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DTSTART;TZID=America/Detroit:20220211T200000
DTEND;TZID=America/Detroit:20220211T210000
DTSTAMP:20260429T225503
CREATED:20220210T191705Z
LAST-MODIFIED:20251120T095135Z
UID:19005-1644609600-1644613200@cranbrookart.edu
SUMMARY:Lecture: Farid Rakun\, Marnie Briggs\, and Coco (Webinar)
DESCRIPTION:From Jakarta to NYC via Cranbrook: on ruangrupa and Art Workers’ Inquiry\nFarid Rakun (CAA Architecture\, 2013) of ruangrupa (currently providing the artistic direction for the 2022 edition of Documenta in Kassel\, Germany) is joined by Marnie Briggs (CAA Print Media\, 2013) and Coco\, members of the New York-based Art Workers’ Inquiry\, to discuss the creation of ecosystems through artistic practice and organizing work. \nruangrupa is a Jakarta-based collective established in 2000. It is a non-profit organization that strives to support the idea of art within urban and cultural context by involving artists and other disciplines such as social sciences\, politics\, technology\, media\, etc\, to give critical observation and views towards Indonesian urban contemporary issues. ruangrupa also produce collaborative works in the form of art projects such as exhibition\, festival\, art lab\, workshop\, research\, as well as book\, magazine and online-journal publication. \nThe Art Workers’ Inquiry is an organizing group of art workers seeking to build power across New York’s vast arts industry. We define art workers as anyone whose labor contributes to the artistic production process\, from dancers to art handlers to bartenders at performance venues. We build connections and strengthen bonds of solidarity between art workers with the ultimate goal of building a new\, worker-run model of artistic labor. The Art Workers’ Inquiry formed in 2019 when we decided to create a survey based on the original 1880 workers’ inquiry compiled by Karl Marx. In addition to gathering research and forming a kind of ethnography of workers under capitalism\, the inquiry aimed to push and agitate—in its progression of questioning—the survey-taker to think about the political implications of revolt and revolution. Tailored to the concerns of art workers\, the first survey developed by the Art Workers’ Inquiry consists of seventy questions divided into twelve sections\, each centered on a topic such as labor\, profession\, or social reproduction. Our approach is interdisciplinary in order to expand our analysis of an industry that is extremely exploitative in part because it relies on the myth of “doing what you love.”
URL:https://cranbrookart.edu/event/lecture-farid-rakun-marnie-briggs-and-coco-webinar/
LOCATION:MI
CATEGORIES:Lectures,Virtual
ATTACH;FMTTYPE=image/jpeg:https://cranbrookart.edu/wp-content/uploads/2022/02/ruruAWI.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20220208T170000
DTEND;TZID=America/Detroit:20220208T180000
DTSTAMP:20260429T225503
CREATED:20211217T214909Z
LAST-MODIFIED:20220208T182005Z
UID:18749-1644339600-1644343200@cranbrookart.edu
SUMMARY:Lecture: Jeanne Vaccaro (Virtual)
DESCRIPTION:Out of Distracted Vision\nThinking at the intersection of diagnostic and aesthetic taxonomies\, Out of distracted vision considers the artistic output of sexologist John Money and punk activist Chloe Dzubilo. Working in different moments\, one an authority\, the other an outsider\, both make experimental doodles and invent neologisms—like transeuphoria\, mindbrain\, and fuckology—to mediate the monotony of the sciences of sex. Taken together\, their visual artifacts illustrate the constraints of diagnosis and animate a psychedelic boredom in the administration of sex and gender. \nRegister for the webinar \nJeanne Vaccaro is a scholar-curator at the ONE Archives\, and faculty in the Department of Gender and Sexuality Studies at the University of Southern California. She received her Ph.D. in Performance Studies at New York University under the mentorship of José Muñoz. Her book in process\, Handmade: Feelings and Textures of Transgender\, considers the felt labor of making identity and was awarded the Arts Writers Grant by Creative Capital | the Andy Warhol Foundation. She is also the recipient of the Alan Bérubé prize for outstanding LGBT public history awarded by the American Historical Association. \nAt ONE\, Jeanne has organized public programs with Arthur Jafa and Tourmaline on speculative archives and Black futures and the symposium “What you don’t know about AIDS could fill a museum.” She recently curated Foucault on Acid\, an exhibition of paintings by Indigenous artist Grace Rosario\, staged with correspondence and photography documenting Foucault’s 1975 acid trip in Death Valley. The exhibition considers