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DTSTART;TZID=America/Detroit:20221026T180000
DTEND;TZID=America/Detroit:20221026T193000
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SUMMARY:Lecture: Caveh Zahedi - Failure and Spirituality
DESCRIPTION:Join us in the deSalle Auditorium for a free\, public lecture from Visiting Filmmaker\, Caveh Zahedi. In his lecture\, Failure and Spirituality\, Zahedi will about his personal experiences of failure and how they have informed and continue to inform his work. \nCranbrook Art Museum will be closed at the time of this lecture\, please enter deSalle Auditorium through the Cranbrook Academy of Art Library entrance directly across the peristyle from the museum main doors. \nCaveh Zahedi is an autobiographical filmmaker whose feature-length films include The Sheik and I (2012)\, I Am A Sex Addict (2005)\, In The Bathtub of the World (2001)\, I Don’t Hate Las Vegas Anymore (1994)\, and A Little Stiff (1991). He is also the writer/director of the web series The Show About the Show and the writer/host of the podcast 365 Stories I Want To Tell You Before We Both Die.
URL:https://cranbrookart.edu/event/lecture-caveh-zahedi-failure-and-spirituality/
LOCATION:deSalle Auditorium\, 39221 Woodward Avenue\, Bloomfield Hills\, MI\, 48304
CATEGORIES:Lectures
ATTACH;FMTTYPE=image/jpeg:https://cranbrookart.edu/wp-content/uploads/2022/08/67944362016__C028B436-F88D-4202-BBDC-61B296EB6DF4-scaled-e1661354609343.jpeg
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BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20220924T150000
DTEND;TZID=America/Detroit:20220924T170000
DTSTAMP:20251118T061628Z
CREATED:20220818T143047Z
LAST-MODIFIED:20251118T061628Z
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SUMMARY:Detroit Month of Design: Book Launch! My Robot Gets Me: How Social Design Can Make New Products More Human
DESCRIPTION:Come celebrate the first in-person launch of the head of 4D Design at Cranbrook Academy of Art\, Carla Diana’s UX-focused product design book\, My Robot Gets Me: How Social Design Can Make New Products More Human (Harvard Business Review Press). \nThis talk will take a fresh look at products in our everyday lives through the lens of social robotics. Robot designer and technology author Carla Diana will share case studies from over a decade of projects that span from thermostats to hospital robots\, looking at how a holistic approach to design can give teams a clear vision for creating products that are built on meaningful\, intuitive\, and delightful interactions. \nDiana will offer a sneak peek into her new book as well as a glimpse into the labs at Cranbrook Academy of Art’s unique Master of Fine Arts program in 4D Design.
URL:https://cranbrookart.edu/event/book-launch-my-robot-gets-me-how-social-design-can-make-new-products-more-human/
LOCATION:First National Building\, 660 Woodward Suites 6 & 7\, Detroit\, MI\, 48226\, United States
CATEGORIES:Lectures
ATTACH;FMTTYPE=image/png:https://cranbrookart.edu/wp-content/uploads/2021/01/Diana_MyRobotGetsMe_16x28.png
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BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20220503T180000
DTEND;TZID=America/Detroit:20220503T190000
DTSTAMP:20220310T170308Z
CREATED:20220310T170308Z
LAST-MODIFIED:20220310T170308Z
UID:19096-1651600800-1651604400@cranbrookart.edu
SUMMARY:Lecture: Tanya Aguiñiga
DESCRIPTION:Fiber Art as Activism on the US/Mexico Border\nFiber-centered interventions through: performance\, site-specific installation\, community based collaborations\, and object making have helped Tanya Aguiñiga and others voice the emotions felt at the edge of two cultures. In the face of injustice\, fiber and textile techniques have been Aguiñiga’s companions in creating works of healing and empowerment. Join Tanya Aguiñiga in unpacking the specifics of why fiber and textile-based materials have been the most effective conduit for her to bridge worlds at the border. Together\, discuss design thinking\, a brief history of art at the border\, and explore fiber works by other artists carried out at the border. \nBest practices for community engagement guide will be provided to all participants. \n  \nTanya Aguiñiga was born