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DTSTART;TZID=UTC:20191114T180000
DTEND;TZID=UTC:20191114T190000
DTSTAMP:20191105T231204Z
CREATED:20191105T230507Z
LAST-MODIFIED:20191105T231204Z
UID:15756-1573754400-1573758000@cranbrookart.edu
SUMMARY:Lecture: Madeline Schwartzman
DESCRIPTION:Madeline Schwartzman – See Yourself Sensing \nSchwartzman will share her head-centered art practice\, from writing books about the human sensorium (See Yourself Sensing) and the future of the human head (See Yourself X)\, to her experimental art practice titled Face Nature\, that brings humans (mostly herself) in close proximity to plants\, forming uncanny hybrids that analyze and highlight human morphology and all the ways we are magnificent and monstrous. \nLectures are free and open to the public. Sponsored by the 4D Design Department at Cranbrook Academy of Art
URL:https://cranbrookart.edu/event/lecture-madeline-schwartzman/
LOCATION:Cranbrook Academy of Art\, 39221 Woodward Ave\, Bloomfield Hills\, 48303\, United States
CATEGORIES:Lectures
ATTACH;FMTTYPE=image/jpeg:https://cranbrookart.edu/wp-content/uploads/2019/11/Madeline-Schwartzman-e1572975905144.jpg
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BEGIN:VEVENT
DTSTART;TZID=UTC:20191113T180000
DTEND;TZID=UTC:20191113T190000
DTSTAMP:20191104T192838Z
CREATED:20191031T003629Z
LAST-MODIFIED:20191104T192838Z
UID:15734-1573668000-1573671600@cranbrookart.edu
SUMMARY:Lecture: Billy Mark
DESCRIPTION:Words Made Flesh with Billy Mark \nA hands-on look at the connection between poetry\, sculpture\, the body\, and improvisation.  \n Billy Mark is an interdisciplinary poet who lives and works in Detroit. He graduated from California Institute of the Arts\, was the 2015 Kresge Arts Fellowship for experimental poetry\, and his practice includes but is not limited to poetry\, movement\, music\, installation\, monasticism\, and sound maps.  \n Lectures are free and open to the public. Sponsored by the Sculpture Department 
URL:https://cranbrookart.edu/event/lecture-billy-mark-2019/
LOCATION:Cranbrook Art Museum\, 39221 Woodward Ave.\, Bloomfield Hills\, MI\, 48304\, United States
CATEGORIES:Lectures
ATTACH;FMTTYPE=:
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BEGIN:VEVENT
DTSTART;TZID=UTC:20191106T180000
DTEND;TZID=UTC:20191106T190000
DTSTAMP:20191104T192717Z
CREATED:20191030T235625Z
LAST-MODIFIED:20191104T192717Z
UID:15719-1573063200-1573066800@cranbrookart.edu
SUMMARY:Lecture: David Crabb
DESCRIPTION:David Crabb: Storyteller & Performing Memoirist \nDavid Crabb is a 1999 graduate of the Academy’s Photography department and is currently a Los Angeles-based author\, performer\, storyteller and host of The Moth and Risk! In 2013\, his solo show Bad Kid was named a New York Times critic’s pick. Bad Kid\, the memoir\, was released in 2015 by Harper Perennial. David has taught storytelling at Upright Citizens Brigade Theatre\, Occidental College\, Indiana University and NYU. Since 2012\, he has performed the solo pieces Bad Kid\, $1800\, Story Roulette\, and Man in a Hole. David is the host of the live storytelling show Traumaville in Los Angeles. His next memoir\, Whoever You Are I Hope You’re Okay\, comes out in 2018. \nLectures are free and open to the public. Sponsored by Alumni Relations
URL:https://cranbrookart.edu/event/lecture-david-crabb/
LOCATION:Cranbrook Art Museum\, 39221 Woodward Ave.\, Bloomfield Hills\, MI\, 48304\, United States
CATEGORIES:Lectures
ATTACH;FMTTYPE=image/jpeg:https://cranbrookart.edu/wp-content/uploads/2019/10/David_Crabb-1024x683.jpg
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BEGIN:VEVENT
DTSTART;TZID=UTC:20191030T180000
DTEND;TZID=UTC:20191030T200000
DTSTAMP:20251120T094546Z