psychedelia\, ecology\, the university\, precarious labor conditions\, and anti-immigrant culture wars\, inviting exploration of how archival and desert imaginaries coordinate spaces of unfreedom and possibility. In the spring\, she is curating an exhibition at Human Resources Los Angeles with Xandra Ibarra\, lay my burden down\, that presents the archival collections of performance artists Bob Flanigan and Sheree Rose alongside Ibarra’s sculptural explorations of disability\, race\, and consent. Jeanne is also the recipient of a multi-year Getty Foundation grant to research and curate Scientia Sexualis\, a survey of contemporary artists whose work engages histories of sexuality in the sciences and confronts and reimagines sex and gender as sites of experimentation\, which will open at the ICA LA in 2024. \nJeanne is co-editor\, with Joan Lubin\, of a special issue of Social Text on the afterlives of American sexology\, and she has published scholarly writing and art criticism in GLQ\, Radical History Review\, Trap Door\, BOMB Magazine\, among other venues. She was a Queer | Art curatorial fellow\, and serves on the advisory board of NYC LGBT Center’s archive. With AJ Lewis she co-founded and co-organizes the New York City Trans Oral History Project\, a community archive partnership with the New York Public Library. 
URL:https://cranbrookart.edu/event/lecture-jeanne-vaccaro-webinar/
LOCATION:MI
CATEGORIES:Lectures,Virtual
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BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20220202T180000
DTEND;TZID=America/Detroit:20220202T190000
DTSTAMP:20260429T225503
CREATED:20220112T170117Z
LAST-MODIFIED:20220131T212031Z
UID:18845-1643824800-1643828400@cranbrookart.edu
SUMMARY:Lecture: Jovencio de la Paz - CANCELED
DESCRIPTION:Jovencio de la Paz \n*Due to inclement weather reports\, Jovencio de la Paz’s visit and lecture are canceled. We look forward to rescheduling!* \nJovencio de la Paz explores the interrelated histories of computer programming and hand-weaving by creating specialized computer software\, algorithms\, and other computational contexts for the Thread Controller 2 (TC2) Digital Jacquard Loom. Trained as a hand-weaver but reveling in the complexities and contradictions of digital culture\, de la Paz works to find relationships between concerns of language\, embodiment\, pattern\, and code with broad concerns of ancient technology\, science fiction\, utopian versus dystopian vision\, speculative futures\, and the phenomenon of emergence. This lecture will provide an overview of the artist’s work\, as well as explore their research into the history of computer technology from the standpoint of weaving. \nJovencio de la Paz is an artist\, weaver\, and educator. Their current work explores the intersecting histories of weaving and modern computers. Rhyming across millenia\, the stories of weaving and computation unfold as a space of speculation. Trained in traditional processes of weaving\, dye\, and stitch-work\, but reveling in the complexities and contradictions of digital culture\, de la Paz works to find relationships between concerns of language\, embodiment\, pattern\, and code with broad concerns of ancient technology\, speculative futures\, and the phenomenon of emergence. Jovencio is currently Assistant Professor and Curricular Head of Fibers at the University of Oregon. \nJovencio de la Paz received a Master of Fine Art in Fiber from the Cranbrook Academy of Art (2012) and a Bachelor of Fine Art with an emphasis on Fiber and Material Studies from the School of the Art Institute of Chicago (2008). They have exhibited work in solo and group exhibitions both nationally and internationally\, most recently at the Cranbrook Art Museum in Bloomfield Hills\, MI; R & Company Gallery in New York\, NY; Vacation Gallery in New York\, NY; The 2019 Portland Biennial at Disjecta in Portland\, OR; The Museum of Craft and Folk-art in Los Angeles\, CA; The Museum of Contemporary Art in Denver\, CO; Seoul Arts Center\, Seoul\, South Korea; Ditch Projects\, Springfield\, OR; The Art Gym\, Marylhusrt\, OR; ThreeWalls\, Chicago\, IL; The Museum of Contemporary Craft\, Portland\, OR; The Hyde Park Art Center\, Chicago; Uri Gallery\, Seoul\, South Korea\, among others. Jovencio regularly teaches at schools of art\, craft\, and design throughout the country\, such as the Ox Bow School of Art in Saugatuck\, Michigan\, the Haystack Mountain School of Craft in Deer Isle\, Maine\, and the Arrowmont School of Craft in Tennessee\, and is also a co-founder of the collaborative group Craft Mystery Cult\, established in 2010. \nRSVP for the in person lecture at deSalle auditorium on the Cranbrook Art Museum website.