in 1978 in San Diego\, California\, and raised in Tijuana\, Mexico. An artist\, designer\, and craftsperson\, Aguiñiga works with traditional craft materials like natural fibers and collaborates with other artists and activists to createsculptures\, installations\, performances\, and community-based art projects. Drawing on her upbringing as a binational citizen\, who daily crossed the border from Tijuana to San Diego for school\, Aguiñiga’s work speaks of the artist’s experience of her divided identity and aspires to tell the larger and often invisible stories of the transnational community. \nAguiñiga began her career by creating collaborative installations with the Border Art Workshop/Taller de Arte Fronterizo\, an artist collective that addressed political and human rights issues at the U.S.-Mexico border. The artist co-built and for six years ran a community center in Tijuana\, aimed at bringing attention through arts initiatives to injustices that the local community faced. Aguiñiga has maintained this spirit of activism and community collaboration throughout her career\, going on to create many performances and installations that involve the participation of other artists\, activists\, and community members. In her installations\, furniture\, and wearable designs\, Aguiñiga often works with cotton\, wool\, and other textiles\, drawing upon Mesoamerican weaving and traditional forms. In 2016\, in response to the deep polarization about the U.S.- Mexico border\, Aguiñiga created AMBOS (Art Made Between Opposite Sides)\, an\nongoing series of projects that provides a platform for binational artists. Her inaugural AMBOS project\, Border Quipu\, used brightly colored strands of fabric to create quipu—an Andean pre-Columbian organizational system—that recorded the daily commutes to and from the United States. \nTanya Aguiñiga holds an MFA in furniture design from Rhode Island School of Design and a BA from San Diego State University. She was just awarded the Heinz Award in\nArts and Humanities (2021)\, is a United States Artists Target Fellow in the field of crafts and traditional arts\, a National Association of Latino Arts and Cultures awardee\,\nCreative Capital grant awardee\, and a recipient of an Americans for the Arts Johnson Fellowship for Artists Transforming Communities. She has had major solo exhibitions at the Smithsonian American Art Museum\, Washington\, DC (2018); Museum of Arts and Design\, New York (2018); among others. Her work is in the permanent collections of LACMA\, Hammer Museum\, Milwaukee Art Museum\, Mint Museum\, Smithsonian\, Pittsburg Museum\, Museum of Arts and Design among others. Aguiñiga lives in Los Angeles\, California.
URL:https://cranbrookart.edu/event/lecture-tanya-aguiniga/
LOCATION:Cranbrook Art Museum\, 39221 Woodward Ave.\, Bloomfield Hills\, MI\, 48304\, United States
CATEGORIES:Lectures
ATTACH;FMTTYPE=image/jpeg:https://cranbrookart.edu/wp-content/uploads/2022/03/Tanya-Aguiniga-Work.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20220427T183000
DTEND;TZID=America/Detroit:20220427T193000
DTSTAMP:20220425T191527Z
CREATED:20220425T191527Z
LAST-MODIFIED:20220425T191527Z
UID:19195-1651084200-1651087800@cranbrookart.edu
SUMMARY:Lecture: Kim Cridler
DESCRIPTION:Join us for a free public lecture from Visiting Artist Kim Cridler. Cridler will present her work in metals and the models that have shaped her practice including an interest in the form and functions of the vessel\, to ideas about the work of beauty\, cyclical time\, and our home in nature. \nTrained as a metalsmith\, Kim was an undergraduate at the University of Michigan\, earned an MFA in Metals from the State University of New York at New Paltz\, and studied at Skowhegan School of Sculpture and Painting. Kim has applied her use of steel\, structure\, and ornament in large-scale public art projects and commissions\, as well as maintaining a studio practice. Her work was featured in a retrospective at the Metal Museum in 2022. She most recently served as a tenured faculty in the Art Department at the University of Wisconsin-Madison after having taught at the University of Michigan\, San Diego State University\, Arizona State University\, and the Penland School of Crafts.
