Metalsmithing

The program is focused on questioning the meaning and value of such techniques and materials through the process and practice of making, i.e., an exploration of their significance and possibilities within the context of both current artistic trends and movements, and in relation to developments in the wider context of contemporary society.

Offering a wide range of available material and technical options, the studio of each student ideally functions as a research space, a laboratory, in which knowledge and curiosity jointly fuel the search for new possibilities of making, and for ways of expanding the boundaries of the field. Broadly international in outlook and orientation, the department is focused on innovation through tradition, urging students to move beyond their limitations. Through critiques and exchange within the department, as well through dialogue and interaction with international scholars, artists, and craftspeople, students are able to refine and extend their conceptual and technical talents and abilities. The department offers a research environment in which to move beyond traditional skills and techniques. Students are encouraged to explore ways in which they can act as innovators in the fields of art and craft.

Through individual challenge, exploration and development, the program offers each student the opportunity to develop a highly-distinctive approach to craft, a personal language, and a thorough awareness of current practices in the world of art and craft, as well an extensive professional network, and knowledge of the wider context in which to function as an independent artist.

In the second year, the course of study is less expansive and leads specifically to the formation of a written masters thesis and presentation of work in the Graduate Degree Exhibition at Cranbrook Art Museum in the fourth term. Individual instruction and critique by the Artist-in-Residence is available as needed. Group critiques are planned in advance. Students are expected to submit their work for formal departmental critique three times a year. A weekly departmental meeting provides a forum for review and discussion of contemporary and historic metalwork supplemented by appropriate readings. The department organizes field trips to galleries, museums, artists studios, workshops, lectures and symposia related to the field.