URL:https://cranbrookart.edu/event/lecture-jovencio-de-la-paz/
LOCATION:Cranbrook Art Museum\, 39221 Woodward Ave.\, Bloomfield Hills\, MI\, 48304\, United States
CATEGORIES:Lectures
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BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20220125T180000
DTEND;TZID=America/Detroit:20220125T190000
DTSTAMP:20260429T225503
CREATED:20220104T143007Z
LAST-MODIFIED:20220104T143007Z
UID:18775-1643133600-1643137200@cranbrookart.edu
SUMMARY:Lecture: Wonne Ickx
DESCRIPTION:Wonne Ickx. Photo: Ana Hop \nBuilding on Buildings\nUnder the title “Building on Buildings” – also the name of the studio that Wonne Ickx will be teaching at GSAPP\, Columbia in spring 2022 – Ickx will revisit the work of his studio PRODUCTORA with a specific emphasis on project that are additions\, re-uses and continuations of existing structures or ideas. \nWonne Ickx studied Civil Engineering and Architecture at the University of Ghent\, Belgium and Urban Studies at the Centre for Metropolitan Studies (CEMET) in Guadalajara\, Mexico. In 2006\, he founded PRODUCTORA in Mexico City\, together with Abel Perles\, Carlos Bedoya\, and Victor Jaime. PRODUCTORA has received many awards\, including the Oscar Niemeyer Prize for Latin American Architecture and the Mies Crown Hall Americas Prize for Emerging Architecture. Wonne Ickx has taught architecture at Harvard\, IIT\, UCLA\, RICE\, Princeton\, Columbia and several universities in Mexico. He is cofounder of LIGA\, Space for Architecture\, an independent exhibition platform that promotes contemporary Latin American architecture in Mexico City since 2011. \nPlease enter through the Cranbrook Academy of Art Library to attend in person at the deSalle Auditorium. Cranbrook Art Museum will not be open.
URL:https://cranbrookart.edu/event/lecture-wonne-ickx/
LOCATION:MI
CATEGORIES:Lectures
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20220113T180000
DTEND;TZID=America/Detroit:20220113T190000
DTSTAMP:20260429T225503
CREATED:20220104T190836Z
LAST-MODIFIED:20220110T202118Z
UID:18787-1642096800-1642100400@cranbrookart.edu
SUMMARY:Lecture: Jon Kessler - CANCELED
DESCRIPTION:Due to increasing COVID cases in NYC\, Jon Kessler’s lecture has been canceled. We will repost the event if it is able to be rescheduled. \nJon Kessler’s Life and Art\nDrawing on 40 years of work\, Kessler will present past and present sculptures and installations\, showing consistent themes expressed in different forms. \nRegister for the in-person lecture on the Cranbrook deSalle Auditorium on Cranbrook Art Museum’s website or watch online. \nBorn in 1957 in Yonkers\, NY\, Jon Kessler is an artist best known for his kinetic sculptures made with motors\, surveillance cameras and found objects. He has been showing his work regularly in the U.S. and abroad since his first exhibition at Artist’s Space in 1983. \nIn 2005 his immersive installation “The Palace at 4 AM” was exhibited at MoMA/PS1 and traveled to the Louisiana Museum (Copenhagen) and ZKM (Karlsruhe) and is permanently installed at the Phoenix Kulturstiftung/Sammlung Falckenberg (Hamburg). \nHis newest sculptures are “balancing acts” that slowly move with wind and viewer interaction. Bronze\, brass\, ceramics\, stainless steel\, and found porcelain figurines combine to form works which comment on ecological collapse and environmental precariousness. \nRecent activity includes the 2017 Whitney Biennial (New York)\, “L’Ennemi de Mon Ennemi” at the Palais de Tokyo (Paris)\, and the Guangzhou Triennal\, (Guangzhou). He is a Professor of Art at Columbia University where he has taught since 1994 and received his BFA from SUNY Purchase in 1980. 