URL:https://cranbrookart.edu/event/lecture-kim-cridler/
LOCATION:Cranbrook Art Museum\, 39221 Woodward Ave.\, Bloomfield Hills\, MI\, 48304\, United States
CATEGORIES:Lectures
ATTACH;FMTTYPE=image/jpeg:https://cranbrookart.edu/wp-content/uploads/2022/04/kimgusM.jpeg
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BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20220413T180000
DTEND;TZID=America/Detroit:20220413T190000
DTSTAMP:20220406T174814Z
CREATED:20220406T174814Z
LAST-MODIFIED:20220406T174814Z
UID:19148-1649872800-1649876400@cranbrookart.edu
SUMMARY:Lecture: Dr. Sue Black
DESCRIPTION:If I Can Do It\, So Can You\nJoin us for a free\, public lecture from Professor Sue Black OBE at deSalle Auditorium\, hosted by the 4D Design at Cranbrook Academy of Art. Please enter deSalle Auditorium through the Cranbrook Academy of Art Library entrance (across from the main art museum entrance). \n35 years ago Professor Sue Black OBE was a single parent with few qualifications\, bringing up her three small children in poverty on a council estate in Brixton\, UK. She is now a multi-award-winning Professor of Computer Science and Technology Evangelist at Durham University\, the UK’s 3rd oldest university and one of the top 50 women in tech in Europe. \nOne of the leading tech personalities in the UK today\, Sue shares the story of how she brought her family out of poverty and built an extremely successful career through education\, passion\, and a determination to succeed. \n  \nA multi-award-winning Computer Scientist\, Technology Evangelist and Digital Skills Expert\, Professor Sue Black was awarded an OBE for “services to technology” in the 2016 Queen’s New Year’s Honours list. She is Professor of Computer Science and Technology Evangelist in the Department of Computer Science at Durham University\, a UK government advisor\, thought leader\, Trustee at Comic Relief\, social entrepreneur\, writer\, and public speaker. \nSue set up the UK’s first online network for women in tech BCSWomen in 1998 and led the campaign to save Bletchley Park\, home of the WW2 codebreakers. Sue’s first book Saving Bletchley Park details the social media campaign she led to save Bletchley Park from 2008-2011. Sue has championed women in tech for over two decades\, founding the #techmums social enterprise in 2013 and the pioneering TechUPWomenretraining underserved women into tech careers in 2019. \n\nPassionate about technology as an enabler Sue didn’t have a traditional start to her career. She left home and school at 16\, married at 20\, and had 3 children by the age of 23. A single parent at 25 she went to university\, gained a degree in computing then a PhD in software engineering. Sue now has 4 children and 6 grandchildren.
