BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//Cranbrook Academy of Art - ECPv6.16.3//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-ORIGINAL-URL:https://cranbrookart.edu
X-WR-CALDESC:Events for Cranbrook Academy of Art
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:America/Detroit
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20210314T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20211107T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20220313T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20221106T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20230312T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20231105T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20240310T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20241103T060000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20230422T120000
DTEND;TZID=America/Detroit:20230422T131500
DTSTAMP:20260627T193056
CREATED:20230103T165554Z
LAST-MODIFIED:20230103T170910Z
UID:20106-1682164800-1682169300@cranbrookart.edu
SUMMARY:Visiting Artist Lecture: Gordon Hall
DESCRIPTION:Gordon Hall\, Brothers and Sisters. \nJoin us at the deSalle Auditorium for a free public lecture from artist\, Gordon Hall. Hall will present a slide lecture about their sculpture and performance practice over the last five years. Please enter the auditorium through Cranbrook Art Museum. \nGordon Hall is a sculptor\, performance-maker\, and writer based in New York. Hall has presented solo exhibitions at Portland Institute for Contemporary Art in 2019; MIT List Visual Arts Center and The Renaissance Society in 2018; Temple Contemporary in 2016; and EMPAC in 2014\, among others. Hall’s sculptures and performances have been exhibited in a variety of group settings including AIR Gallery in 2021; Verge Center for the Arts in 2019\, The Drawing Center in 2018\, Socrates Sculpture Park\, Wysing Arts Center\, and Abrons Arts Center in 2017; Art in General in 2016; White Columns\, Whitney Museum of American Art\, and Hessel Museum at Bard College in 2015; and The Brooklyn Museum in 2014\, among many other venues. Hall’s books include Other People’s Houses (AIR Gallery\, 2021); The Number of Inches Between Them (MIT 2019); OVER-BELIEFS\, Gordon Hall Collected Writing 2011-2018 (PICA/Container Corps\, 2019); Reading Things—Gordon Hall on Gender\, Sculpture\, and Relearning How To See (Walker Art Center\, 2016)\, and AND PER SE AND (Art in General\, 2016).
URL:https://cranbrookart.edu/event/visiting-artist-lecture-gordon-hall/
LOCATION:deSalle Auditorium\, 39221 Woodward Avenue\, Bloomfield Hills\, MI\, 48304
CATEGORIES:Lectures
ATTACH;FMTTYPE=image/jpeg:https://cranbrookart.edu/wp-content/uploads/2023/01/2.-Gordon-Hall-Brothers-and-Sisters.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20230417T180000
DTEND;TZID=America/Detroit:20230417T190000
DTSTAMP:20260627T193056
CREATED:20230330T154156Z
LAST-MODIFIED:20230412T184235Z
UID:20562-1681754400-1681758000@cranbrookart.edu
SUMMARY:Visiting Artist Lecture: Michael Lim -Sculptorly Sculpture?
DESCRIPTION:Michael Lim \nJoin Cranbrook Academy of Art at deSalle Auditorium for a free\, public lecture from Visiting Artist Michael Lim. Please enter through the Cranbrook Academy of Art Library entrance\, the galleries at Cranbrook Art Museum will be closed. \nIn the topography of (post-)contemporary art in the 21st century\, the re-emergence of sculptural or unmonumental objects has been attributed to the demise of installation art once flourished in the era of globalization\, particularly multimedia video installations\, which had developed a meta-criticism predicated on discursive site-specificity. However\, there are more fundamental drivers behind the resurgence of sculptural form. In a complex situation where 2D is perceived as 3D\, and 3D is perceived as 2D\, due to changes in the media landscape and changes in the post-industrial object-making process\, painterly painting and sculptural or ‘sculptorly’ sculpture are\, in effect\, addressing different aspects of the same problem: the crisis of human existence or existential crisis of all things.What historical challenges will today’s contemporary artists face\, who weave meta-objects using 21st-century ready-made products and their formative order as materials? Are a series of artistic attempts to find aesthetic value in utilitarian objects or functional structures\, and to extract and reconsolidate projected sentiments\, merely errors based on ignorance of design history? How are today’s museums and art institutions responding to these challenges?“At a time when artists may work without obligation to medium\, why choose the materials of sculpture? What does it mean for an artist to assume the role of sculptor today? And just what is at stake for a new generation committed to sculpture?” \n  \nMichael Lim is an Art & Design Historian. Formerly LGBTQ activist\, queer artist\, assistant curator at ArtSonje Center and Dong-A Ilbo Press Museum\, and editor-in-chief of SigongArt Publications and Art in Culture magazine\, in the late naughties and early 2010’s he published “Off Kilter: Notes from a Study of Contemporary Korean Artists\,” “SKMoMA Highlights: 350 Works from the Museum of Modern Art\, Seoul\, Korea” and “What is Art? – From the Modern to the Post-Contemporary.” Currently\, he is working on new titles – “The Post-Contemporary: Twilight of Modern & Postmodern Art\,” “New Perspective for Designers: Post-Contemporary Issues after the Death of Postmodernism\,” and “The Methods of 20th and 21st Century Art.” \n  \nThis lecture is curated by Daeun Kang (Sculpture 2023)\, sponsored by Studio Council and the BIPOC Student Union\, and supported by the Sculpture Department.