URL:https://cranbrookart.edu/event/lecture-jon-kessler/
LOCATION:Cranbrook Art Museum\, 39221 Woodward Ave.\, Bloomfield Hills\, MI\, 48304\, United States
CATEGORIES:Lectures
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BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20211201T120000
DTEND;TZID=America/Detroit:20211210T235900
DTSTAMP:20260429T225503
CREATED:20211201T170403Z
LAST-MODIFIED:20251201T094241Z
UID:18719-1638360000-1639180740@cranbrookart.edu
SUMMARY:2nd Annual Alumni Art Sale
DESCRIPTION:Clockwise from L: Waterdrop I by Mira Burack (Fiber ’05); Evolutionary Culture\, Gary Kulak (Sculpture ’75); Billy by Dana Filibert (Metalsmithing ’04); TWO HANDS by Rafael Mahdavi (Painting ’68); Double Squares by Mary Kim (Architecture ’02); 1210A by Jack Lillis (Painting ’69). \nOn December 1\, 2021\, Cranbrook Academy of Art will launch its second virtual alumni art sale to celebrate its accomplished alumni while raising essential funds for Academy scholarships. The sale will run from December 1 through December 10\, 2021\, and will feature nearly 200 works from a variety of Academy alumni.Thanks to the generosity of our strong alumni base\, half of all proceeds raised through the sale will be donated to the Academy Scholarship Fund in support of future generations of Cranbrook Academy of Art students.The site will go live at artsale.cranbrookart.edu on December 1 at 12pm EST. Each item will have a listed price – this is not an auction-style sale – so buyers are encouraged to act quickly! Shipping details will be noted with each item.There are also Cranbrook stickers and apparel available for sale this year – perfect stocking stuffers for the Cranbrook supporter in your life!Academy alumni that would like to participate in future sales should email Alexis Weisbrod at aweisbrod@cranbrook.edu.
URL:https://cranbrookart.edu/event/2nd-annual-alumni-art-sale/
LOCATION:MI
CATEGORIES:Sale,Virtual
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BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20211123T150000
DTEND;TZID=America/Detroit:20211123T160000
DTSTAMP:20260429T225503
CREATED:20211122T182237Z
LAST-MODIFIED:20211122T182237Z
UID:18706-1637679600-1637683200@cranbrookart.edu
SUMMARY:Lecture: Jomo Toriko (Webinar)
DESCRIPTION:Jomo Tariku is an Ethiopian-American furniture designer based in Virginia\, USA. Trained in industrial design\, he is developing a new design language that synthesizes aspects of African culture. His practice is engaged with changing perceptions about African design along with exploring contemporary forms. Born in Kenya\, Jomo grew up in Ethiopia and moved to the US in 1987. In his early twenties\, he wrote a thesis about the future of African design in which he referred to architecture as an inspiration\, demonstrating that design language could draw on multifarious sources. Since then\, he has been committed to defining a modern approach to African furniture design and showing how designers from the diaspora can contribute to the international creative scene. Besides expanding his own practice\, Jomo is playing a vital role as one of the founding members of the Black Artists + Designers Guild\, (launched in 2018 by Malene Barnett) that aspires to bring more attention to black designers. Jomo’s work has been exhibited internationally\, including in Dubai\, Venice\, Milan\, Los Angeles and New York as well as Lagos\, Accra and Addis Ababa on the African continent and just in November at The Met in New York City.