URL:https://cranbrookart.edu/event/lecture-dr-sue-black/
LOCATION:Cranbrook Academy of Art\, 39221 Woodward Ave\, Bloomfield Hills\, 48303\, United States
CATEGORIES:Lectures
ATTACH;FMTTYPE=image/png:https://cranbrookart.edu/wp-content/uploads/2022/04/Dr-Sue-Black-Headshot-e1649267266878.png
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BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20220412T180000
DTEND;TZID=America/Detroit:20220412T190000
DTSTAMP:20220407T135631Z
CREATED:20220407T135631Z
LAST-MODIFIED:20220407T135631Z
UID:19151-1649786400-1649790000@cranbrookart.edu
SUMMARY:Lecture: Torkwase Dyson
DESCRIPTION:Join us on April 12\, at 6pm for a free public lecture from Torkwase Dyson. This lecture will be presented in person at the deSalle Auditorium and by livestream on the deSalle YouTube channel. A recording will be available following the lecture. Dyson will be conducting studio visits with our Architecture\, Print Media\, and Painting programs as part of Cranbrook Academy of Art’s Gilbert Visiting Artist program. \nClick here to set a reminder and watch the livestream \nTorkwase Dyson is an interdisciplinary artist based in Brooklyn\, New York. She describes herself as a painter working across multiple mediums to explore the continuity between ecology\, infrastructure\, and architecture. \nExamining environmental racism as well as the history and future of black spatial liberation strategies\, Dyson’s abstract works grapple with the ways in which space is perceived and negotiated\, particularly by black and brown bodies. In 2019\, Dyson’s solo exhibition I Can Drink the Distance was on view at The Cooper Union\, New York\, and her work was also presented at the Sharjah Biennial. \nIn addition to participating in group exhibitions at the Smithsonian National Museum of African Art\, Washington\, D.C.; Whitney Museum of American Art\, New York; The Museum of Modern Art\, New York; and California African American Museum\, Los Angeles\, Dyson has had solo exhibitions and installations at Colby College Museum of Art\, Waterville\, Maine; Graham Foundation for Advanced Studies in the Fine Arts\, Chicago; Schuylkill Center for Environmental Education\, Philadelphia; and Suzanne Lemberg Usdan Gallery\, Bennington College\, Vermont.
URL:https://cranbrookart.edu/event/lecture-torkwase-dyson/
LOCATION:Cranbrook Academy of Art\, 39221 Woodward Ave\, Bloomfield Hills\, 48303\, United States
CATEGORIES:Lectures
ATTACH;FMTTYPE=image/jpeg:https://cranbrookart.edu/wp-content/uploads/2022/04/Torkwase_Dyson.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20220407T180000
DTEND;TZID=America/Detroit:20220407T190000
DTSTAMP:20220113T163230Z
CREATED:20220113T163230Z
LAST-MODIFIED:20220113T163230Z
UID:18858-1649354400-1649358000@cranbrookart.edu
SUMMARY:Lecture: Kelefa Sanneh
DESCRIPTION:Break-Up Songs: How Popular Music Got So Divisive\nPeople love to talk about how popular music transcends boundaries and brings people together. I’m not so sure. I think that popular music has often pushed us apart. As listeners\, we often choose the kind of songs we like by figuring out what kind of songs we *don’t* like—and\, sometimes\, by figuring out what kind of people we don’t want to *be* like. The result has been a riot of styles and subcultures: punk rockers cherishing defiance\, techno obsessives chasing oblivion; R&B fans celebrating Blackness\, country fans grappling (or not) with whiteness. Especially in America\, we have lately grown used to hearing people bemoan our divisiveness. Is it possible that popular music shows us how we might appreciate that divisiveness\, instead? \nKelefa Sanneh is the author of “MAJOR LABELS: A History of Popular Music in Seven Genres” (Penguin Press). He has been a staff writer at The New Yorker since 2008\, before which he spent six years as a pop-music critic at The New York Times. He is also a contributor to CBS Sunday Morning. Previously\, he was the deputy editor of Transition\, a journal of race and culture based at the W. E. B. Du Bois Research Institute at Harvard University. He lives in New York City with his family.