URL:https://cranbrookart.edu/event/visiting-artist-lecture-michael-lim-sculptorly-sculpture-galleries-closed/
LOCATION:deSalle Auditorium\, 39221 Woodward Avenue\, Bloomfield Hills\, MI\, 48304
CATEGORIES:Lectures
ATTACH;FMTTYPE=image/jpeg:https://cranbrookart.edu/wp-content/uploads/2023/03/michael-lim.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20230412T180000
DTEND;TZID=America/Detroit:20230412T190000
DTSTAMP:20260627T193056
CREATED:20230309T231100Z
LAST-MODIFIED:20251118T064153Z
UID:20441-1681322400-1681326000@cranbrookart.edu
SUMMARY:Critical Studies Lecture: Laura Gutiérrez "Nao Bustamante’s Artistic Re-imaginings"
DESCRIPTION:Nao Bustamante Installation\, Marfa. \nNao Bustamante is a multidisciplinary artist whose work is very much rooted in deep research\, whether this be archival or otherwise. And through her performances\, installations\, and media work—she often overlays these art forms—she is also intent in making grand and/or minute statements about life and death\, and everything in between\, all the while never losing rage or joy\, and whatever other emotions may surface depending on the artistic pieces\, and what they may elicit. This presentation will serve as a brief introduction to some of Bustamante’s work. But rather than focusing on what I have already written and published on\, I will devote discuss three research-based projects that are invested in re-imaging the past\, in varying ways and which I argue is often done to move us (forward) with more ease and care. These three projects are ambitious in scope and are composed of different parts. The first one\, SILVER AND GOLD (2009)\, is a filmformance (a term coined by Bustamante) that can be briefly described as a meditation on our relationships to cinematic divas—particularly those of yesterday—through a brilliant layering of film and live performance; the second is SOLDADERA (ongoing since 2010) that consists of different elements and artistic forms as it reimagines the figure of the “women soldier” and brings her into the present and future; and the last one is BLOOM (ongoing since 2021)\, one of Bustamante’s most recent research-based art project in which she re-imagines the vaginal speculum at the same time that the multi-media project also tackles with the dark history of gynecological healthcare. \nLaura Gutiérrez \nLaura Gutiérrez is Associate Professor in Latinx Studies at the University of Texas at Austin. Her research areas are Latinx performance\, visual culture\, queer studies\, and feminisms. Gutiérrez is the author of Performing Mexicanidad: Vendidas y Cabareteras on the Transnational Stage (recipient of an MLA book award) and has published on Latinx performance\, border art\, Mexican video art\, and Mexican political cabaret. She was a fellow in the Getty Scholars Program in LA (fall 2022) and currently holds a Provost’s Authors Fellowship (2022-2023) as she completes her monograph in progress Binding Intimacies in Contemporary Queer Latinx Performance and Visual Art. \n 
URL:https://cranbrookart.edu/event/critical-studies-lecture-laura-gutierrez-nao-bustamantes-artistic-re-imaginings/
LOCATION:MI
CATEGORIES:Lectures
ATTACH;FMTTYPE=image/jpeg:https://cranbrookart.edu/wp-content/uploads/2023/03/GutierrezHeadshot.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20230411T190000
DTEND;TZID=America/Detroit:20230411T200000
DTSTAMP:20260627T193056
CREATED:20230321T171245Z
LAST-MODIFIED:20230321T172702Z
UID:20504-1681239600-1681243200@cranbrookart.edu
SUMMARY:Cranbrook Conversations: Curtis Chin
DESCRIPTION:Join us for a screening of the award-winning film Dear Corky (run time 18 minutes) by producer\, director\, actor\, and author Curtis Chin\, followed by a conversation with Paul Sacaridiz\, Director of Cranbrook Academy of Art. \nThe event will be held in person at deSalle Auditorium at Cranbrook Museum of Art (RSVP for in-person conversation) and available online for streaming via Zoom Webinar. \nAbout the Film: For over 50 years\, New York native Corky Lee photographed his hometown’s Chinatown and Asian American communities around the country. With a strong sense of social justice\, he captured activists\, celebrities\, and everyday heroes with equal passion\, taking over 100\,000 photos. Sadly\, while documenting the latest rise of anti-Asian hate crimes\, Corky fell to COVID. Through his own words and pictures\, DEAR CORKY reveals the man behind the camera. \nAbout Curtis Chin: A graduate of the Creative Writing program at the University of Michigan\, Curtis Chin has received awards from ABC/Disney Television\, New York Foundation for the Arts\, the National Endowment for the Arts\, and more. Chin has screened his films\, VINCENT WHO? and TESTED\, with over 600 entities in 16 countries. A co-founder of the Asian American Writers’ Workshop\, his memoir\, “Everything I Learned\, I Learned in a Chinese Restaurant” will be published by Little\, Brown and Company in Fall 2023. See more at www.CurtisFromDetroit.com. \nAbout Paul Sacardiz: Paul Sacaridiz is the Maxine and Stuart Frankel Director of Cranbrook Academy of Art in Bloomfield Hills\, Michigan. Over the course of his career\, he has been widely recognized for his work as an artist\, educator\, administrator\, and leader in higher education and the nonprofit sector.