CREATED:20191028T175601Z
LAST-MODIFIED:20251120T094546Z
UID:15709-1572458400-1572465600@cranbrookart.edu
SUMMARY:Lecture: Resourcing Your Practice: Applying for Artist Grants
DESCRIPTION:This professional practices presentation focuses on grants for artists – how to research and select them\, write proposals\, budget\, and build financial and other material/in-kind resources to support creative work. With Lauren Rossi and featured speaker Cézanne Charles. \n  \nCézanne Charles is a designer\, curator\, and researcher with 20 years of experience working at the executive and senior management level within the creative industries in both the United States and the United Kingdom. Her work focuses on the intersection of design\, technology\, culture\, social justice\, and public policy for future making. In 1998 she co-founded with John Marshall the hybrid design studio rootoftwo. Cézanne serves on Design Core Detroit’s Stewardship Board for the UNESCO City of Design initiative. From 2008-2019 Cézanne also served as Director of Creative Industries at Creative Many\, where she designed and led programs that provided the knowledge\, funding\, networks\, and advocacy needed to help empower the practices of artists\, designers\, and makers within the state\, with a core focus on Detroit.  \n  \nAll lectures are free and held in deSalle Auditorium at Cranbrook Art Museum.
URL:https://cranbrookart.edu/event/lecture-resourcing-your-practice-applying-for-artist-grants/
LOCATION:Cranbrook Art Museum\, 39221 Woodward Ave.\, Bloomfield Hills\, MI\, 48304\, United States
CATEGORIES:Lectures
ATTACH;FMTTYPE=image/jpeg:https://cranbrookart.edu/wp-content/uploads/2019/10/cezannecharles_headshot_square-460x460.jpg
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BEGIN:VEVENT
DTSTART;TZID=UTC:20191022T180000
DTEND;TZID=UTC:20191022T190000
DTSTAMP:20191003T175103Z
CREATED:20191003T175103Z
LAST-MODIFIED:20191003T175103Z
UID:15545-1571767200-1571770800@cranbrookart.edu
SUMMARY:Lecture: Elizabeth Essner
DESCRIPTION:Elizabeth Essner will join us to deliver the lecture\, “Dear Sirs: Rose Slivka and Craft Horizons Magazine.” \nRose Slivka was Editor-in-Chief of Craft Horizons magazine for two decades\, from 1959 to 1979. The publication was the leading voice of craft\, and under her direction the magazine took a deeply inclusive view of the field\, documenting and shaping its cultural connections and critical reception. Slivka sought a salon-like approach: poets\, artists\, critics and curators from both inside and outside the world of craft contributed to Craft Horizons. She heralded new generations of artists and craftspeople\, yet for much of Slivka’s longtime editorship\, readers’ letters were addressed to “Sirs\,” the assumed leadership of the magazine. Offering new consideration of her influence\, this lecture will contextualize the complexities of gender for Slivka and discuss her impact on the field then and now. \nElizabeth Essner is an independent curator and writer based in Brooklyn\, New York. She was a 2017 Curatorial Fellow with the Center for Craft where she co-curated “The Good Making of Good Things: Craft Horizons Magazine\, 1941-1979” which traveled to Arizona State University Art Museum and the Minnesota Museum of American Art. Elizabeth has also curated exhibitions for institutions including the Aldrich Contemporary Art Museum and UrbanGlass. A researcher for two forthcoming publications on contemporary jewelry and ceramics\, Elizabeth has also written for magazines including Modern and Metalsmith. She received her MA from the Bard Graduate Center in New York. \nSponsored by the Metalsmithing Department \nAll lectures are free and held in deSalle Auditorium at Cranbrook Art Museum.