URL:https://cranbrookart.edu/event/lecture-kelefa-sanneh/
LOCATION:Cranbrook Art Museum\, 39221 Woodward Ave.\, Bloomfield Hills\, MI\, 48304\, United States
CATEGORIES:Lectures
ATTACH;FMTTYPE=image/jpeg:https://cranbrookart.edu/wp-content/uploads/2022/01/04_11_2021_KelefaSanneh_0967-e1642091401446.jpeg
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BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20220404T180000
DTEND;TZID=America/Detroit:20220404T190000
DTSTAMP:20251120T094924Z
CREATED:20220329T172448Z
LAST-MODIFIED:20251120T094924Z
UID:19137-1649095200-1649098800@cranbrookart.edu
SUMMARY:Lecture: Miriam Peterson and Nathan Rich of Peterson Rich Office (PRO)
DESCRIPTION:Join us for a free\, public lecture with Miriam Peterson and Nathan Rich of Peterson Rich Office. Peterson Rich Office specializes in cultural projects\, especially for the visual arts\, and in affordable housing. This lecture discusses how these two very different types of design work overlap and influence one another in our practice. Cranbrook Art Museum’s galleries will be closed\, please enter through the Cranbrook Academy of Art Library entrance. \nMiriam Peterson\, Principal\, Peterson Rich OfficeNathan Rich\, Principal\, Peterson Rich OfficeAbout the Firm: Peterson Rich Office (PRO) is a Brooklyn-based architecture and design firm recognized for its cultural and publicly engaged projects at multiple scales. Founded by Miriam Peterson and Nathan Rich in 2012\, the firm’s early work included an artist studio for Tula Telfair and flagships for PERROTIN and Glossier in New York City.In recent years\, PRO has selectively taken on new projects to expand the firm’s body of work in the cultural\, residential and community realms\, including the Davison Art Gallery at Wesleyan University; ‘The Shepherd’; artist studios for Nina Chanel Abney and Zaria Forman; a bookstore and community space on the Lower East Side; a retail space for The Row in Nordstrom Fashion Valley; and several New York City Housing Authority properties. Earlier this month\, PRO completed the Mandala Lab at the Rubin Museum of Art in New York City\, an immersive cultural and healing space for adults and kids alike that brings five surprising\, imaginative\, and playful installations and activities to help visitors identify difficult emotions and offer pathways to develop calmness and connection.
URL:https://cranbrookart.edu/event/lecture-miriam-peterson-and-nathan-rich-of-peterson-rich-office-pro/
LOCATION:Cranbrook Art Museum\, 39221 Woodward Ave.\, Bloomfield Hills\, MI\, 48304\, United States
CATEGORIES:Lectures
ATTACH;FMTTYPE=image/jpeg:https://cranbrookart.edu/wp-content/uploads/2022/03/Nathan-Rich-and-Miriam-Peterson-courtesy-of-Peterson-Rich-Office-scaled.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20220331T180000
DTEND;TZID=America/Detroit:20220331T190000
DTSTAMP:20220310T171722Z
CREATED:20220310T171722Z
LAST-MODIFIED:20220310T171722Z
UID:19100-1648749600-1648753200@cranbrookart.edu
SUMMARY:Lecture: Laura Plageman
DESCRIPTION:Laura Plageman transforms her photographs through image layering and collage to reflect an experiential view of nature and explore contemporary issues in landscape and photography. Her work has been shown and published nationally and internationally\, including with the De Soto Gallery in Los Angeles\, Pictura Gallery in Bloomington\, Indiana\, the Houston Center for Photography in Houston\, TX\, and Lightfield Arts in New York and is held in numerous private collections. She earned a BA in Art History from Wesleyan University and an MFA from the California College of the Arts. Laura lives and works in Oakland\, CA with her partner and their two daughters.
URL:https://cranbrookart.edu/event/lecture-laura-plageman/
LOCATION:Cranbrook Art Museum\, 39221 Woodward Ave.\, Bloomfield Hills\, MI\, 48304\, United States
CATEGORIES:Lectures
ATTACH;FMTTYPE=image/jpeg:https://cranbrookart.edu/wp-content/uploads/2022/03/plageman-laura-headshot-studio.jpeg
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BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20220329T180000
DTEND;TZID=America/Detroit:20220329T190000
DTSTAMP:20220314T143004Z
CREATED:20220314T143004Z
LAST-MODIFIED:20220314T143004Z
UID:19117-1648576800-1648580400@cranbrookart.edu
SUMMARY:Lecture: Harry Dodge
DESCRIPTION:Ecstatic Contamination: Notes on Seepage as Form\nIn this artist talk\, Harry Dodge uses Édouard Glissant’s phrase “I change\, and I exchange” (from Poetics of Relation\, 1990) as a jumping-off point to discuss a series of questions about difference\, specificity\, contamination\, and flux that animate Dodge’s interdisciplinary practice\, which has included sculpture\, writing\, drawing\, and video. \nThis lecture will take place in person at deSalle Auditorium. The Cranbrook Art Museum galleries will be closed; please enter through the Cranbrook Academy of Art Library across the peristyle from the Museum entrance.
