Maryangela Sanchez Rocca (MFA Industrial Design 2026)



Industrial Design
Industrial Design Philosophy
Industrial Design Philosophy
Object, Context, Purpose
The Industrial Design program supports students in sharpening their perspective and situating their work within the broader fields of design, art, and architecture. We critically explore the designer’s role in creating objects and examine how furniture and utilitarian objects act as an interface between the human body, the built environment, and the systems embedded in daily life.
We emphasize the consideration of historical, theoretical, and cultural contexts of designed objects while cultivating the development of production techniques and detail-oriented decision-making. The cohort is encouraged to carefully consider the implications of materials, manufacturing and the settings of object use and commerce. These reflections provide a framework for commitment and focus, emboldening graduates to continue diverse and multi-disciplinary paths with intentionality.



DESIGNER-IN-RESIDENCE
DESIGNER-IN-RESIDENCE
Leon Ransmeier
Leon Ransmeier is the director of Ransmeier Inc, a design office he founded in 2010. Clients include HAY, MillerKnoll, Maharam and Mattiazzi. Ransmeier’s designs have been exhibited at Cooper Hewitt Smithsonian Design Museum, Friedman Benda Gallery, SFMOMA and Swiss Institute (New York). His work has been published internationally and is included in the permanent collections of CNAP (France), San Francisco Museum of Modern Art and The Corning Museum of Glass. His own writings on design, art, and architecture have been published in Apartamento, Disegno, and PIN-UP.



Industrial Design Program
Industrial Design Program
A program built on collaboration, iteration and learning through building
Industrial Design is an inherently collaborative enterprise; whether the partnership is with industry, a community, or a craftsperson, the reciprocal relationship thrives because each party brings something unique to the project. The outstanding resources of the greater Detroit area offer exciting opportunities for support. Additionally, we travel locally and internationally for cooperative workshops with designers, artists and producers and regularly present exhibitions of student work globally.
Iteration is an integral component in the design process and the Industrial Design program propels students to establish and refine their own individual methods of refinement. Material exploration and process-based evolution have been hallmarks of the program since the 1940s. Today’s students continue that ethos of experimentation and our program encourages them to transcend existing means of production and explore new methods of creating.
The collaborative and production-oriented nature of the Industrial Design program is optimal for students with a background in design and object making. The curriculum is predominantly self-driven and studio-based, supported by direct mentorship of the Artist-in-Residence, Visiting Artists, industry partners and the larger community of peers at Cranbrook Academy of Art.





INDUSTRIAL DESIGN VISITING ARTISTS/CRITICS
INDUSTRIAL DESIGN VISITING ARTISTS/CRITICS
International artists, architects, designers, curators and scholars
Visiting artists play an important role in the Industrial Design curriculum, representing a range of professional approaches. Visitors give lectures, participate in student critiques, host reading seminars, provide 1:1 studio visits and conduct working demonstrations. The close-knit scale of the program affords ample room for spontaneous discussion and feedback. At the beginning of each school year, a selected visiting artist or group directs a participatory workshop introducing students to outside producers and opportunities.
The Industrial Design program also hosts the annual Knoll Lecture in Design, established in 2004 in honor of Florence Schust Knoll Bassett, who studied at the Academy before becoming a driving force of the Knoll furnishings company.
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Max Lamb
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Anthony Dunne and Fiona Raby
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Masamichi Udagawa and Sigi Moeslinger
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Sam Hecht and Kim Colin - Industrial Facility
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Martino Gamper
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Bertjan Pot
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Lindsey Adelman
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Katie Stout
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Aldo Bakker
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Allan Wexler
Select Visiting Designers
Select Visiting Designers




Industrial Design Experience
Industrial Design Experience
A rigorous studio culture built on critique, mentorship, and extended community
The Industrial Design program fosters each student’s experience through weekly critique, writing assignments and periodic reading seminars hosted by the Artist-in-Residence, visiting artists and the students themselves. Studio visits with the Artist-in-Residence take place regularly, and these encounters are complemented by the impromptu interactions inherent in working alongside mentors, visiting artists and the close-knit community of the Academy as a whole. We share a communal department kitchen for meals, coffee before critique, and hosting guests to the department. Students must be deeply committed to their studio practice as well as dedicated to contributing positively to the cohort’s shared dynamic and work ethic.
In the fall semester, a selected Industrial Design Visiting Artist will lead the students in a collaborative design workshop, the results of which are exhibited the following spring semester. These workshops include domestic and international travel for research, design development and the final exhibition.


Industrial Design Facilities
Industrial Design Facilities
Housed in a historic building designed by Eliel Saarinen, home to celebrated designers who have produced some of the most iconic objects of our time
Located adjacent to the landmark Saarinen house and Eliel Saarinen’s home office, the Industrial Design studios are housed in what was originally the drawing studio of the Cranbrook Architecture department. A freight elevator connects the main studio floor to the Industrial Design model shop, providing 24/7 access to a wood shop, extended workspace and a spray booth. An adjacent clean shop includes upholstery resources, cutting tables and 3D Printers. Students in the program also have access to the Central Materials Lab, including extensive wood and metal shops, and the Central Media Lab, housing large inkjet printers, a seamless photo studio and various cameras and other technology for checkout, as well as Cranbrook Academy of Art’s library and extensive permanent collections of Cranbrook Art Museum and the Center for Collections and Research.