URL:https://cranbrookart.edu/event/lecture-jomo-toriko-webinar/
LOCATION:MI
CATEGORIES:Lectures,Virtual
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BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20211118T180000
DTEND;TZID=America/Detroit:20211118T190000
DTSTAMP:20260429T225503
CREATED:20210928T182434Z
LAST-MODIFIED:20211013T152919Z
UID:18516-1637258400-1637262000@cranbrookart.edu
SUMMARY:Lecture: Martha Wilson
DESCRIPTION:It only takes 50 years\nMartha Wilson will survey her work from 1971 to 2021\, starting with text-based work created while she was getting a MA in English at Dalhousie University in Halifax\, N.S. Canada\, to image/text and performance art work she created this year. \nRegister for this lecture \nMartha Wilson (b. 1947) is a pioneering feminist artist and gallery director\, who over the past four decades has created innovative photographic and video works that explore her female subjectivity through role-playing\, costume transformations\, and “invasions” of other people’s personae. She began making these videos and photo/text works in the early 1970s while in Halifax in Nova Scotia\, and further developed her performative and video-based practice after moving in 1974 to New York City.  In 1976 she founded and continues to direct Franklin Furnace Archive\, Inc\,\, an artist-run space that champions the exploration\, promotion and preservation of artists’ books\, installation art\, video\, online and performance art\, further challenging institutional norms\, the roles artists play within society\, and expectations about what constitutes acceptable art mediums. \nWilson is esteemed for both her solo artistic production and her maverick efforts to champion creative forms that are “vulnerable due to institutional neglect\, their ephemeral nature\, or politically unpopular content.” Described by New York Times critic Holland Cotter as one of “the half-dozen most important people for art in downtown Manhattan in the 1970s\,” Wilson remains what curator Peter Dykhuis calls a “creative presence as an arts administrator and cultural operative.” \nWritten into and out of art history according to the theories and convictions of the time\, Wilson first gained notoriety thanks to the attention of curator Lucy R. Lippard\, who placed Wilson’s early efforts within the context of conceptual art and the work of women artists. Commenting on Wilson’s first projects\, art historian Jayne Wark wrote in 2001: \nIn her conceptually based performance\, video and photo-text works\, Wilson masqueraded as a man in drag\, catalogued various body parts\, manipulated her appearance with makeup and explored the effects of “camera presence” in self-representation. Although this work was made in isolation from any feminist community\, it has been seen to contribute significantly to what would become feminism’s most enduring preoccupations: the investigation of identity and embodied subjectivity. \nWilson’s early work is now considered prescient. In addition to being regarded by many as prefiguring some of the ideas proposed in the 1980s by philosopher Judith Butler about gender performativity\, many of her photo-text pieces point to territory later mined by Cindy Sherman\, among many other contemporary artists. \nMartha Wilson joined P.P.O.W Gallery\, New York\, and mounted a solo exhibition\, “I have become my own worst fear\,” in September 2011.  In 2013\, Wilson received an Honorary Doctor of Fine Arts degree from Nova Scotia College of Art and Design University.  In 2015\, she received the Audrey Irmas Award for Curatorial Excellence\, administered by the Center for Curatorial Studies\, Bard College; the College Art Association’s Women’s Caucus for Art Lifetime Achievement Award; and mounted her second solo exhibition at P.P.O.W Gallery.  \n 
URL:https://cranbrookart.edu/event/lecture-martha-wilson/
LOCATION:Cranbrook Art Museum\, 39221 Woodward Ave.\, Bloomfield Hills\, MI\, 48304\, United States
CATEGORIES:Lectures
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20211113
DTEND;VALUE=DATE:20211116
DTSTAMP:20260429T225503
CREATED:20211026T143611Z
LAST-MODIFIED:20251201T093929Z
UID:18641-1636776000-1636948799@cranbrookart.edu
SUMMARY:11th Annual Ceramics Cup Sale
DESCRIPTION:Join us for the 11th Annual Cranbrook Academy of Art Ceramics Department Cup Sale! The sale takes place 12pm to 5pm EDT on Saturday\, November 13\, and Sunday\, November 14\, 2021. All cups are $30 plus tax.\n\nThe sale will take place inside the Art Lab at Cranbrook Art Museum. Masks are required for entry\, please follow any written and verbal safety procedures of Cranbrook Art Museum. Capacity inside the Art Lab may be limited.\n\nParking is available at Cranbrook Art Museum lot and the Cranbrook Institute of Science parking deck.