URL:https://cranbrookart.edu/event/lecture-harry-dodge/
LOCATION:Cranbrook Art Museum\, 39221 Woodward Ave.\, Bloomfield Hills\, MI\, 48304\, United States
CATEGORIES:Lectures
ATTACH;FMTTYPE=image/jpeg:https://cranbrookart.edu/wp-content/uploads/2022/03/harry-dodge-author-photo-2019.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20220310T180000
DTEND;TZID=America/Detroit:20220310T190000
DTSTAMP:20220304T175107Z
CREATED:20220112T185753Z
LAST-MODIFIED:20220304T175107Z
UID:18850-1646935200-1646938800@cranbrookart.edu
SUMMARY:Swanson Lecture: Peggy Deamer (Virtual)
DESCRIPTION:Peggy Deamer \nArchitecture Beyond Capitalism\nThis talk will examine how the discipline of architecture can move beyond its current principle function – decorating developers’ (or rich clients) buildings – and simultaneously work on the side of society and the empowerment of architectural workers. It will look at the roadblocks that make this work hard and rehearse efforts at workarounds and/or institutional change. \nJoin the Zoom Meeting at the time of the lecture \nPeggy Deamer is Professor Emerita of Yale University’s School of Architecture and principal in the firm of Deamer\, Studio.  She is a founding member of the Architecture Lobby\, a group advocating for the value of architectural design and labor. She is the editor of Architecture and Capitalism: 1845 to the Present and The Architect as Worker: Immaterial Labor\, the Creative Class\, and the Politics of Design and the author of Architecture and Labor. Articles by her have appeared in Log\, Avery Review\, e-Flux\, and Harvard Design Magazine amongst other journals. Her theory work explores the relationship between subjectivity\, design\, and labor in the current economy. She received the Architectural Record 2018 Women in Architecture Activist Award and the 2021 John Q. Hejduk Award. \n \nThis lecture is sponsored by the J. Robert F. Swanson Fund. \nThe J. Robert F. Swanson Lecture Fund at Cranbrook Academy of Art was established in 1983 by the family of J. Robert F. Swanson\, a noted architect who was also the son-in-law of Eliel Saarinen. Each year\, the Swanson Lecture brings to the Cranbrook campus architects\, designers\, artists or scholars who have received critical acclaim for their work and enjoy a sustained record of excellence and achievement in their respective field.  J. Robert F. Swanson and his wife and lifelong design partner\, Pipsan Saarinen Swanson\, founded their firm Swanson Associates in 1947 and worked on many exteriors and interiors\, including residences\, schools\, universities\, churches\, airports\, banks\, and government\, industrial and commercial projects.
URL:https://cranbrookart.edu/event/swanson-lecture-peggy-deamer-virtual/
CATEGORIES:Lectures,Virtual
ATTACH;FMTTYPE=image/jpeg:https://cranbrookart.edu/wp-content/uploads/2022/01/peggy-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20220304T180000
DTEND;TZID=America/Detroit:20220304T190000
DTSTAMP:20220301T220615Z
CREATED:20220301T220523Z
LAST-MODIFIED:20220301T220615Z
UID:19072-1646416800-1646420400@cranbrookart.edu
SUMMARY:Lecture: Ahmed Ansari
DESCRIPTION:Ahmed Ansari is an Industry Assistant Professor at New York University at the Integrated Digital Media program in the department of Technology\, Culture & Society\, where he teaches courses in interaction and systems design\, design research\, and design studies. His research interests intersect between critical design studies and history\, postcolonial and decolonial theory\, and pre-colonial philosophy and the history of design and technology in the Indian subcontinent. \nThis lecture is free and open to the public. Cranbrook Art Museum is open late and free to all on Thursdays. \nVisit Ahmed Ansari’s website.