URL:https://cranbrookart.edu/event/cranbrook-conversations-curtis-chin/
LOCATION:deSalle Auditorium\, 39221 Woodward Avenue\, Bloomfield Hills\, MI\, 48304
CATEGORIES:Lectures
ATTACH;FMTTYPE=image/jpeg:https://cranbrookart.edu/wp-content/uploads/2023/03/Cranbrook-Conversations-Curtis-Chin-social-media.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20230410T180000
DTEND;TZID=America/Detroit:20230410T190000
DTSTAMP:20260627T193056
CREATED:20230323T180515Z
LAST-MODIFIED:20251128T065421Z
UID:20524-1681149600-1681153200@cranbrookart.edu
SUMMARY:2023 Annual Swanson Lecture: Mel Dodd - Between the Built and the Lived
DESCRIPTION:Mel Dodd \nJoin us on Monday\, April 10 for the 2023 Annual Swanson Lecture. This year’s lecture will be presented by Mel Dodd. The lecture will be held in deSalle Auditorium at Cranbrook Art Museum and is free and open to the public. \nDrawing on practice\, research\, and teaching\, and expanding on her recent publication ‘Spatial Practices: Modes of Actions and Engagement with the City’ (Routledge 2019)\, Mel will explore the relationship between social and spatial infrastructures – tracing projects and approaches that range from performance to policy-making\, from architecture to urban design. \nMel Dodd leads Architecture at Monash University\, Melbourne\, and has been practicing and teaching architecture for over 30 years including at Cambridge University\, & Royal College of Art. She was Programme Director at RMIT University\, Melbourne 2007-2012 and then at Central Saint Martins until 2020\, where she established the Spatial Practices Programme. Her practice is concerned with the relationship between social and spatial infrastructures\, delivered through collaborative and socially-engaged practice; innovations in live projects and pedagogy\, and via advocacy for expanded forms of architectural education and knowledge exchange. She is the author of ‘Spatial Practices: Modes of Action and Engagement with the City’ (Routledge 2019)\, and joint author of ‘This is What We Do: A Muf Manual’ (Ellipsis 2002). Professor Dodd received her Master of Architecture from the University of Cambridge and her Ph.D. from RMIT University. \nThe annual Swanson lecture is sponsored by the J. Robert F. Swanson Fund. \nThe J. Robert F. Swanson Lecture Fund at Cranbrook Academy of Art was established in 1983 by the family of J. Robert F. Swanson\, a noted architect who was also the son-in-law of Eliel Saarinen. Each year\, the Swanson Lecture brings to the Cranbrook campus architects\, designers\, artists\, or scholars who have received critical acclaim for their work and enjoy a sustained record of excellence and achievement in their respective fields.  J. Robert F. Swanson and his wife and lifelong design partner\, Pipsan Saarinen Swanson\, founded their firm Swanson Associates in 1947 and worked on many exteriors and interiors\, including residences\, schools\, universities\, churches\, airports\, banks\, government\, industrial and commercial projects.