URL:https://cranbrookart.edu/event/11th-annual-ceramics-cup-sale/
LOCATION:Cranbrook Art Museum\, 39221 Woodward Ave.\, Bloomfield Hills\, MI\, 48304\, United States
CATEGORIES:Sale
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BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20211109T180000
DTEND;TZID=America/Detroit:20211109T190000
DTSTAMP:20260429T225503
CREATED:20211014T182217Z
LAST-MODIFIED:20211014T182217Z
UID:18612-1636480800-1636484400@cranbrookart.edu
SUMMARY:Lecture: Adrian Wong
DESCRIPTION:Subjective Uncertainty And the Will to Render Messiness\nAdrian Wong will reflect on the operations of several recent and historical projects\, in relation to their strategies for generating new meanings from existing bodies of knowledge—with a focus on his collaborative engagements from 2010-2021. At a time in history when reason and facts are in marked decline\, this talk attempts to reconcile the cognitive dissonance produced by the instinct to knee-jerk into a defense of scientific consensus and a commitment to the spaces outside of empirical inquiry. \nWong was born and raised in Chicago\, Illinois in 1980. Originally trained in developmental psychology (MA\, Stanford ‘03)\, he pursued his post-graduate studies in sculpture (MFA\, Yale ‘05). He maintained a studio in Hong Kong from 2005 until 2018\, when he accepted his current position as Associate Professor at the School of the Art Institute of Chicago. His work has been exhibited at The Drawing Center (New York)\, Kuandu Museum (Taipei)\, Kunsthalle Wien\, Kunstverein (Hamburg)\, Palazzo Reale (Milan)\, Saatchi Gallery (London)\, and Witte de With Center for Contemporary Art (Rotterdam)—and can be found in public and private collections worldwide. \nRegister for this event at Cranbrook Art Museum
URL:https://cranbrookart.edu/event/lecture-adrian-wong/
LOCATION:Cranbrook Art Museum\, 39221 Woodward Ave.\, Bloomfield Hills\, MI\, 48304\, United States
CATEGORIES:Lectures
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BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20211018T180000
DTEND;TZID=America/Detroit:20211018T190000
DTSTAMP:20260429T225503
CREATED:20211011T142041Z
LAST-MODIFIED:20211011T142041Z
UID:18601-1634580000-1634583600@cranbrookart.edu
SUMMARY:Lecture: Suchitra Mattai (Webinar)
DESCRIPTION:Suchitra Mattai\, A topography of dreams\, 2021. Vintage saris\, animations\, fabric\, fringe\, tassels\, and acrylic\, dimensions variable. \nSuchitra Mattai is a multi-disciplinary artist of Indo-Caribbean descent. Her work explores how memory allows us to unravel and re-imagine historical narratives. She says\, “My primary pursuit is to give voice to people whose voices were once quieted.  Using both my own family’s ocean migrations and research on the period of colonial indentured labor during the 19th Century\, I seek to expand our sense of “history.” Re-writing this colonial history contributes to contemporary dialogue by making visible the struggles and perseverance of those who lived it.” \nMattai’s projects have included a commission for the Sharjah Biennial 14\, “State of the Art 2020” at Crystal Bridges Museum/the Momentary\, a Denver Art Museum and the Biennial of the Americas jointly sponsored installation\, a commission for the MCA’s Octopus Initiative\, solo exhibitions at the Boise Art Museum of Art (2021)\, K Contemporary Art (2020)\, Unit London (2022)\, Hollis Taggart NYC (2022)\, and the Center for Visual Arts\, Metropolitan State University of Denver (2018) and group exhibitions at Kavi Gupta Gallery (2021)\, Aicon Gallery (2021)\, Unit London ( 2021)\, Pen and Brush NYC (2019)\, and the San Antonio Museum of Art (2021).