URL:https://cranbrookart.edu/event/lecture-ahmed-ansari/
LOCATION:Cranbrook Art Museum\, 39221 Woodward Ave.\, Bloomfield Hills\, MI\, 48304\, United States
CATEGORIES:Lectures
ATTACH;FMTTYPE=image/jpeg:https://cranbrookart.edu/wp-content/uploads/2022/03/download.jpeg
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BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20220216T180000
DTEND;TZID=America/Detroit:20220216T190000
DTSTAMP:20220124T190129Z
CREATED:20220103T212719Z
LAST-MODIFIED:20220124T190129Z
UID:18772-1645034400-1645038000@cranbrookart.edu
SUMMARY:Knoll Lecture: Steven Haulenbeek
DESCRIPTION:Each year\, through the generosity of an endowment from Knoll International\, the Knoll Lecture Series at Cranbrook Academy of Art brings a renowned designer to campus for a free public lecture to promote the importance of design and build discussions with the Academy students. \nThis year Steven Haulenbeek presents the annual Knoll Lecture at the invitation of Cranbrook Academy of Art’s 3D Design department. \n  \nRSVP for the in-person lecture using the form on Cranbrook Art Museum’s website. \nSet a reminder and watch the livestream on the deSalle YouTube channel. \n 
URL:https://cranbrookart.edu/event/knoll-lecture-steven-haulenbeek/
LOCATION:Cranbrook Art Museum\, 39221 Woodward Ave.\, Bloomfield Hills\, MI\, 48304\, United States
CATEGORIES:Lectures
ATTACH;FMTTYPE=image/jpeg:https://cranbrookart.edu/wp-content/uploads/2022/01/HaulenbeekFreeformMirrorCarpentersWorkshop.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20220211T200000
DTEND;TZID=America/Detroit:20220211T210000
DTSTAMP:20251120T095135Z
CREATED:20220210T191705Z
LAST-MODIFIED:20251120T095135Z
UID:19005-1644609600-1644613200@cranbrookart.edu
SUMMARY:Lecture: Farid Rakun\, Marnie Briggs\, and Coco (Webinar)
DESCRIPTION:From Jakarta to NYC via Cranbrook: on ruangrupa and Art Workers’ Inquiry\nFarid Rakun (CAA Architecture\, 2013) of ruangrupa (currently providing the artistic direction for the 2022 edition of Documenta in Kassel\, Germany) is joined by Marnie Briggs (CAA Print Media\, 2013) and Coco\, members of the New York-based Art Workers’ Inquiry\, to discuss the creation of ecosystems through artistic practice and organizing work. \nruangrupa is a Jakarta-based collective established in 2000. It is a non-profit organization that strives to support the idea of art within urban and cultural context by involving artists and other disciplines such as social sciences\, politics\, technology\, media\, etc\, to give critical observation and views towards Indonesian urban contemporary issues. ruangrupa also produce collaborative works in the form of art projects such as exhibition\, festival\, art lab\, workshop\, research\, as well as book\, magazine and online-journal publication. \nThe Art Workers’ Inquiry is an organizing group of art workers seeking to build power across New York’s vast arts industry. We define art workers as anyone whose labor contributes to the artistic production process\, from dancers to art handlers to bartenders at performance venues. We build connections and strengthen bonds of solidarity between art workers with the ultimate goal of building a new\, worker-run model of artistic labor. The Art Workers’ Inquiry formed in 2019 when we decided to create a survey based on the original 1880 workers’ inquiry compiled by Karl Marx. In addition to gathering research and forming a kind of ethnography of workers under capitalism\, the inquiry aimed to push and agitate—in its progression of questioning—the survey-taker to think about the political implications of revolt and revolution. Tailored to the concerns of art workers\, the first survey developed by the Art Workers’ Inquiry consists of seventy questions divided into twelve sections\, each centered on a topic such as labor\, profession\, or social reproduction. Our approach is interdisciplinary in order to expand our analysis of an industry that is extremely exploitative in part because it relies on the myth of “doing what you love.”