URL:https://cranbrookart.edu/event/2023-annual-swanson-lecture-mel-dodd-between-the-built-and-the-lived/
LOCATION:deSalle Auditorium\, 39221 Woodward Avenue\, Bloomfield Hills\, MI\, 48304
CATEGORIES:Lectures
ATTACH;FMTTYPE=image/jpeg:https://cranbrookart.edu/wp-content/uploads/2023/03/mel-dodd-902.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20230328T180000
DTEND;TZID=America/Detroit:20230328T190000
DTSTAMP:20260627T193056
CREATED:20230131T211110Z
LAST-MODIFIED:20251111T095744Z
UID:20250-1680026400-1680030000@cranbrookart.edu
SUMMARY:Visiting Artist Lecture: Nicki Green - Bodies\, Bodies\, Bodies
DESCRIPTION:Nicki Green – Bodies\, Bodies\, Bodies\nJoin us at deSalle Auditorium for a free\, public lecture from Visiting Artist Nicki Green. Green will explore her practice through the lens of making and avoiding figuration. While not entirely figurative\, Green’s work engages questions surrounding the production of objects and bodies as linked to ideas of subjectivity. Using her practice as a throughline\, she’ll discuss functionality\, ceramic surface painting histories\, Jewish avoidance of making “graven images” and the complex nature of documenting the transgender body. \n \nNicki Green is a transdisciplinary artist working primarily in clay. Her sculptures\, ritual objects and various flat works explore topics of history preservation\, conceptual ornamentation and aesthetics of otherness. Often constructing heavily ornamented painted glaze surfaces and experimental\, organic building techniques\, Green explores material and object integrity by utilizing transness as a lens with which to look at the world. \nGreen has exhibited her work internationally\, notably at the New Museum\, New York; Musée d’Art Moderne in Paris\, France\, and The Contemporary Jewish Museum\, San Francisco. She has contributed texts to numerous publications including Transgender Studies Quarterly\, Fermenting Feminism\, Copenhagen and The Center for Arts Research publications\, University of Oregon\, Eugene. Green is a current Louis Comfort Tiffany Foundation Grantee\, a 2022 Nancy Graves Foundation Fellow\, and was a 2020 Art Matters Fellow\, among other awards and residencies. Originally from New England\, she completed her BFA in sculpture from the San Francisco Art Institute in 2009 and her MFA in Art Practice from the University of California\, Berkeley in 2018. Green is currently a visiting professor at California State University\, Long Beach Center for Contemporary Ceramics.
URL:https://cranbrookart.edu/event/visiting-artist-lecture-nicki-green-bodies-bodies-bodies/
LOCATION:deSalle Auditorium\, 39221 Woodward Avenue\, Bloomfield Hills\, MI\, 48304
CATEGORIES:Lectures
ATTACH;FMTTYPE=image/jpeg:https://cranbrookart.edu/wp-content/uploads/2023/01/NGreen_headshot23_HR.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20230322T180000
DTEND;TZID=America/Detroit:20230322T190000
DTSTAMP:20260627T193056
CREATED:20230309T225322Z
LAST-MODIFIED:20230309T225322Z
UID:20439-1679508000-1679511600@cranbrookart.edu
SUMMARY:Knoll Lecture in Design: Jonathan Olivares
DESCRIPTION:Jonathan Olivares \nJoin us on Wednesday\, March 22 for the 2023 Annual Knoll Lecture in Design. This year’s lecture will be presented by Jonathan Olivares\, Design Director of Knoll. The lecture will be held in deSalle Auditorium at Cranbrook Art Museum and is free and open to the public. Olivares has a rich practice that creates designs incorporating a legacy of form and technology that ask to be used\, rather than observed. He became the Design Director of Knoll in 2022\, after an illustrious career that began in 2006 with the establishment of his own industrial design practice\, based in Los Angeles.His projects include a showroom for Kvadrat (New York City\, 2022); a retail store for Camper (Rockefeller Center\, 2019); the installations Brujas Training Facility (Performance Space New York\, 2018); Room for a Daybed (Kortrijk Biennale Interieur\, 2016); the Aluminum Bench (Zahner\,2015); the Vitra Workspace\, an office furniture showroom and learning environment (Vitra\, 2015); the exhibition Source Material\, curated with Jasper Morrison and Marco Velardi (2014); and the Olivares Aluminum Chair (Knoll\, 2012).In 2011\, Olivares was awarded Italy’s Compasso d’ Oro and his work is included in the permanent design collections of the Art Institute of Chicago\, the Los Angeles County Art Museum\, and the Vitra Design Museum. In 2018\, powerHouse Books published Jonathan Olivares Selected Works\, a monograph containing his furniture designs\, interior spaces\, exhibitions\, and essays.While at Cranbrook\, Olivares will meet with students in the 3D Design department to review their work and discuss design ideas.The Knoll Lecture in Design was established in 2004 by Knoll\, the residential furnishings company founded by Cranbrook Academy of Art graduate Florence Schust and her husband Hans Knoll. Each year\, the endowed Knoll Lecture Fund brings the world’s most distinguished and innovative designers and thinkers to the Cranbrook campus to speak about their practice and to work with tomorrow’s design leaders studying at the Academy. Past speakers have included Steven Haulenbeek\, Aldo Bakker\, Martino Gamper\, Bertjan Pot\, Lindsey Adelman\, Stefano Caggiano\, and many others.