URL:https://cranbrookart.edu/event/lecture-elizabeth-essner/
LOCATION:MI
CATEGORIES:Lectures
ATTACH;FMTTYPE=image/jpeg:https://cranbrookart.edu/wp-content/uploads/2019/10/Elizabeth-Essner_headshot.jpg
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BEGIN:VEVENT
DTSTART;TZID=UTC:20191021T180000
DTEND;TZID=UTC:20191021T190000
DTSTAMP:20191014T214419Z
CREATED:20191014T214419Z
LAST-MODIFIED:20191014T214419Z
UID:15586-1571680800-1571684400@cranbrookart.edu
SUMMARY:Lecture: Perry Kulper & Nat Chard
DESCRIPTION:Perry Kulper is an architect and an associate professor of architecture at the University of Michigan’s Taubman College of Architecture and Urban Planning. Nat Chard is the Professor of Experimental Architecture at the Bartlett\, University College London. In 2013\, they co-published Pamphlet Architecture 34\, Fathoming the Unfathomable: Archival Ghosts and Paradoxical Shadows. Their collaborative\, trans-continental practice explores the indeterminacy of architectural research through drawings that exceed the traditional drawing space.
URL:https://cranbrookart.edu/event/lecture-perry-kulper-nat-chard/
LOCATION:MI
CATEGORIES:Lectures
ATTACH;FMTTYPE=image/jpeg:https://cranbrookart.edu/wp-content/uploads/2019/10/perry-kulper-nat-chard.jpg
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BEGIN:VEVENT
DTSTART;TZID=UTC:20191018T180000
DTEND;TZID=UTC:20191018T190000
DTSTAMP:20191009T014845Z
CREATED:20191009T014845Z
LAST-MODIFIED:20191009T014845Z
UID:15558-1571421600-1571425200@cranbrookart.edu
SUMMARY:Lecture: Tomorrow Lab
DESCRIPTION:Tomorrow Lab partners Ted Ullrich and Pepin Gelardi will deliver the lecture\, “Bridging Tomorrow and Today with 4D Design.”  While traditional product design methods for developing physical artifacts have been around for several decades\, contemporary design projects in which the physical and digital blend together present a new set of challenges that are unlike any in the past. In this talk\, Ullrich and Gelardi will share case studies from this realm\, highlighting the opportunities for new experiences that emerge from a truly hybrid process of developing hardware and software in tandem with one another. They will discuss their design philosophies\, illustrated with examples from the entrepreneurial clients with which they have worked to invent new approaches to products that have impacted the worlds of toys\, health care\, entertainment\, agriculture\, personal care\, transportation and many more. For more information about Tomorrow Lab\, visit their website. \nSponsored by the 4D Design Department
URL:https://cranbrookart.edu/event/lecture-tomorrow-lab/
LOCATION:Cranbrook Art Museum\, 39221 Woodward Ave.\, Bloomfield Hills\, MI\, 48304\, United States
CATEGORIES:Lectures
ATTACH;FMTTYPE=image/png:https://cranbrookart.edu/wp-content/uploads/2019/10/Tomorrow-Lab-1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20191017T180000
DTEND;TZID=UTC:20191017T190000
DTSTAMP:20191010T192822Z
CREATED:20191010T192822Z
LAST-MODIFIED:20191010T192822Z
UID:15574-1571335200-1571338800@cranbrookart.edu
SUMMARY:Lecture: Dr. Michael Stone-Richards
DESCRIPTION:“The Art of Critical Theory (I): Post-Symbolisme and the Interruptions of Modernism.” \nDr. Michael Stone-Richards is this year’s Visiting Scholar in the Critical Studies Program at Cranbrook Academy of Art. He is a Professor of Critical Theory and Visual Studies at the College for Creative Studies\, Detroit. Michael is most recently the recipient of a Warhol Foundation Grant for his book in progress\, Care of the City: Ruination\, Abandonment\, and Hospitality in Contemporary Practice (forthcoming Sternberg Press). He has lectured widely in critical theory\, art writing\, and cultural history\, with essays forthcoming on McArthur Binion\, black labor and the avant-garde\, biopolitics\, and the problem of attention in cultural conflict. He is also at work on a translation of the hermetic poems of André Breton. With artist Addie Langford\, Michael curates the open conversation series the Alexandrine Street Seminars. With Addie Langford\, he is also the co-founder of Detroit Research (which won a Knight Foundation Grant) of which he is also the founding editor.  \nLectures are free and open to the public. Sponsored by the Critical Studies and Humanities Department at Cranbrook Academy of Art.