URL:https://cranbrookart.edu/event/lecture-farid-rakun-marnie-briggs-and-coco-webinar/
CATEGORIES:Lectures,Virtual
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DTSTART;TZID=America/Detroit:20220208T170000
DTEND;TZID=America/Detroit:20220208T180000
DTSTAMP:20220208T182005Z
CREATED:20211217T214909Z
LAST-MODIFIED:20220208T182005Z
UID:18749-1644339600-1644343200@cranbrookart.edu
SUMMARY:Lecture: Jeanne Vaccaro (Virtual)
DESCRIPTION:Out of Distracted Vision\nThinking at the intersection of diagnostic and aesthetic taxonomies\, Out of distracted vision considers the artistic output of sexologist John Money and punk activist Chloe Dzubilo. Working in different moments\, one an authority\, the other an outsider\, both make experimental doodles and invent neologisms—like transeuphoria\, mindbrain\, and fuckology—to mediate the monotony of the sciences of sex. Taken together\, their visual artifacts illustrate the constraints of diagnosis and animate a psychedelic boredom in the administration of sex and gender. \nRegister for the webinar \nJeanne Vaccaro is a scholar-curator at the ONE Archives\, and faculty in the Department of Gender and Sexuality Studies at the University of Southern California. She received her Ph.D. in Performance Studies at New York University under the mentorship of José Muñoz. Her book in process\, Handmade: Feelings and Textures of Transgender\, considers the felt labor of making identity and was awarded the Arts Writers Grant by Creative Capital | the Andy Warhol Foundation. She is also the recipient of the Alan Bérubé prize for outstanding LGBT public history awarded by the American Historical Association. \nAt ONE\, Jeanne has organized public programs with Arthur Jafa and Tourmaline on speculative archives and Black futures and the symposium “What you don’t know about AIDS could fill a museum.” She recently curated Foucault on Acid\, an exhibition of paintings by Indigenous artist Grace Rosario\, staged with correspondence and photography documenting Foucault’s 1975 acid trip in Death Valley. The exhibition considers psychedelia\, ecology\, the university\, precarious labor conditions\, and anti-immigrant culture wars\, inviting exploration of how archival and desert imaginaries coordinate spaces of unfreedom and possibility. In the spring\, she is curating an exhibition at Human Resources Los Angeles with Xandra Ibarra\, lay my burden down\, that presents the archival collections of performance artists Bob Flanigan and Sheree Rose alongside Ibarra’s sculptural explorations of disability\, race\, and consent. Jeanne is also the recipient of a multi-year Getty Foundation grant to research and curate Scientia Sexualis\, a survey of contemporary artists whose work engages histories of sexuality in the sciences and confronts and reimagines sex and gender as sites of experimentation\, which will open at the ICA LA in 2024. \nJeanne is co-editor\, with Joan Lubin\, of a special issue of Social Text on the afterlives of American sexology\, and she has published scholarly writing and art criticism in GLQ\, Radical History Review\, Trap Door\, BOMB Magazine\, among other venues. She was a Queer | Art curatorial fellow\, and serves on the advisory board of NYC LGBT Center’s archive. With AJ Lewis she co-founded and co-organizes the New York City Trans Oral History Project\, a community archive partnership with the New York Public Library. 
URL:https://cranbrookart.edu/event/lecture-jeanne-vaccaro-webinar/
CATEGORIES:Lectures,Virtual
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