URL:https://cranbrookart.edu/event/knoll-lecture-in-design-jonathan-olivares/
LOCATION:deSalle Auditorium\, 39221 Woodward Avenue\, Bloomfield Hills\, MI\, 48304
CATEGORIES:Lectures
ATTACH;FMTTYPE=image/jpeg:https://cranbrookart.edu/wp-content/uploads/2023/03/Jonathan-Olivares.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20230306T180000
DTEND;TZID=America/Detroit:20230306T190000
DTSTAMP:20260627T193057
CREATED:20230228T162528Z
LAST-MODIFIED:20230228T162553Z
UID:20410-1678125600-1678129200@cranbrookart.edu
SUMMARY:Visiting Artist Lecture - Allana Clarke
DESCRIPTION:Allana Clarke \nJoin us for a free\, public lecture from Visiting Artist Allan Clarke who will discuss her practice and work. \nAllana Clarke (b. 1987) is a Trinidadian-American artist whose practice is built upon a foundation of uncertainty\, curiosity\, a will to heal\, and an insistence upon freedom. Fluidly moving through photography\, sculptural and text-based works\, video and performance\, her research-based practice incorporates socio-political and art historical texts\, to contend with ideas of Blackness\, the binding nature of bodily signification\, and of the possibility to create non-totalizing identifying structures. \nClarke received her BFA in photography from New Jersey City University in 2011 and an MFA in Interdisciplinary Practice from MICA’s Mount Royal School of Art in 2014. She is an assistant professor at Wayne State University in Detroit. Clarke has been an artist in residence at the Skowhegan School of Painting & Sculpture\, The Vermont Studio Center\, Lighthouse Works\, and Yaddo. She has received several grants including the Toby Devan Lewis Fellowship\, Franklin Furnace Fund\, and a Puffin Foundation Grant. Her work has been screened and performed at Gibney Dance in NY\, Invisible Export NY\, New School Glassbox Studio NY\, FRAC in Nantes\, France\, SAVVY Contemporary in Berlin and was featured in the Bauhaus Centennial edition Bauhaus Now: Is Modernity an Attitude. She recently completed a 2020-21 NXTHVN fellowship\, a mentorship program co-founded by artist Titus Kaphar. Clarke is represented by Galerie Thomas Zander in Cologne and Kavi Gupta Gallery in Chicago.
URL:https://cranbrookart.edu/event/visiting-artist-lecture-allana-clarke/
LOCATION:deSalle Auditorium\, 39221 Woodward Avenue\, Bloomfield Hills\, MI\, 48304
CATEGORIES:Lectures
ATTACH;FMTTYPE=image/jpeg:https://cranbrookart.edu/wp-content/uploads/2023/02/Clarke_Portrait-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20230209T170000
DTEND;TZID=America/Detroit:20230209T180000
DTSTAMP:20260627T193057
CREATED:20230130T205927Z
LAST-MODIFIED:20251111T100330Z
UID:20240-1675962000-1675965600@cranbrookart.edu
SUMMARY:Visiting Artist Lecture: Will Wilson - The Critical Indigenous Photographic Exchange
DESCRIPTION:The Critical Indigenous Photographic Exchange\nJoin us at deSalle Auditorium for a free\, public lecture from Visiting Artist Will Wilson. Wilson will survey his work as a contemporary Indigenous cultural practitioner and trans-customary artist. The presentation will cover his art practice\, curatorial work\, and public art production. \nWill Wilson’s art projects center around the continuation and transformation of customary Indigenous cultural practice. He is a Diné photographer and trans-customary artist who spent his formative years living on the Navajo Nation.  Wilson studied photography\, sculpture\, and art history at the University of New Mexico (MFA\, Photography\, 2002) and Oberlin College (BA\, Studio Art and Art History\, 1993).  In 2010 he was awarded the Joan Mitchell Foundation Award for Sculpture\, in 2016 the Pollock-Krasner Foundation Grant for Photography\, in 2017\, the NM Governor’s Award for Excellence in the Arts\, and in 2021 the NDN Collective’s Radical Imagination grant\, and the Native Arts and Culture Foundation SHIFT fellowship.  Wilson has taught at the Institute of American Indian Arts\, Oberlin College\, and the University of Arizona. In 2020\, Wilson was Doran Artist in Residence at the Yale University Art Gallery\, and in 2022 he is co-curator of Speaking with Light: Contemporary Indigenous Photography\, a nationally touring exhibition.  Wilson is Program Head of Photography at the Santa Fe Community College.