URL:https://cranbrookart.edu/event/lecture-dr-michael-stone-richards/
LOCATION:MI
CATEGORIES:Lectures
ATTACH;FMTTYPE=image/jpeg:https://cranbrookart.edu/wp-content/uploads/2019/10/Michael-Stone-Richards.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20191012T100000
DTEND;TZID=UTC:20191012T160000
DTSTAMP:20251224T110612Z
CREATED:20190827T175334Z
LAST-MODIFIED:20251224T110612Z
UID:15459-1570874400-1570896000@cranbrookart.edu
SUMMARY:Graduate Open House 2019
DESCRIPTION:While most graduate programs grow out of their undergraduate model\, Cranbrook Academy of Art offers something entirely different. Ranked as the top studio-based graduate-only program in the United States\, Cranbrook is exclusively devoted to producing graduates that are immediately prepared to enter the world of art\, architecture and design. \nOur unique program offers an intense studio-based experience comprised of 150 graduate students where Artists-in-Residence mentor students in Architecture\, 2D\, 3D\, and 4D Design\, Ceramics\, Fiber\, Metalsmithing\, Painting\, Photography\, Print Media\, and Sculpture to creatively influence contemporary culture. The curriculum is structured around self-directed studio work\, critique\, a rigorous academic program and a robust schedule of visiting artists\, architects\, designers\, and thinkers. \nThe Academy is a community of makers all of whom live and practice alongside each other on our extraordinary historic campus. Our graduates not only leave with an MFA or MArch degree\, but a cohort of thinking partners\, co-conspirators\, collaborators who will be their creative community for a lifetime. \nFind out if the Academy is right for your next step at our Graduate Open House on October 12\, from 10am-4pm. Meet Artists-in-Residence\, tour studio spaces\, learn about life on campus and enjoy a complimentary brunch in our private Eliel Saarinen-designed dining hall. \nOur competitive 2-year MFA or MArch programs are ideal for motivated students who want to take their work to the next level. Cranbrook offers opportunities for full tuition support and grants while offering unlimited studio time and full access to our on-site contemporary art museum. \nGraduate Open House Schedule of Events\nSaturday\, October 12\, 2019 \n10am – 4pm: Upon arrival: Check-In at the Art Academy Library\n*Directly across the peristyle from the Cranbrook Art Museum \n10am: Studios open! Meet Artists-in-Residence\, current students\, and tour each of our 11 studios. \n11am-1pm: Dining Hall open for brunch \n2-3:30: Campus Life & Financial Aid Q+A \n4pm: Studios close \nRegister here!
URL:https://cranbrookart.edu/event/graduate-open-house-2019/
LOCATION:Cranbrook Academy of Art\, 39221 Woodward Ave\, Bloomfield Hills\, 48303\, United States
CATEGORIES:Admissions Events,Open House
ATTACH;FMTTYPE=image/png:https://cranbrookart.edu/wp-content/uploads/2019/08/OpenHouse.png
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BEGIN:VEVENT
DTSTART;TZID=UTC:20191010T180000
DTEND;TZID=UTC:20191010T190000
DTSTAMP:20191003T175249Z
CREATED:20191002T000357Z
LAST-MODIFIED:20191003T175249Z
UID:15541-1570730400-1570734000@cranbrookart.edu
SUMMARY:Lecture: Guadalupe Maravilla
DESCRIPTION:Guadalupe Maravilla creates and choreographs fictionalized performance rituals\, objects and drawings that incorporate his pre-colonial Central American ancestry\, personal mythology\, and autobiography. Through multidisciplinary\, often collaborative performances and drawings\, Maravilla traces the history of his displacement\, interrogates the parallels between pre-Columbian cultures and our border politics\, and how these parallels are transformed through the process of hybridization. \nSponsored by the Print Media Department \nAll lectures are free and held in deSalle Auditorium at Cranbrook Art Museum.