URL:https://cranbrookart.edu/event/lecture-suchitra-mattai-webinar/
LOCATION:MI
CATEGORIES:Lectures,Virtual
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20210919T120000
DTEND;TZID=America/Detroit:20210919T170000
DTSTAMP:20260429T225503
CREATED:20210917T003943Z
LAST-MODIFIED:20251204T100253Z
UID:18467-1632052800-1632070800@cranbrookart.edu
SUMMARY:Alumni Open Studios
DESCRIPTION:Cranbrook Academy of Art Alumni in Metro Detroit are opening their studios to visitors! Download a map and explore local studios in the Detroit\, Hamtramck\, Highland Park\, Pontiac\, Redford\, Royal Oak\, and Clinton Township areas. Please note individual studio hours and mask requirements.
URL:https://cranbrookart.edu/event/alumni-open-studios/
LOCATION:MI
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20210514T130000
DTEND;TZID=America/Detroit:20210514T170000
DTSTAMP:20260429T225503
CREATED:20210504T213110Z
LAST-MODIFIED:20210505T220503Z
UID:17989-1620997200-1621011600@cranbrookart.edu
SUMMARY:Opening Reception for POST at Wasserman Projects
DESCRIPTION:Please join us for the opening reception of POST\, an exhibition of work from the Cranbrook Academy of Art Class of 2020 at Wasserman Projects in Detroit. POST features new work by 47 members of the Cranbrook Academy of Art Class of 2020. The exhibition will open on Friday\, May 14\, from 1–5pm\, and will remain open through June 19 by appointment. \nWasserman Projects is open 12-5pm\, Wednesday-Saturday. Appointments are required. Learn more and book an appointment \nParticipating Class of 2020 Alumni Includes:\nSimon Anton\, Joonghan Bae\, Chu Peng Chih\, Dee Clements\, Ben Cook\, Madelaine Corbin\, Rebecca Daryl Smith\, Caroline Del Giudice\, Brett Evans\, Elizabeth Ewing\, Laura D. Gibson\, Kaysi Grimes\, Xiaojun Huang\, Anke Huyben\, Ray Im\, Trevor Jahner\, Sam Keller\, Andie Labgold\, Wes Larsen\, Yuri Lawrence\, Karen Lee\, G.E. Leo\, Lauren Levato Coyne\, Naama Levit\, Jun Li\, Lorenzo Lorenzetti\, Violet Luczak\, Erik Magnuson\, Isabella Maroon\, Ciaran McQuiston\, Cody Norman\, Dominic Palarchio\, Ha Joung Park\, Emily Ryan Stark\, Hilla Shapira\, Ke Shi\, Taylor Stewart\, Josh Storer\, Antonia Stoyanovich\, Mingdong Sun\, Rebekah Sweda\, Sarah Thomas\, Natalie Wadlington\, Zhaozhao Wang\, Aobo Wang\, Luke Warren\, Ish Ishmael | Colleen Zickler \nThe exhibition is sponsored by Beth Redmond. \nClockwise from (L): Work by Laura D. Gibson (Photography)\, Luke Warren (Sculpture)\, Emily Ryan Stark (Fiber)\, Dee Clements (3D Design)\, Joonghan Bae (3D Design)\, Lauren Levato Coyne (Painting) \n 
URL:https://cranbrookart.edu/event/opening-reception-for-post-at-wasserman-projects/
LOCATION:Wasserman Projects\, 3434 Russell St #502\, Detroit\, MI\, 48207\, United States
ATTACH;FMTTYPE=image/png:https://cranbrookart.edu/wp-content/uploads/2021/05/POST_Instagram.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20210514T120000
DTEND;TZID=America/Detroit:20210619T170000
DTSTAMP:20260429T225503
CREATED:20210505T141404Z