URL:https://cranbrookart.edu/event/visiting-artist-lecture-will-wilson-the-critical-indigenous-photographic-exchange/
LOCATION:deSalle Auditorium\, 39221 Woodward Avenue\, Bloomfield Hills\, MI\, 48304
CATEGORIES:Lectures
ATTACH;FMTTYPE=image/jpeg:https://cranbrookart.edu/wp-content/uploads/2023/01/Will_Wilson_headshot.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20230131T180000
DTEND;TZID=America/Detroit:20230131T191500
DTSTAMP:20260627T193057
CREATED:20230103T170858Z
LAST-MODIFIED:20230103T204021Z
UID:20109-1675188000-1675192500@cranbrookart.edu
SUMMARY:Visiting Artist Lecture: Catalina Ouyang
DESCRIPTION:Catalina Ouyang \nJoin us at deSalle Auditorium for a free\, public lecture from artist Catalina Ouyang. Ouyang will present an overview of their interdisciplinary projects since 2020. Please enter the auditorium through the Cranbrook Academy of Art Library entrance\, the art museum galleries will be closed. \nCatalina Ouyang has presented solo exhibitions at Night Gallery\, Los Angeles; Lyles & King\, New York; No Place Gallery\, Columbus; Make Room\, Los Angeles; Real Art Ways\, Hartford; and Knockdown Center\, Queens. Their work has been included in recent group shows at the Aldrich Contemporary Art Museum\, Ridgefield; Kimball Art Center\, Park City; Jeffrey Deitch\, New York and Los Angeles; Galerie Kandlhofer\, Vienna; Simon Lee Gallery\, London; and Friends Indeed\, San Francisco\, and others. Ouyang is the recipient of numerous awards and grants\, and has attended residencies at Vermont Studio Center\, Shandaken: Storm King\, Atlantic Center for the Arts\, and Smack Mellon. Their work has been reviewed and featured in publications including the New York Times\, Artforum\, Flash Art\, Frieze\, Artillery\, Flaunt Magazine\, and Hyperallergic. Ouyang received an MFA from Yale University and is based in New York\, NY. They are represented by Lyles & King in New York and Make Room in Los Angeles\, CA. \nSmack Mellon residency program
URL:https://cranbrookart.edu/event/visiting-artist-lecture-catalina-ouyang/
LOCATION:deSalle Auditorium\, 39221 Woodward Avenue\, Bloomfield Hills\, MI\, 48304
CATEGORIES:Lectures
ATTACH;FMTTYPE=image/jpeg:https://cranbrookart.edu/wp-content/uploads/2023/01/LK_CO_Nov20_106.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20230121T160000
DTEND;TZID=America/Detroit:20230121T171500
DTSTAMP:20260627T193057
CREATED:20230109T205448Z
LAST-MODIFIED:20230109T210232Z
UID:20146-1674316800-1674321300@cranbrookart.edu
SUMMARY:Visiting Artist Lecture: Diana Al-Hadid
DESCRIPTION:Join us at deSalle Auditorium for a free\, public lecture from artist Diana Al-Hadid. \nAl-Hadid was born in Aleppo\, Syria in 1981 and currently lives and works in Brooklyn\, New York. She received a BFA in Sculpture and a BA in Art History from Kent State University in 2003\, an MFA in Sculpture from Virginia Commonwealth University in 2005\, and attended the Skowhegan School of Painting and Sculpture in 2007. She has received a Joan Mitchell Grant\, a Louis Comfort Tiffany Grant\, a New York Foundation for the Arts Grant\, and a Pollock-Krasner Grant. She is also a USA Rockefeller Fellow. Her mosaic murals for NYC’s Penn Station were among 100 finalists for CODAawards\, an international competition honoring public commissions that integrate interior\, architectural\, or public spaces. In 2020\, she received The Academy of Arts and Letters Art Award. \nAl-Hadid has had solo exhibitions at The Bronx Museum of the Arts\, Bronx\, NY in collaboration with Madison Square Park\, NY\, The Frist Art Museum\, Nashville\, TN\, San Jose Museum of Art\, San Jose\, CA\, David Winton Bell Gallery at Brown University\, Providence\, RI\, NYU Abu Dhabi University Gallery\, Abu Dhabi\, UAE\, The Vienna Secession in Vienna\, Austria\, the Columbus College of Art and Design\, Columbus\, OH\, the Akron Museum of Art\, Akron\, OH\, the Savannah College of Art and Design\, Savannah\, GA\, the Weatherspoon Museum of Art\, Greensboro\, NC the Virginia Museum of Fine Arts\, Richmond\, VA\, the University of Texas at Austin\, Austin\, TX\, the Nasher Sculpture Center\, Dallas\, TX\, the Centro de Arte Contemporánea\, La Conservera\, Spain\, the Nevada Museum of Art\, Reno\, NV\, the Hammer Museum\, Los Angeles\, CA
URL:https://cranbrookart.edu/event/visiting-artist-lecture-diana-al-hadid/
LOCATION:deSalle Auditorium\, 39221 Woodward Avenue\, Bloomfield Hills\, MI\, 48304
CATEGORIES:Lectures
ATTACH;FMTTYPE=image/jpeg:https://cranbrookart.edu/wp-content/uploads/2023/01/diana-for-wix.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20230119T183000
DTEND;TZID=America/Detroit:20230119T193000
DTSTAMP:20260627T193057
CREATED:20230104T152439Z
LAST-MODIFIED:20251118T055805Z
UID:20121-1674153000-1674156600@cranbrookart.edu