URL:https://cranbrookart.edu/event/lecture-guadalupe-maravilla/
LOCATION:MI
ATTACH;FMTTYPE=image/jpeg:https://cranbrookart.edu/wp-content/uploads/2019/10/Maravilla-Guadalupe-02.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20191004T180000
DTEND;TZID=America/Detroit:20191004T190000
DTSTAMP:20190923T051045Z
CREATED:20190923T050424Z
LAST-MODIFIED:20190923T051045Z
UID:15519-1570212000-1570215600@cranbrookart.edu
SUMMARY:Lecture: Claire Bishop
DESCRIPTION:Claire Bishop will discuss the rise of research-based art\, offering a genealogy for its emergence in the 1990s. It argues that changes within this genre are partially tied to the reception of post-structuralist theory in art schools in the 1980s\, and partly to technological developments in information management since the late 1990s. \nIn tandem with the rise of the attention economy\, the viewer’s reception of research-based art has correspondingly shifted over these three decades. The paper offers a critique of this artistic tendency: its post-hermeneutic approach to display\, its reconfiguration of spectatorship as labour\, and its exacerbation of (rather than resistance to) information overload. \nClaire Bishop is a British art historian\, critic\, and Professor of Art History at The Graduate Center\, CUNY\, New York since September 2008. Bishop is a contributor to art journals including Artforum and October. She is known as one of the central theorists of participation in visual art and performance.
URL:https://cranbrookart.edu/event/lecture-claire-bishop/
LOCATION:Cranbrook Art Museum\, 39221 Woodward Ave.\, Bloomfield Hills\, MI\, 48304\, United States
CATEGORIES:Lectures
ATTACH;FMTTYPE=image/jpeg:https://cranbrookart.edu/wp-content/uploads/2019/09/Claire-Bishop_Headshot_Mary-Horlock.jpg
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BEGIN:VEVENT
DTSTART;TZID=UTC:20191002T180000
DTEND;TZID=UTC:20191002T190000
DTSTAMP:20190924T004924Z
CREATED:20190924T004924Z
LAST-MODIFIED:20190924T004924Z
UID:15523-1570039200-1570042800@cranbrookart.edu
SUMMARY:Lecture: Rob Walker
DESCRIPTION:Rob Walker will join us to deliver the lecture\, “The Art of Noticing.” \nIn this talk\, Walker argues that noticing what others have taken for granted is the cornerstone of creativity. Drawing on themes and sharing tips and suggestions from his book\, he shares examples from his research of creative projects that began by noticing something that everyone else overlooked or ignored. \nRob Walker is a journalist covering design\, technology\, business\, the arts\, and other subjects. A longtime contributor to The New York Times\, he has also written for Bloomberg Businessweek\, The Atlantic\, NewYorker.Com\, Design Observer and many others. His latest book is The Art of Noticing (Knopf). \nHe is on the faculty of the Products of Design MFA program at the School of Visual Arts. \nPreviously\, Walker wrote The Workologist column for The New York Times from 2013 to 2018. He also wrote the Consumed column for The New York Times Magazine\, where he was a contributing writer from 2004-2012. Before that he created and wrote the Ad Report Card column for Slate. His book Buying In: The Secret Dialogue Between What We Buy and Who We Are was published in 2008\, and Letters From New Orleans was published in 2005. \nHis creative side projects include Significant Objects (with Joshua Glenn)\, an online fiction experiment that culminated in an anthology published by Fantagraphics; The Hypothetical Development Organization (with Ellen Susan and GK Darby)\, an urban intervention initiative that was part of the official U.S. presentation at the Venice Architecture Biennale; Spawn of Gerrymander\, (with a half dozen contributing visual artists)\, a political-graphics statement backed by The Awesome Foundation; and As Real As It Gets\, an exhibition at New York’s apexart gallery exploring imaginary brands and products. More about those and other enterprises at RobWalker.net. \nThe lecture is sponsored by our 4D Design Department
