)\, Rijksmuseum Amsterdam\, Stedelijk Museum Amsterdam and Victoria & Albert Museum (London). In 2016 and 2017 a major overview of his work was presented in the exhibition Pause (CID Grand Hornu\, mudac Lausanne). Other solo exhibitions were staged at Atelier Courbet (NY)\, Gallery Libby Sellars (London)\, Looiersgracht 60 (Amsterdam)\, Villa Noailles in Hyeres and Vivid Gallery (Rotterdam).  \nIn 2016 Alice Rawsthorn and Hans den Hartog Jager edited the monograph Aldo Bakker (NAI 010 Publishers NL). Aldo Bakker received the Wallpaper Award 2011\, First Prize at DDA 2009 and First Prize at Bornholm Glass (2008).  \nFor more information about Aldo Bakker\, visit http://www.aldobakker.com/work  \n 
URL:https://cranbrookart.edu/event/knoll-lecture-aldo-bakker/
LOCATION:Cranbrook Art Museum\, 39221 Woodward Ave.\, Bloomfield Hills\, MI\, 48304\, United States
CATEGORIES:Lectures
ATTACH;FMTTYPE=image/jpeg:https://cranbrookart.edu/wp-content/uploads/2019/02/tree06.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20190424T180000
DTEND;TZID=UTC:20190424T190000
DTSTAMP:20260418T173743
CREATED:20190216T000933Z
LAST-MODIFIED:20190216T000933Z
UID:14929-1556128800-1556132400@cranbrookart.edu
SUMMARY:Paul Pfeiffer
DESCRIPTION:Paul Pfeiffer was born in Honolulu\, Hawaii\, but spent most of his childhood in the Philippines. He relocated to New York in 1990\, where he attended Hunter College and the Whitney Independent Study Program. Pfeiffer’s groundbreaking work in video\, sculpture\, and photography uses recent computer technologies to dissect the role that mass media plays in shaping consciousness.  \nIn a series of video works focused on professional sports events—including basketball\, boxing\, and hockey—Pfeiffer digitally removes the bodies of the players from the games\, shifting the viewer’s focus to the spectators\, sports equipment\, or trophies won. Presented on small LCD screens and often looped\, these intimate and idealized video works are meditations on faith\, desire\, and a contemporary culture obsessed with celebrity. Many of Pfeiffer’s works invite viewers to exercise their imaginations or project their own fears and obsessions onto the art object. Several of Pfeiffer’s sculptures include eerie\, computer-generated recreations of props from Hollywood thrillers\, such as Poltergeist\, and miniature dioramas of sets from films that include The Exorcist and The Amityville Horror.  \nPfeiffer is the recipient of numerous awards and fellowships\, and was the inaugural recipient of the Bucksbaum Award\, given by the Whitney Museum of American Art (2000). In 2002\, Pfeiffer was an artist-in-residence at Massachusetts Institute of Technology\, and at ArtPace in San Antonio\, Texas. In 2003\, a traveling retrospective of his work was organized by Massachusetts Institute of Technology’s List Visual Arts Center and Museum of Contemporary Art\, Chicago.
URL:https://cranbrookart.edu/event/paul-pfeiffer/
LOCATION:Cranbrook Art Museum\, 39221 Woodward Ave.\, Bloomfield Hills\, MI\, 48304\, United States
CATEGORIES:Lectures
ATTACH;FMTTYPE=image/jpeg:https://cranbrookart.edu/wp-content/uploads/2019/02/hero_pfeiffer-paul.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20190423T180000
DTEND;TZID=UTC:20190423T190000
DTSTAMP:20260418T173743
CREATED:20181214T195308Z
LAST-MODIFIED:20251204T100428Z
UID:14600-1556042400-1556046000@cranbrookart.edu
SUMMARY:Aram Han Sifuentes
DESCRIPTION:Aram Han Sifuentes’s art practice situates itself at the intersection of fiber\, social practice\, performance\, and pedagogy. At the core\, she creates socially engaged and materially rich projects in an ‘art world’ environment that are available and accessible for those who are disenfranchised\, particularly for dispossessed immigrants of color. She confronts social and racial injustices against the disenfranchised and riff off of official institutions and bureaucratic processes to reimagine new\, inclusive\, and humanized systems of civic engagement and belonging. She does this by creating participatory and active environments where safety\, play\, and skill-sharing are emphasized. And even though many of her projects are collaborative and communal in nature\, they incite and highlight individual’s experiences\, politics\, and voice. Much of her communal work revolves around sharing skills as a point of connection. Often\, sewing techniques are shared to create multiethnic and intergenerational sewing circles\, which become a place for empowerment\, subversion and protest.
URL:https://cranbrookart.edu/event/aram-han-sifuentes/
LOCATION:Cranbrook Art Museum\, 39221 Woodward Ave.\, Bloomfield Hills\, MI\, 48304\, United States
CATEGORIES:Lectures
ATTACH;FMTTYPE=image/jpeg:https://cranbrookart.edu/wp-content/uploads/2018/12/image-3.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20190418T180000
DTEND;TZID=UTC:20190418T190000
DTSTAMP:20260418T173743
CREATED:20190215T234044Z
LAST-MODIFIED:20190215T234044Z
UID:14926-1555610400-1555614000@cranbrookart.edu
SUMMARY:Nadja Rottner
DESCRIPTION:Nadja Rottner is Associate Professor of Art History at the University of Michigan-Dearborn. She writes in the fields of American and Latin American art after 1945\, with an emphasis on the intersections between the visual and the performing arts of music\, theater\, dance and film.  She is the co-editor\, together with Peter Weibel\, of a two-volume book on Ruth Vollmer\, 1961-1978: Thinking the Line and Gego\, 1957-1988: Thinking the Line (Hatje Cantz\, 2006).  More recently\, she edited Claes Oldenburg\, an October Files book (The MIT Press\, 2012).  In 2015\, she published Cardiovista: Detroit Street Photography\, University of Michigan-Dearborn\, 2015.  She has written for journals such as Oxford Art Journal\, Modern Drama\, Konsthistorisk Tidskrift: Journal of Art History\, Artforum International\, and others.  She is currently at work on a book on the intermedia performances of Claes Oldenburg.  \nSponsored by the Critical Studies and Humanities Department
URL:https://cranbrookart.edu/event/nadja-rottner/
LOCATION:Cranbrook Art Museum\, 39221 Woodward Ave.\, Bloomfield Hills\, MI\, 48304\, United States
CATEGORIES:Lectures
ATTACH;FMTTYPE=image/jpeg:https://cranbrookart.edu/wp-content/uploads/2019/02/nadja_rottner.jpg
END:VEVENT
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