SUMMARY:Artist Talk: James Benjamin Franklin in Conversation with Beverly Fishman
DESCRIPTION:James Benjamin Franklin\, Sum\, 2022. \nJames Benjamin Franklin (MFA Painting 2017) is joined in conversation by Beverly Fishman who was Artist-in-Residence and Head of the Painting Department at Cranbrook Academy from 1992-2019. The introduction will be given by Andrew Blauvelt\, curator of  James Benjamin Franklin: Full Circle and Director of the Cranbrook Art Museum. The conversation is co-hosted by Martha Mysko and Willie Wayne Smith\, Co-heads of Painting and Artists-in-Residence at Cranbrook Academy of Art. Please RSVP using the form on Cranbrook Art Museum’s website. \nJames Benjamin Franklin (b. Tacoma\, Washington) is an artist based in Detroit\, Michigan. His distinctive canvases push the boundaries between painting and sculpture. Franklin received his BFA from Art Center College of Design\, Los Angeles\, in 1999 and his MFA in Painting in 2017 from Cranbrook Academy of Art\, Bloomfield Hills\, Michigan. His work has been featured in exhibitions at the Kentucky Museum of Art and Craft\, Louisville; FRONT International\, the Cleveland Institute of Art\, Ohio; Night Gallery\, Los Angeles; the Museum of Contemporary Art\, Detroit; and Proyectos Monclova\, Mexico City. His work has been featured in Bomb Magazine\, Galerie Magazine\, Hyperallergic\, and the New York Times. The artist is represented by Reyes | Finn Gallery\, Detroit\, Michigan.  \nBeverly Fishman is a multi-disciplined artist whose provocative\, visually electrifying oeuvre positions her as an authoritatively contemporary aesthetic voice. Combining the handmade with the industrial\, Fishman employs a variety of techniques to explore technological\, scientific\, and biological systems of perception and representation\, instigating constructive conversations about the ways people see their bodies and minds\, and construct their identities. \nFishman has relentlessly sought out new materials and processes in order to realize her evolving vision. Her materials list has included traditional supports such as wood\, paper\, blown glass\, and aluminum\, as well as more unconventional elements like cast resin\, mirrored Plexiglass\, powder-coat-ed metal\, and phosphorescent pigments. She also frequently uses mediums like chrome and urethane automotive paint that speak in conversation with the legacy of the Detroit area\, where she lived and worked as the Head of the Painting and Artist-in-Residence at Cranbrook Academy of Art from 1992 until 2019. 
URL:https://cranbrookart.edu/event/artist-talk-james-benjamin-franklin-in-conversation-with-beverly-fishman/
LOCATION:deSalle Auditorium\, 39221 Woodward Avenue\, Bloomfield Hills\, MI\, 48304
CATEGORIES:Lectures
ATTACH;FMTTYPE=image/jpeg:https://cranbrookart.edu/wp-content/uploads/2023/01/Sum.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20221122T180000
DTEND;TZID=America/Detroit:20221122T190000
DTSTAMP:20260627T193057
CREATED:20221013T154703Z
LAST-MODIFIED:20251120T095326Z
UID:19908-1669140000-1669143600@cranbrookart.edu
SUMMARY:Lecture: Carolina Caycedo - From the Bottom of the River
DESCRIPTION:Carolina Caycedo \nJoin us in the deSalle Auditorium for a free\, public lecture from Visiting Artist\, Carolina Caycedo. Please enter the deSalle auditorium through the Cranbrook Academy of Art library entrance. The Cranbrook Art Museum galleries will be closed. \nIn her lecture\, From the Bottom of the River\, Caycedo will discuss her body of work that addresses humanity’s relationship with nature. Her innovative approach integrates her studio practice with actions in communities affected by mining\, damming\, and other resource extraction projects by corporations and governments. An essential element of this approach is spiritual fieldwork\, a process of developing relationships with the human and nonhuman entities of a particular place or field. Caycedo will share how this practice connects to new works commissioned by the Sun Valley Art Museum examining human-salmon relations along the Snake River. She will also present her ongoing research on just energy transitions in the Americas as a part of a forthcoming exhibition at the Vincent Price Art Museum for Pacific Standard Time 2024. \nCarolina Caycedo (b. 1978) is a Colombian\, London-born\, multidisciplinary artist known for her performances\, videos\, artist’s books\, sculptures\, and installations that examine environmental and social issues. Her work contributes to the construction of environmental historical memory as a fundamental element for non-repetition of violence against human and nonhuman entities. Caycedo is currently a nominee for the Artes Mundi 10 prize in Wales. She lives and works in Los Angeles.