URL:https://cranbrookart.edu/event/lecture-rob-walker/
LOCATION:Cranbrook Art Museum\, 39221 Woodward Ave.\, Bloomfield Hills\, MI\, 48304\, United States
ATTACH;FMTTYPE=image/jpeg:https://cranbrookart.edu/wp-content/uploads/2019/09/Walker_Rob_940_529x-72-ppi.jpg
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BEGIN:VEVENT
DTSTART;TZID=UTC:20190924T160000
DTEND;TZID=UTC:20190924T173000
DTSTAMP:20251204T100853Z
CREATED:20190917T012618Z
LAST-MODIFIED:20251204T100853Z
UID:15513-1569340800-1569346200@cranbrookart.edu
SUMMARY:Artist-in-Residence Lectures: Iris Eichenberg and Ian McDonald
DESCRIPTION:Each year\, the Artists-in-Residence of Cranbrook Academy of Art kick-off the academic year with a lecture about their work and practice. Join us for a discussion by Iris Eichenberg (Metalsmithing Artist-in-Residence) and Ian McDonald (Ceramics Artist-in-Residence). All lectures are free and held in deSalle Auditorium at Cranbrook Art Museum.
URL:https://cranbrookart.edu/event/artist-in-residence-lectures-iris-eichenberg-and-ian-mcdonald/
LOCATION:Cranbrook Art Museum\, 39221 Woodward Ave.\, Bloomfield Hills\, MI\, 48304\, United States
ATTACH;FMTTYPE=image/png:https://cranbrookart.edu/wp-content/uploads/2019/09/Ian-Iris-Square.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20190923T160000
DTEND;TZID=UTC:20190923T173000
DTSTAMP:20251209T052211Z
CREATED:20190917T011317Z
LAST-MODIFIED:20251209T052211Z
UID:15508-1569254400-1569259800@cranbrookart.edu
SUMMARY:Artist-in-Residence Lectures: Mark Newport and Gretchen Wilkins
DESCRIPTION:Each year\, the Artists-in-Residence of Cranbrook Academy of Art kick-off the academic year with a lecture about their work and practice. Join us for a discussion by Mark Newport (Fiber Artist-in-Residence) and Gretchen Wilkins (Architect-in-Residence). All lectures are free and held in deSalle Auditorium at Cranbrook Art Museum.
URL:https://cranbrookart.edu/event/artist-in-residence-lectures-mark-newport-and-gretchen-wilkins/
LOCATION:Cranbrook Art Museum\, 39221 Woodward Ave.\, Bloomfield Hills\, MI\, 48304\, United States
CATEGORIES:Lectures
ATTACH;FMTTYPE=image/png:https://cranbrookart.edu/wp-content/uploads/2019/09/Gretchen-Mark-Square.png
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BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20190918T160000
DTEND;TZID=America/Detroit:20190918T173000
DTSTAMP:20251209T052904Z
CREATED:20190916T211933Z
LAST-MODIFIED:20251209T052904Z
UID:15501-1568822400-1568827800@cranbrookart.edu
SUMMARY:Artist-in-Residence Lectures: Martha Mysko\, Willie Wayne Smith\, Scott Klinker
DESCRIPTION:Each year\, the Artists-in-Residence of Cranbrook Academy of Art kick-off the academic year with a lecture about their work and practice. Join us for a discussion by Martha Mysko and Willie Wayne Smith (Painting Co-Artists-in-Residence) and Scott Klinker (3D Designer-in-Residence). All lectures are free and held in deSalle Auditorium at Cranbrook Art Museum.
URL:https://cranbrookart.edu/event/artist-in-residence-lectures/
LOCATION:Cranbrook Art Museum\, 39221 Woodward Ave.\, Bloomfield Hills\, MI\, 48304\, United States
CATEGORIES:Lectures
ATTACH;FMTTYPE=image/png:https://cranbrookart.edu/wp-content/uploads/2019/09/Willie-Martha-Scott-Square.png
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