LAST-MODIFIED:20251111T102704Z
UID:17994-1620993600-1624122000@cranbrookart.edu
SUMMARY:POST at Wasserman Projects Featuring Class of 2020
DESCRIPTION:POST\, an exhibition of work from the Cranbrook Academy of Art Class of 2020 at Wasserman Projects in Detroit features new work by 47 members of the Class of 2020. The exhibition will open on Friday\, May 14\, from 1–5pm\, and will remain open through June 19 by appointment. \nWasserman Projects is open 12-5pm\, Wednesday-Saturday. Appointments are required. Learn more and book an appointment \nParticipating Class of 2020 Alumni Includes:\nSimon Anton\, Joonghan Bae\, Chu Peng Chih\, Dee Clements\, Ben Cook\, Madelaine Corbin\, Rebecca Daryl Smith\, Caroline Del Giudice\, Brett Evans\, Elizabeth Ewing\, Laura D. Gibson\, Kaysi Grimes\, Xiaojun Huang\, Anke Huyben\, Ray Im\, Trevor Jahner\, Sam Keller\, Andie Labgold\, Wes Larsen\, Yuri Lawrence\, Karen Lee\, G.E. Leo\, Lauren Levato Coyne\, Naama Levit\, Jun Li\, Lorenzo Lorenzetti\, Violet Luczak\, Erik Magnuson\, Isabella Maroon\, Ciaran McQuiston\, Cody Norman\, Dominic Palarchio\, Ha Joung Park\, Emily Ryan Stark\, Hilla Shapira\, Ke Shi\, Taylor Stewart\, Josh Storer\, Antonia Stoyanovich\, Mingdong Sun\, Rebekah Sweda\, Sarah Thomas\, Natalie Wadlington\, Zhaozhao Wang\, Aobo Wang\, Luke Warren\, Ish Ishmael | Colleen Zickler \nThe exhibition is sponsored by Beth Redmond. \n  \nClockwise from (L): Work by Natalie Wadlington (Painting)\, Rebekah Sweda (Ceramics)\, Ke Shi (Metalsmithing)\, Kaysi Grimes (Print Media)\, Aobo Wang (2D Design)\, Dominic Palarchio (Sculpture)
URL:https://cranbrookart.edu/event/post-at-wasserman-projects-featuring-class-of-2020/
LOCATION:Wasserman Projects\, 3434 Russell St #502\, Detroit\, MI\, 48207\, United States
ATTACH;FMTTYPE=image/png:https://cranbrookart.edu/wp-content/uploads/2021/05/POST_Instagram.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20210504T180000
DTEND;TZID=America/Detroit:20210504T190000
DTSTAMP:20260429T225503
CREATED:20210428T163518Z
LAST-MODIFIED:20210430T140828Z
UID:17971-1620151200-1620154800@cranbrookart.edu
SUMMARY:Lecture: Fanny Lakoubay (Webinar)
DESCRIPTION:Making Sense of NFTs (Non-Fungible Tokens) Beyond the Hype\nAfter defining key terms (such as cryptoart\, blockchain\, NFTs) in the context of the art market\, Fanny Lakoubay will review the current NFT ecosystem\, going through concrete walk-throughs of the main NFT marketplaces\, artist portraits\, and collector profiles\, to grasp the extent of the uses of creative NFTS. Finally\, she will cover the future of NFTs\, alongside the potential perils and downsides of adoption. This interactive presentation will be followed by a Q&A.\n\nJoin the Zoom meeting directly at 6:00pm EST.
URL:https://cranbrookart.edu/event/lecture-fanny-lakoubay/
LOCATION:MI
CATEGORIES:Lectures,Virtual
ATTACH;FMTTYPE=image/jpeg:https://cranbrookart.edu/wp-content/uploads/2021/04/FannyLakoubay-Headshot-credit-CecileVacarro.jpeg
END:VEVENT
END:VCALENDAR