URL:https://cranbrookart.edu/event/lecture-carolina-caycedo-from-the-bottom-of-the-river/
LOCATION:deSalle Auditorium\, 39221 Woodward Avenue\, Bloomfield Hills\, MI\, 48304
CATEGORIES:Lectures
ATTACH;FMTTYPE=image/jpeg:https://cranbrookart.edu/wp-content/uploads/2022/10/RVD7649_pp_Web.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20221116T180000
DTEND;TZID=America/Detroit:20221116T190000
DTSTAMP:20260627T193057
CREATED:20221013T155750Z
LAST-MODIFIED:20251120T095046Z
UID:19914-1668621600-1668625200@cranbrookart.edu
SUMMARY:Lecture: Matias del Campo - Neural Architecture - Design and Artificial Intelligence
DESCRIPTION:Matias del Campo \nJoin us in the deSalle Auditorium for a free\, public lecture from Visiting Professor and Author\, Matias del Campo. Please enter the deSalle auditorium through the Cranbrook Academy of Art library entrance. The Cranbrook Art Museum galleries will be closed. \nIn his lecture\, Neural Architecture – Design and Artificial Intelligence\, Campo will provide an opportunity to survey the emerging field of Architecture and Artificial Intelligence\, and to reflect on the implications of a world increasingly entangled in questions of the agency\, culture\, and ethics of AI. The main goal of Neural Architecture is to understand how to interrogate artificial intelligence–a technological tool–in the field of architectural design\, traditionally a practice that combines humanities and visual arts. Matias del Campo\, the author of Neural Architecture is currently exploring specific applications of artificial intelligence in contemporary architecture\, focusing on their relationship to material and symbolic culture. AI has experienced explosive growth in recent years in a range of fields including architecture but its implications for the humanistic values that distinguish architecture from technology have yet to be measured.
URL:https://cranbrookart.edu/event/lecture-matias-del-campo-neural-architecture-design-and-artificial-intelligence/
LOCATION:deSalle Auditorium\, 39221 Woodward Avenue\, Bloomfield Hills\, MI\, 48304
CATEGORIES:Lectures
ATTACH;FMTTYPE=image/jpeg:https://cranbrookart.edu/wp-content/uploads/2022/10/MdC_edited.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20221110T180000
DTEND;TZID=America/Detroit:20221110T190000
DTSTAMP:20260627T193057
CREATED:20220915T194811Z
LAST-MODIFIED:20220915T194811Z
UID:19780-1668103200-1668106800@cranbrookart.edu
SUMMARY:Lecture: Jovencio de la Paz
DESCRIPTION:Jovencio de la Paz \nJovencio de la Paz will discuss their work at the intersection of weaving and digital technology. Referencing the histories of computation\, and computer programming\, as well as the ancient technology of handloom weaving and the speculative futures proposed by science fiction\, de la Paz will share new and recent work and an in-depth view of their research to date. \nJovencio de la Paz is an artist\, weaver\, and educator. Their current work explores the intersecting histories of weaving and modern computers. Rhyming across millennia\, the stories of weaving and computation unfold as a space of speculation. Trained in traditional processes of weaving\, dye\, and stitch-work\, but reveling in the complexities and contradictions of digital culture\, de la Paz works to find relationships between concerns of language\, embodiment\, pattern\, and code with broad concerns of ancient technology\, speculative futures\, and the phenomenon of emergence. Jovencio is currently Associate Professor and Curricular Head of Fibers at the University of Oregon. \nJovencio de la Paz received a Master of Fine Art in Fiber from the Cranbrook Academy of Art (2012) and a Bachelor of Fine Art with an emphasis on Fiber and Material Studies from the School of the Art Institute of Chicago (2008). They have exhibited work in solo and group exhibitions both nationally and internationally\, most recently at the Museum of Art and Design in New York\, NY; Cranbrook Museum of Art in Bloomfield Hills\, MI; R & Company Gallery in New York\, NY; Vacation Gallery in New York\, NY; The 2019 Portland Biennial at Disjecta in Portland\, OR; The Museum of Craft and Folk-art in Los Angeles\, CA; The Museum of Contemporary Art in Denver\, CO; Seoul Arts Center\, Seoul\, South Korea; The Museum of Contemporary Craft\, Portland\, OR; The Hyde Park Art Center\, Chicago; Uri Gallery\, Seoul\, South Korea\, among others. In 2022\, Jovencio was awarded the prestigious United States Artists Fellowship for their significant contributions to the field of weaving.
URL:https://cranbrookart.edu/event/lecture-jovencio-de-la-paz-2/
LOCATION:deSalle Auditorium\, 39221 Woodward Avenue\, Bloomfield Hills\, MI\, 48304
CATEGORIES:Lectures
ATTACH;FMTTYPE=image/jpeg:https://cranbrookart.edu/wp-content/uploads/2022/09/jovencio-de-la-paz-headshot-scaled.jpg
END:VEVENT
END:VCALENDAR